![Yamaha PSR-510 [30/77] Accompaniment control](/img/pdf.png)
Yamaha PSR-510 [30/77] Accompaniment control
![Yamaha PSR-510 [30/77] Accompaniment control](/views2/1019262/page30/bg1e.png)
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Auto Accompaniment
■ Accompaniment Control
The PSR-510 provides a range of accompaniment “sections” — introduction, fill-ins, variations on the main
pattern, ending — that you can select to control the “flow” of the accompaniment to achieve the desired musical
results. Accompaniment start/stop and sections are controlled by the ACCOMPANIMENT CONTROL buttons.
● Straight Start...........................................................................................................................................
The [START/STOP] button starts the selected accompaniment style
immediately.
Press the [AUTO ACCOMP] button so that its indicator lights before
starting the accompaniment. The accompaniment will start with the rhythm
sound only when the [START/STOP] button is pressed, then the bass and
chord parts will begin playing as soon as the first note or chord is played on
the Auto Accompaniment section of the keyboard.
NOTES
• A different accompaniment style can be selected at any time while the
accompaniment is playing. The style number on the MULTI DISPLAY
will change as soon as the selection is made, but the new style will
begin playback from the top of the next measure. The only exception
is if you change styles while an intro is playing (see page 29), in which
case the new style begin playing after the intro has finished. The
tempo will not change when the new style begins playing.
The Beat Indicator
The three BEAT indicator dots along the top of the MULTI DISPLAY
flash to indicate the tempo and beat as the accompaniment plays. All three
dots flash together on the first beat of each measure, then the dots flash in-
dividually in sequence on the remaining beats. In 4/4, 3/4, and 6/8 time, for
example, the beat indicator dots will flash as shown to the left.
NOTES
• Each accompaniment style has a preset “normal” tempo which is au-
tomatically selected whenever the style is selected while the accom-
paniment is stopped. The current tempo is maintained if you select a
different style during accompaniment playback (excepting the play-
back by One Touch settings). You can change the tempo as required
by using the TEMPO function described on page 27.
START/STOP
STYLE
SELECT
AUTO
ACCOMP
Press the [SYNC-START/STOP] button if you want the accompani-
ment to start when you play the first note or chord on the keyboard. In this
case the accompaniment is started by playing in the left-hand section of the
keyboard.
NOTES
• If the AUTO ACCOMP mode is OFF, playing anywhere on the key-
board causes the rhythm-only accompaniment to start.
If you press the [SYNC-START/STOP] button, the BEAT indicator dots
will flash at the current tempo. The synchro start mode can be disengaged
by pressing the [SYNC-START/STOP] button again so that its indicator
goes out.
SYNC-START/STOP
BEAT
BEAT
BEAT
1st beat
2nd beat
3rd beat
4th beat
4/4 time
3/4 time
1st beat
2nd beat
3rd beat
4th beat
5th beat
6th beat
6/8 time
1st beat
2nd beat
3rd beat
● Synchro Start ..........................................................................................................................................
Содержание
- Canada 2
- Fcc information u s a 2
- Model no 2
- Please keep this manual 2
- Psr 510 2
- Purchase date 2
- Serial no 2
- Special message section 2
- Congratulations 3
- Contents 3
- You are the proud owner of a yamaha psr 510 your psr 510 is a high quality musical instrument that incorporates advanced yamaha digital tech nology and many versatile features in order to obtain maximum performance and enjoyment from your psr 510 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference 3
- Taking care of your portatone 6
- Power supply 7
- Preparation 7
- Preparation 8
- The music stand 8
- The sustain pedal 8
- Using headphones or an external sound system 8
- Listen to the demo 9
- Basic editing procedure 10
- Orchestration 12
- Selecting playing the voices 12
- G dual mode 13
- G split dual modes 13
- G split modes 13
- Selecting playing the voices 14
- Voice assignment 14
- Octave 15
- Volume 15
- Dsp depth 16
- Selecting playing the voices 16
- Auto harmony 17
- Effects 18
- Selecting playing the voices 18
- Keyboard percussion 19
- Pitch bend 20
- Selecting playing the voices 20
- Sustain 20
- Overall control 21
- Split point change 21
- Overall control 22
- Transpose 22
- Tuning 22
- Dsp type 23
- Overall control 24
- Touch sensitivity 24
- Accompaniment control 25
- Auto accomp 25
- Auto accompaniment 25
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally 25
- Normal 25
- Selecting a style 25
- Style select 25
- The psr 510 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 27 for details 25
- Auto accompaniment 26
- Auto accompaniment fingering 26
- Setting the auto accompaniment split point 26
