Yamaha PSR-510 — музыкальные треки и их использование в аранжировке [34/77]
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BASS: The BASS track always plays a bass line, but the voice will change to fit
the selected style … acoustic bass, synth bass, tuba, etc.
RHYTHMIC CHORD 1 & 2:
Both these tracks provide the rhythmic chordal accompaniment required by
each style. You’ll find guitar, piano, and other chordal instruments here.
PAD CHORD: This track plays long chords where necessary, using sustained instruments
such as strings, organ, choir.
PHRASE 1 & 2: This is where the musical embellishments reside. The PHRASE tracks are
used for punchy brass stabs, arpeggiated chords, and other extras that make
the accompaniment more interesting.
Try different combinations of tracks with each style. Some styles will sound best with the full arrangement
(all tracks ON), while others might suit your needs better if a smaller arrangement is used. To “thin out” an
arrangement, the PHRASE 1 and PHRASE 2 tracks are the first ones you’ll want to turn OFF.
Another way to use the tracks is to gradually build up the arrangement during the course of a song. Start
with a small arrangement — e.g. RHYTHM 1, BASS, and RHYTHMIC CHORD 1 — then add tracks one by
one as you want to thicken the musical texture.
Some styles will actually sound quite different depending on the combination of tracks you choose. Try,
for example, just RHYTHM 1, BASS, and PAD CHORD.
Auto Accompaniment
ZSelect a Track to Re-voice .....................................................................................................................
Press the TRACK button corresponding to the track you want to re-voice
while holding the [REVOICE] button. Both the selected TRACK and
[REVOICE] button indicators will flash. At the same time, the number of
the voice currently assigned to the selected track will appear on the MULTI
DISPLAY.
NOTES
• At this point you can play the selected track’s voice on the keyboard.
• Keyboard percussion is automatically turned on if the RHYTHM 1 or 2
track is selected.
■ Re-voicing the Tracks
To make the TRACK buttons even more versatile, the PSR-510 features a REVOICE function that lets you
individually change the voices and several related VOICE section parameters assigned to each track. The param-
eters that can be changed using the REVOICE function are as follows:
• Voice Number (Percussion Kit Number)
• Volume
• Pan
• DSP Depth
• Octave
RHYTHM
1 2
BASS
RHYTHMIC
CHORD
1 2
REVOICE
TRACK
Содержание
- Psr 510 p.2
- Canada p.2
- Model no p.2
- Fcc information u s a p.2
- Please keep this manual p.2
- Special message section p.2
- Serial no p.2
- Purchase date p.2
- Contents p.3
- Congratulations p.3
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference p.3
- Taking care of your portatone p.6
- Power supply p.7
- Preparation p.7
- The sustain pedal p.8
- The music stand p.8
- Using headphones or an external sound system p.8
- Preparation p.8
- Listen to the demo p.9
- Basic editing procedure p.10
- Orchestration p.12
- Selecting playing the voices p.12
- G dual mode p.13
- G split modes p.13
- G split dual modes p.13
- Voice assignment p.14
- Selecting playing the voices p.14
- Volume p.15
- Octave p.15
- Dsp depth p.16
- Selecting playing the voices p.16
- Auto harmony p.17
- Selecting playing the voices p.18
- Effects p.18
- Keyboard percussion p.19
- Sustain p.20
- Pitch bend p.20
- Selecting playing the voices p.20
- Split point change p.21
- Overall control p.21
- Transpose p.22
- Tuning p.22
- Overall control p.22
- Dsp type p.23
- Touch sensitivity p.24
- Overall control p.24
- Style select p.25
- Normal p.25
- Accompaniment control p.25
- Selecting a style p.25
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally p.25
- Auto accompaniment p.25
- Auto accomp p.25
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details p.25
- Auto accompaniment fingering p.26
- Auto accompaniment p.26
- Setting the auto accompaniment split point p.26
- The psr 510 will accept the following chord types p.27
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature p.27
- G mode 1 chord 1 p.27
- Example for c chords p.27
- Auto accompaniment p.28
- Tempo control p.29
- Accompaniment control p.30
- Auto accompaniment p.30
- Auto accompaniment p.32
- The track buttons p.33
- Accompaniment volume p.33
- Re voicing the tracks p.34
- Auto accompaniment p.34
- One touch setting p.36
- Registration memory p.37
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters p.37
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored p.37
- G memorizing the settings p.37
- Registration memory p.38
- Record functions p.39
- Song memory p.39
- Record functions p.40
- I realtime accompaniment track recording p.40
- Record functions p.42
- Realtime melody track recording p.42
- I accompaniment and melody playback p.43
- Record functions p.44
- I record or play from a specified measure p.44
- I the reset button p.44
- Midi bulk dump page copy p.45
- Recording p.45
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65 p.45
- The multi pads p.45
- Song multi pads p.45
- Memory p.45
- I realtime recording p.45
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend p.45
- Are you sure p.45
- After the are you sure prompt the portatone will wait until you press yes or no p.45
- Record functions p.46
- I playback p.46
- Recording p.47
- Memory p.47
- Custom accompaniment p.47
- Are you sure p.47
- Accompaniment control p.47
- No yes p.47
- Midi bulk dump page copy p.47
- I realtime custom accompaniment recording p.47
- Auto accompaniment p.47
- Record functions p.48
- I using a custom accompaniment p.49
- Step recording p.50
- Record functions p.50
- Record functions p.52
- I quantization p.53
- Editing functions p.53
- Record functions p.54
- I clearing tracks p.54
- I changing the recorded settings p.54
- Page memory p.56
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments p.57
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail p.57
- Midi bulk dump p.58
- I page copy p.59
- Midi reception modes p.60
- I channel reception modes p.60
- I start stop mode p.61
- I clock mode p.61
- Midi transmission p.62
- I midi transmit channels p.62
- I local midi output on off p.62
- Voice polyphony list p.63
- Appendix p.63
- Appendix p.64
- Style list p.64
- Rhythm blues p.64
- Pop ballad p.64
- Name panel name rhythm comments pop p.64
- Traditional jazz p.65
- Name panel name rhythm comments rock roll p.65
- Latin pop p.65
- Country western p.65
- Contemporary jazz p.65
- Caribbean p.65
- Ballroom standard p.66
- Name panel name rhythm comments world music p.66
- I style list p.66
- Custom accomp p.66
- Ballroom latin p.66
- Appendix p.66
- Reset procedures page memory default settings p.67
- G system reset p.67
- G page reset p.67
- G page memory default settings p.68
- Appendix p.68
- Troubleshooting p.69
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points p.69
- Percussion kit list verzeichnis der schlagzeug und percussion set p.71
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 p.71
- Ts liste des kits de percussion lista de juegos de percusión p.72
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 p.72
- Midi implementation chart implementierungstabelle table p.73
- Midi implementation chart p.73
- D implémentation gráfico de implememtación p.74
- I gm system level 1 p.75
- Weight p.76
- Supplied accessories p.76
- Song memory p.76
- Auto accompaniment p.76
- Speakers p.76
- Are you sure p.76
- Registration memory p.76
- Recording p.76
- Rated voltage p.76
- Page memory p.76
- Overall control p.76
- Optional accessories p.76
- Multi pads p.76
- Multi display p.76
- Main amplifiers p.76
- Keyboards p.76
- Dimension p.76
- Batteries p.76
- Auxiliary jacks p.76
- Specifications technische daten spécifications especificaciones p.76
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