![Yamaha PSR-510 [65/77] Name panel name rhythm comments rock roll](/img/pdf.png)
Yamaha PSR-510 [65/77] Name panel name rhythm comments rock roll
![Yamaha PSR-510 [65/77] Name panel name rhythm comments rock roll](/views2/1019262/page65/bg41.png)
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# Name Panel Name Rhythm Comments
Rock & Roll
43 Rock & Roll ROCK&ROLL 12-Beat Old-time ’60s Rock&Roll.
44
Boogie Woogie
BOOGIE12-BeatLate ’50s piano-based rock ‘n’ roll, with boogie woogie bass. Brass inPHRASE 1 &2,
piano bass in PAD.
45 Twist TWIST 8-Beat Straight-eight boogie, with a ”Twist.”
46 Rockabilly ROCKABILLY 12-Beat Simple, updated version of the Memphis ”Sun” sound.
47 16-beat 16RK&ROLL 16-Beat Hard rock & roll — bringing the ”Bo Beat” into the ’90s. Bring in more complex guitar,
Rock & Roll brass comping by playing more complex chords.
Traditional Jazz
48 Ragtime RAGTIME 8-Beat Turn-of-the-century piano style. Piano fills at PHRASE 1, piano bass at PHRASE 2.
49 Dixieland DIXIELAND 12-Beat Old-time New Orleans jazz. Trumpet at PHRASE 1, Trombone at PHRASE 2, and
Clarinets at PAD.
50Big BandBIG BAND12-BeatBig Band orchestra style and instrumentation. Piano at CHORD 1, guitar at CHORD 2,
trumpets at PHRASE 1, trombones at PHRASE 2, and saxes at PAD.
51
Big Band Ballad
B B BALLAD12-BeatSlowly swaying Big Band sound. Use in medley with Jazz Ballad to switch to piano/guitar
quartet.
52 Swing SWING 12-Beat European big-band swing style. Good for all mid-tempo swing tunes.
53 Swing Waltz SWING WALTZ
Nine-Eight
Mid-tempo 9/8 waltz.
Contemporary Jazz
54 BeBop BEBOP 12-Beat ’40s New York fast Bepop style. Good also for instantly adding a double-time feel to any
style!
55 Jazz Ballad JAZZ BALLAD 12-Beat Slow jazz style with piano, guitar, bass and brush drums. Turn off PHRASE 1 & 2 when
playing piano melody. Use in medley with Big Band Ballad to change orchestration.
56 Jazz Waltz JAZZ WALTZ
Nine-Eight
Swing style in 3/4 time for playing jazz waltz standards.
57 Fusion FUSION 16-Beat Latin flavored 16-beat fusion.
58 Fusion Shuffle FUSION SHFL 24-Beat West Coast type funk shuffle.
Latin
59 Mambo MAMBO 8-Beat Contemporary Latin dance music. If playing the melody with a piano sound, turn off
CHORD 2.
60 Merengue MERENGUE 8-Beat High-energy Latin style with lots of percussion and punchy brass.
61 Beguine BEGUINE 8-Beat Slow rumba rhythm, a la ”Begin the Beguine.”
62 Bomba BOMBA 16-Beat Puerto Rican dance rhythm, cousin to the Merengue.
63 Guaguanco GUAGUANCO 16-Beat Another high-powered Latin dance style, usually played with drums/percussion only. Use
RHYTHM 1 & 2, PHRASE 1 & 2 to bring individual percussion in and out.
Latin Pop
64 Pop Bossa POP BOSSA 8-Beat Soft, electric-piano based Latin pop sound.
65
Bossa Nova Slow
SLOW BOSSA 8-Beat Mellow and jazzy Bossa Nova style, good for mid to slow tempos.
66 Jazz Samba JAZZ SAMBA 16-Beat Traditional Brazilian samba with an added drum set.
67
Modern Cha Cha
MOD CHA CHA 16-Beat Afro-Cuban dance style for medium slow tempos.
68 Latin Rock LATIN ROCK 16-Beat Contemporary Cha Cha with electric bass and drum kit.
Caribbean
69 Ska SKA 8-Beat Ska rhythm. Minor keys add doubled ”skank.”
70 Calypso CALYPSO 16-Beat Traditional Jamaican Calypso music from the ’60s.
71 Reggae 16 REGGAE 16 16-Beat Modern Jamaican Reggae rhythm with fat synth bass.
72 Reggae 12 REGGAE 12 12-Beat Reggae shuffle.
Country & Western
73 Bluegrass BLUEGRASS 16-Beat Try this one with just CHORD 1 and RHYTHM 1 at first, then build up the arrangement by
adding different instruments.
74 Country Pop C POP 8-Beat Contemporary country style.
75 Country Rock C ROCK 8-Beat Soft country style with pedal steel sound. Guitar voicings are most authentic for simple
chords, like major, minor, 7th, etc.
76 Country Ballad C BALLAD 8-Beat Especially suited to slow tempos. Also, try playing with CHORD 1 only.
77 Country Waltz C WALTZ
Nine-Eight
Simple, versatile country style with acoustic guitar. Guitar voicings are most authentic for
simple chords, like major, minor, 7th, etc.
