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Yamaha PSR-510 — разнообразие музыкальных стилей и ритмов для исполнения [65/77]
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# Name Panel Name Rhythm Comments
Rock & Roll
43 Rock & Roll ROCK&ROLL 12-Beat Old-time ’60s Rock&Roll.
44
Boogie Woogie
BOOGIE12-BeatLate ’50s piano-based rock ‘n’ roll, with boogie woogie bass. Brass inPHRASE 1 &2,
piano bass in PAD.
45 Twist TWIST 8-Beat Straight-eight boogie, with a ”Twist.”
46 Rockabilly ROCKABILLY 12-Beat Simple, updated version of the Memphis ”Sun” sound.
47 16-beat 16RK&ROLL 16-Beat Hard rock & roll — bringing the ”Bo Beat” into the ’90s. Bring in more complex guitar,
Rock & Roll brass comping by playing more complex chords.
Traditional Jazz
48 Ragtime RAGTIME 8-Beat Turn-of-the-century piano style. Piano fills at PHRASE 1, piano bass at PHRASE 2.
49 Dixieland DIXIELAND 12-Beat Old-time New Orleans jazz. Trumpet at PHRASE 1, Trombone at PHRASE 2, and
Clarinets at PAD.
50Big BandBIG BAND12-BeatBig Band orchestra style and instrumentation. Piano at CHORD 1, guitar at CHORD 2,
trumpets at PHRASE 1, trombones at PHRASE 2, and saxes at PAD.
51
Big Band Ballad
B B BALLAD12-BeatSlowly swaying Big Band sound. Use in medley with Jazz Ballad to switch to piano/guitar
quartet.
52 Swing SWING 12-Beat European big-band swing style. Good for all mid-tempo swing tunes.
53 Swing Waltz SWING WALTZ
Nine-Eight
Mid-tempo 9/8 waltz.
Contemporary Jazz
54 BeBop BEBOP 12-Beat ’40s New York fast Bepop style. Good also for instantly adding a double-time feel to any
style!
55 Jazz Ballad JAZZ BALLAD 12-Beat Slow jazz style with piano, guitar, bass and brush drums. Turn off PHRASE 1 & 2 when
playing piano melody. Use in medley with Big Band Ballad to change orchestration.
56 Jazz Waltz JAZZ WALTZ
Nine-Eight
Swing style in 3/4 time for playing jazz waltz standards.
57 Fusion FUSION 16-Beat Latin flavored 16-beat fusion.
58 Fusion Shuffle FUSION SHFL 24-Beat West Coast type funk shuffle.
Latin
59 Mambo MAMBO 8-Beat Contemporary Latin dance music. If playing the melody with a piano sound, turn off
CHORD 2.
60 Merengue MERENGUE 8-Beat High-energy Latin style with lots of percussion and punchy brass.
61 Beguine BEGUINE 8-Beat Slow rumba rhythm, a la ”Begin the Beguine.”
62 Bomba BOMBA 16-Beat Puerto Rican dance rhythm, cousin to the Merengue.
63 Guaguanco GUAGUANCO 16-Beat Another high-powered Latin dance style, usually played with drums/percussion only. Use
RHYTHM 1 & 2, PHRASE 1 & 2 to bring individual percussion in and out.
Latin Pop
64 Pop Bossa POP BOSSA 8-Beat Soft, electric-piano based Latin pop sound.
65
Bossa Nova Slow
SLOW BOSSA 8-Beat Mellow and jazzy Bossa Nova style, good for mid to slow tempos.
66 Jazz Samba JAZZ SAMBA 16-Beat Traditional Brazilian samba with an added drum set.
67
Modern Cha Cha
MOD CHA CHA 16-Beat Afro-Cuban dance style for medium slow tempos.
68 Latin Rock LATIN ROCK 16-Beat Contemporary Cha Cha with electric bass and drum kit.
Caribbean
69 Ska SKA 8-Beat Ska rhythm. Minor keys add doubled ”skank.”
70 Calypso CALYPSO 16-Beat Traditional Jamaican Calypso music from the ’60s.
71 Reggae 16 REGGAE 16 16-Beat Modern Jamaican Reggae rhythm with fat synth bass.
72 Reggae 12 REGGAE 12 12-Beat Reggae shuffle.
Country & Western
73 Bluegrass BLUEGRASS 16-Beat Try this one with just CHORD 1 and RHYTHM 1 at first, then build up the arrangement by
adding different instruments.