- Example for c chords 27
- G mode 1 chord 1 27
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto ac companiment feature 27
- The psr 510 will accept the following chord types 27
- Auto accompaniment 28
- Tempo control 29
- Accompaniment control 30
- Auto accompaniment 30
- Auto accompaniment 32
- Accompaniment volume 33
- The track buttons 33
- Auto accompaniment 34
- Re voicing the tracks 34
- One touch setting 36
- G memorizing the settings 37
- Registration memory 37
- The panel settings listed above can be stored to any one of the four registration memory buttons by press ing the button 1 2 3 or 4 while holding the memorize button the indicator of the selected button will light continuously indicating that the data has been stored 37
- The psr 510 registration memory can be used to store four complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters 37
- Registration memory 38
- Record functions 39
- Song memory 39
- I realtime accompaniment track recording 40
- Record functions 40
- Realtime melody track recording 42
- Record functions 42
- I accompaniment and melody playback 43
- I record or play from a specified measure 44
- I the reset button 44
- Record functions 44
- After the are you sure prompt the portatone will wait until you press yes or no 45
- Are you sure 45
- Before recording each page memory con tains a preset set of multi pad data 16 phrases in all that will be erased when new multi pad data is recorded the original preset data can be restored by using the page reset function described on page 65 45
- Dsp depth octave harmony on off harmony type effect on off effect type sustain on off pitch bend 45
- I realtime recording 45
- Memory 45
- Midi bulk dump page copy 45
- Recording 45
- Song multi pads 45
- The multi pads 45
- I playback 46
- Record functions 46
- Accompaniment control 47
- Are you sure 47
- Auto accompaniment 47
- Custom accompaniment 47
- I realtime custom accompaniment recording 47
- Memory 47
- Midi bulk dump page copy 47
- No yes 47
- Recording 47
- Record functions 48
- I using a custom accompaniment 49
- Record functions 50
- Step recording 50
- Record functions 52
- Editing functions 53
- I quantization 53
- I changing the recorded settings 54
- I clearing tracks 54
- Record functions 54
- Page memory 56
- Although the psr 510 features a built in sequencer the song memory is a type of sequencer the same type of musical information transfer described above can be used for more sophisticated midi sequence recording using an external sequencer or music computer a midi sequence recorder or music computer can be used to record midi data received from a psr 510 for example when the recorded data is played back the psr 510 automatically plays the recorded performance in precise detail 57
- Midi the musical instrument digital interface is a world standard communication interface that allows midi compatible musical instruments and equipment to share musical information and control one another this makes it possible to create systems of midi instruments and equip ment that offer far greater versatility and control than is available with isolated instruments 57
- Midi bulk dump 58
- I page copy 59
- I channel reception modes 60
- Midi reception modes 60
- I clock mode 61
- I start stop mode 61
- I local midi output on off 62
- I midi transmit channels 62
- Midi transmission 62
- Appendix 63
- Voice polyphony list 63
- Appendix 64
- Name panel name rhythm comments pop 64
- Pop ballad 64
- Rhythm blues 64
- Style list 64
- Caribbean 65
- Contemporary jazz 65
- Country western 65
- Latin pop 65
- Name panel name rhythm comments rock roll 65
- Traditional jazz 65
- Appendix 66
- Ballroom latin 66
- Ballroom standard 66
- Custom accomp 66
- I style list 66
- Name panel name rhythm comments world music 66
- G page reset 67
- G system reset 67
- Reset procedures page memory default settings 67
- Appendix 68
- G page memory default settings 68
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your psr 510 is faulty please check the fol lowing points 69
- Troubleshooting 69
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 71
- Percussion kit list verzeichnis der schlagzeug und percussion set 71
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 72
- Ts liste des kits de percussion lista de juegos de percusión 72
- Midi implementation chart 73
- Midi implementation chart implementierungstabelle table 73
- D implémentation gráfico de implememtación 74
- I gm system level 1 75
- Are you sure 76
- Auto accompaniment 76
- Auxiliary jacks 76
- Batteries 76
- Dimension 76
- Keyboards 76
- Main amplifiers 76
- Multi display 76
- Multi pads 76
- Optional accessories 76
- Overall control 76
- Page memory 76
- Rated voltage 76
- Recording 76
- Registration memory 76
- Song memory 76
- Speakers 76
- Specifications technische daten spécifications especificaciones 76
- Supplied accessories 76
- Weight 76
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