78
Country Shuffle
C SHUFFLE 12-Beat Traditional country style using acoustic guitar. Guitar voicings are most authentic for
simple chords, like major, minor, 7th, etc.
79
Western Shuffle
W SHUFFLE 12-Beat Down-home Country and Western shuffle, with a modern touch.
Содержание
- Canada 2
- Fcc information u s a 2
- Model no 2
- Please keep this manual 2
- Psr 510 2
- Purchase date 2
- Serial no 2
- Special message section 2
- Congratulations 3
- Contents 3
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference 3
- Taking care of your portatone 6
- Power supply 7
- Preparation 7
- Preparation 8
- The music stand 8
- The sustain pedal 8
- Using headphones or an external sound system 8
- Listen to the demo 9
- Basic editing procedure 10
- Orchestration 12
- Selecting playing the voices 12
- G dual mode 13
- G split dual modes 13
- G split modes 13
- Selecting playing the voices 14
- Voice assignment 14
- Octave 15
- Volume 15
- Dsp depth 16
- Selecting playing the voices 16
- Auto harmony 17
- Effects 18
- Selecting playing the voices 18
- Keyboard percussion 19
- Pitch bend 20
- Selecting playing the voices 20
- Sustain 20
- Overall control 21
- Split point change 21
- Overall control 22
- Transpose 22
- Tuning 22
- Dsp type 23
- Overall control 24
- Touch sensitivity 24
- Accompaniment control 25
- Auto accomp 25
- Auto accompaniment 25
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally 25
- Normal 25
- Selecting a style 25
- Style select 25
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details 25
- Auto accompaniment 26
- Auto accompaniment fingering 26
- Setting the auto accompaniment split point 26
- Example for c chords 27
- G mode 1 chord 1 27
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature 27
- The psr 510 will accept the following chord types 27
- Auto accompaniment 28
- Tempo control 29
- Accompaniment control 30
- Auto accompaniment 30
- Auto accompaniment 32
- Accompaniment volume 33
- The track buttons 33
- Auto accompaniment 34
- Re voicing the tracks 34
- One touch setting 36
- G memorizing the settings 37
- Registration memory 37
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored 37
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters 37
- Registration memory 38
- Record functions 39
- Song memory 39
- I realtime accompaniment track recording 40
- Record functions 40
- Realtime melody track recording 42
- Record functions 42
- I accompaniment and melody playback 43
- I record or play from a specified measure 44
- I the reset button 44
- Record functions 44
- After the are you sure prompt the portatone will wait until you press yes or no 45
- Are you sure 45
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65 45
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend 45
- I realtime recording 45
- Memory 45
- Midi bulk dump page copy 45
- Recording 45
- Song multi pads 45
- The multi pads 45
- I playback 46
- Record functions 46
- Accompaniment control 47
- Are you sure 47
- Auto accompaniment 47
- Custom accompaniment 47
- I realtime custom accompaniment recording 47
- Memory 47
- Midi bulk dump page copy 47
- No yes 47
- Recording 47
- Record functions 48
- I using a custom accompaniment 49
- Record functions 50
- Step recording 50
- Record functions 52
- Editing functions 53
- I quantization 53
- I changing the recorded settings 54
- I clearing tracks 54
- Record functions 54
- Page memory 56
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail 57
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments 57
- Midi bulk dump 58
- I page copy 59
- I channel reception modes 60
- Midi reception modes 60
- I clock mode 61
- I start stop mode 61
- I local midi output on off 62
- I midi transmit channels 62
- Midi transmission 62
- Appendix 63
- Voice polyphony list 63
- Appendix 64
- Name panel name rhythm comments pop 64
- Pop ballad 64
- Rhythm blues 64
- Style list 64
- Caribbean 65
- Contemporary jazz 65
- Country western 65
- Latin pop 65
- Name panel name rhythm comments rock roll 65
- Traditional jazz 65
- Appendix 66
- Ballroom latin 66
- Ballroom standard 66
- Custom accomp 66
- I style list 66
- Name panel name rhythm comments world music 66
- G page reset 67
- G system reset 67
- Reset procedures page memory default settings 67
- Appendix 68
- G page memory default settings 68
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points 69
- Troubleshooting 69
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 71
- Percussion kit list verzeichnis der schlagzeug und percussion set 71
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 72
- Ts liste des kits de percussion lista de juegos de percusión 72
- Midi implementation chart 73
- Midi implementation chart implementierungstabelle table 73
- D implémentation gráfico de implememtación 74
- I gm system level 1 75
- Are you sure 76
- Auto accompaniment 76
- Auxiliary jacks 76
- Batteries 76
- Dimension 76
- Keyboards 76
- Main amplifiers 76
- Multi display 76
- Multi pads 76
- Optional accessories 76
- Overall control 76
- Page memory 76
- Rated voltage 76
- Recording 76
- Registration memory 76
- Song memory 76
- Speakers 76
- Specifications technische daten spécifications especificaciones 76
- Supplied accessories 76
- Weight 76
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Какие операции и данные записываются на треки MELODY в реальном времени при записи мелодии в память песни?
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прашу вас помагите мне моя yamaha psr-510 сломалос под клавишние плата как сделать что би плата работал на одну линия прашу помагать.
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