LINE 6 Spider Valve MkII HD100 [37/41] Ppendi
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Appendix B: Amp Models
B•1
aPPendiX B: amP mOdeLs
Here’s a brief reference guide to the 16 Amp Models in your Spider Valve MkII:
Clean Amber - Based on the clean channel of the Marshall
®
JCM 900, the first true
modern high gain amp from Marshall
®
. Select Clean Amber to get crisp, amazing clean
tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous
amount of bottom end.
Clean Blue - This amp model was developed to emulate those late 60s and early 70s
clean tones. We modeled a 1973 Hiwatt
®
custom 100, then extended the tone control range
and tightened up the low end for that big, ringing sound.
Twang Amber - This model draws on our analysis of mid 60s Fender
®
amps, in particular
the blackface ’65 Twin Reverb
®
. We wanted that classic, glassy high end tone, with enough
snap and bite for some serious chick’n pick’n. Things don’t get too crunchy until you reach
the top range of the Drive knob.
Twang Blue - There’s nothing like the sound of the classic Fender
®
blackface Deluxe
Reverb
®
, the Holy Grail for many blues, country and roots rockers.
Class A Amber - Ready, steady....GO! This amp model is based on a Vox
®
AC-30
amplifier with an updated and expanded TBX tone control circuit. We wanted to capture
that early pop rock tone that many British invasion bands are so well known for.
Class A Blue - There are some great modern amps out today based on the legendary
tones of yesteryear. Here’s our take on the EL84 circuit of a Divided By 13 9/15 Model.
Blues Amber - This model is inspired by that famous vintage tweed sound we all know
and love. We evaluated a ’53 Fender
®
wide panel Deluxe and this is what we came up with.
Blues Blue - Blues Blue is based on a Gretsch
®
6156, a 1960 1x10 combo from the days
when rock’n’roll took the blues to a new level. Add some reverb and a slap echo and be-
bop-alu-la!
* All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product
names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6’s sound
model development. Hiwatt
®
is a registered trademark of Fernandes Company, Inc. FENDER
®
, Twin Reverb, Deluxe Reverb and
Bassman are registered trademarks of Fender Musical Instruments Corporation.VOX
®
is a registered trademark of Vox R&D Limited.
MARSHALL
®
is a registered trademark of Marshall Amplification Plc. GRETSCH
®
is a regustered trademark of Fred W. Gretsch
Enterprises, Ltd.
Содержание
- Advanced guide 1
- Spider valve mkii 1
- Appendix a midi a 1 3
- Appendix b amp models b 1 3
- Appendix c maintenance c 1 3
- Editing 3 1 3
- Foot control 6 1 3
- Looper control mode 5 1 3
- Overview 1 1 3
- Presets 2 1 3
- Smart fx 4 1 3
- Table of contents 3
- Features 5
- Verview 5
- Amp models 6
- Channel volume 6
- Channels 6
- Front panel controls 6
- Guitar in 6
- Manual mode 6
- Tone controls 6
- Smart fx controls 7
- Lcd display 8
- Master volume 8
- Power switch 8
- Presence 8
- Presets press to edit 8
- Quick loop 8
- Reverb 8
- Standby switch 8
- Way navigation disc 8
- Direct output 9
- Fbv pedal input 9
- Ground lift 9
- Midi input 9
- Midi out thru 9
- Power amp in 9
- Preamp out 9
- Rear panel i o 9
- Ohm out 10
- Speaker outputs 112 212 10
- Speaker outputs hd100 10
- Manual mode 11
- Preset select 11
- Resets 11
- Here s an overview of the save routines for spider valve mkii 12
- Once you ve edited a preset to your liking you ll want to save it in one of the user banks 12
- Once your preset name is set press a channel button as your preset destination 12
- Press hold the channel button of the current preset location all 4 leds will flash 12
- Rename the preset if desired l r arrows select character presets knob changes it 12
- Saving 12
- Select the destination bank by pressing the up down arrows on the nav disc 12
- The leds will flash rapidly a few times indicating the save is complete 12
- To save a preset 12
- Your preset is now saved to the bank and channel location you ve selected 12
- Diting 13
- Edit mode 13
- A note about smartfx 14
- Depending on the fx you re editing you ll have a variety of parameters to adjust these include routing mix tone feedback depth speed time and tap control among others that will be specific to each fx model 14
- In preset select mode when you turn the fx1 fx2 or fx3 knobs to select effects you ll notice that parameters have already been set up for you these smartfx provide you with an instantly musical sound without having to tweak an effect s individual parameters 14
- This makes it quick and easy to audition the various effects and not have to worry about setting them up when you hear an effect that you d like to use for the current preset you can then enter edit mode to customize it to your personal taste 14
- Use the l r arrows to navigate thru the fx blocks use the up down arrows to select the various parameters in each block to adjust a parameter value turn the presets knob 14
- We ll cover smartfx in more detail including customization in chapter 4 smartfx 14
- With each of your fx assigned you ll want to enter edit mode to tweak the individual fx parameters to do so press the presets knob the lcd will look like this for fx3 14
- Smart fx customization 19
- Pitch glide tips 20
- Smart harmony tips 21
- If you want to experiment with your own smart harmony settings you ll want to enter edit mode with smart harmony selected here are the various smart harmony edit screens that will be available for tweaking 22
- Notice the two top screens display a swoosh graphic to the left of e and major this means the key and scale settings are the smart fx defaults and haven t been customized the shift and mix parameters display a knob graphic indicating they have been customized routing always displays a knob graphic for pre or post 22
- Using the smart harmony settings above if you play some single note riffs on your guitar in the key of e you ll hear a 5th note along with every note you play with the mix level at 50 the two notes should be equally balanced in volume give it a try 22
- Smart harmony scales 24
- Auditioning editing presets 25
- Looper tips 27
- Record overdub 27
- Arm overdub from playback 28
- Exit overdub mode stop playback 28
- Set out point arm overdub 28
- Fbv options 29
- Ontrol 29
- A midi 31
- Amp daisy chaining 31
- Basic midi setup 31
- Ppendi 31
- Amp model select 34
- Fx model select 35
- Preset select 36
- Blues amber 37
- Blues blue 37
- Class a amber 37
- Class a blue 37
- Clean amber 37
- Clean blue 37
- Ppendi 37
- Twang amber 37
- Twang blue 37
- Crunch amber 38
- Crunch blue 38
- Hi gain amber 38
- Hi gain blue 38
- Insane amber 38
- Insane blue 38
- Metal amber 38
- Metal blue 38
- Aintenance 39
- Ppendi 39
- Tube troubleshooting 39
- General troubleshooting 40
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