74 Country Pop C POP 8-Beat Contemporary country style.
75 Country Rock C ROCK 8-Beat Soft country style with pedal steel sound. Guitar voicings are most authentic for simple
chords, like major, minor, 7th, etc.
76 Country Ballad C BALLAD 8-Beat Especially suited to slow tempos. Also, try playing with CHORD 1 only.
77 Country Waltz C WALTZ
Nine-Eight
Simple, versatile country style with acoustic guitar. Guitar voicings are most authentic for
simple chords, like major, minor, 7th, etc.
78
Country Shuffle
C SHUFFLE 12-Beat Traditional country style using acoustic guitar. Guitar voicings are most authentic for
simple chords, like major, minor, 7th, etc.
79
Western Shuffle
W SHUFFLE 12-Beat Down-home Country and Western shuffle, with a modern touch.
Содержание
183- Psr 510
- Canada
- Model no
- Fcc information u s a
- Please keep this manual
- Special message section
- Serial no
- Purchase date
- Contents
- Congratulations
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference
- Taking care of your portatone
- Power supply
- Preparation
- The sustain pedal
- The music stand
- Using headphones or an external sound system
- Preparation
- Listen to the demo
- Basic editing procedure
- Orchestration
- Selecting playing the voices
- G dual mode
- G split modes
- G split dual modes
- Voice assignment
- Selecting playing the voices
- Volume
- Octave
- Dsp depth
- Selecting playing the voices
- Auto harmony
- Selecting playing the voices
- Effects
- Keyboard percussion
- Sustain
- Selecting playing the voices
- Pitch bend
- Split point change
- Overall control
- Transpose
- Overall control
- Tuning
- Dsp type
- Touch sensitivity
- Overall control
- Style select
- Normal
- Accompaniment control
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details
- Selecting a style
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally
- Auto accompaniment
- Auto accomp
- Auto accompaniment fingering
- Auto accompaniment
- Setting the auto accompaniment split point
- The psr 510 will accept the following chord types
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature
- G mode 1 chord 1
- Example for c chords
- Auto accompaniment
- Tempo control
- Accompaniment control
- Auto accompaniment
- Auto accompaniment
- The track buttons
- Accompaniment volume
- Re voicing the tracks
- Auto accompaniment
- One touch setting
- Registration memory
- G memorizing the settings
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored
- Registration memory
- Record functions
- Song memory
- Record functions
- I realtime accompaniment track recording
- Record functions
- Realtime melody track recording
- I accompaniment and melody playback
- Record functions
- I the reset button
- I record or play from a specified measure
- Midi bulk dump page copy
- Recording
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65
- Are you sure
- After the are you sure prompt the portatone will wait until you press yes or no
- The multi pads
- Song multi pads
- Memory
- I realtime recording
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend
- Record functions
- I playback
- Memory
- Custom accompaniment
- Recording
- Midi bulk dump page copy
- I realtime custom accompaniment recording
- Auto accompaniment
- Are you sure
- Accompaniment control
- No yes
- Record functions
- I using a custom accompaniment
- Step recording
- Record functions
- Record functions
- I quantization
- Editing functions
- Record functions
- I clearing tracks
- I changing the recorded settings
- Page memory
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail
- Midi bulk dump
- I page copy
- Midi reception modes
- I channel reception modes
- I start stop mode
- I clock mode
- Midi transmission
- I midi transmit channels
- I local midi output on off
- Voice polyphony list
- Appendix
- Style list
- Rhythm blues
- Pop ballad
- Name panel name rhythm comments pop
- Appendix
- Caribbean
- Traditional jazz
- Name panel name rhythm comments rock roll
- Latin pop
- Country western
- Contemporary jazz
- Ballroom standard
- Name panel name rhythm comments world music
- I style list
- Custom accomp
- Ballroom latin
- Appendix
- Reset procedures page memory default settings
- G system reset
- G page reset
- G page memory default settings
- Appendix
- Troubleshooting
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points
- Percussion kit list verzeichnis der schlagzeug und percussion set
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24
- Ts liste des kits de percussion lista de juegos de percusión
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48
- Midi implementation chart implementierungstabelle table
- Midi implementation chart
- D implémentation gráfico de implememtación
- I gm system level 1
- Weight
- Supplied accessories
- Auto accompaniment
- Song memory
- Keyboards
- Dimension
- Batteries
- Auxiliary jacks
- Specifications technische daten spécifications especificaciones
- Are you sure
- Speakers
- Registration memory
- Recording
- Rated voltage
- Page memory
- Overall control
- Optional accessories
- Multi pads
- Multi display
- Main amplifiers
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