Behringer FCB1010 [10/16] Controller toggle function
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10 MIDI FOOT CONTROLLER FCB1010 User Manual
The NOTE function will be particularly useful for so-called tap-tempo
applications. Many of today’s multi-eects devices allow the user to enter the
delay time by means of an on-board TAP button. The device measures the time
between two TAP button presses and uses this interval to adjust the delay time.
Often, this function can be remotely controlled via MIDI. In this case, “tapping”
isthe transmission of two subsequent NOTE ON commands, which is what
the NOTE function of your FCB1010 does for you. For example, this is how a
sequencing software can be launched or closed.
◊ If you program the NOTE function with a PRESET, a NOTE ON command
will be sent each time you select the PRESET. Getting your foot off the
switch transmits the NOTE OFF command.
◊ To “tap” the tempo, simply press the PRESET switch several times in the
rhythm of the music.
◊ CNT 1 is always transmitted together with the note on command.
For example, it can be used for sending a volume value (number 07)
together with a note to trigger a sound. When the controller’s
operation is not desired, it can either be relayed to an unused MIDI
channel in GLOBAL CONFIGURATION (this channel is then valid for
all presets) or an unused controller number can be assigned to the
controller (can be done for each individual preset).
2.5 Controller toggle function
This function allows you to congure one controller so that it alternately sends
two dierent values, e.g. eect bypass, drive on/o, etc.
• In order to enable the controller switch-over function, you need to
globally select the same MIDI channel for CNT1 and CNT2 (see chapter 2.2),
and enter the same controller number for CNT1 and CNT2 in the preset
(NUMBER,seechapter 2.4.4).
The rst time you recall the preset, it will send the controller value of CNT1
(VALUE 1), with each additional key press you can alternate between CNT2
and CNT1. Example: Select preset 1 without DRIVE function on the BEHRINGER
V-AMP—each time you press the same button again, DRIVE will be switched
on or o respectively: PROG CHG 1 = 1, CNT 1 NUMBER = 26, VALUE 1 = 0,
CNT 2 NUMBER = 26, VALUE 1 = 127.
2.6 TAP-TEMPO function
In addition to the NOTE function, which is used by many eects devices to
“tap” the song tempo, the FCB1010 oers you another way to reach this goal:
the TAP-TEMPO function also allows you to enter the song tempo, however,
transmitsa FCB1010-generated controller value to the controlled eects device,
in order to adjust the delay time. Advantage: you can also control devices that
cannot process NOTE commands, but only allow for changing the delay time by
means of a MIDI controller.
◊ The TAP-TEMPO function does not work with DIRECT SELECT enabled.
The TAP-TEMPO function has no dedicated switch, but is activated as follows:
• Select the PRESET you wish to edit.
• Keep the DOWN/ESCAPE key pressed longer than 2.5 sec. to get to the
programming mode. The green SWITCH 1/SWITCH 2 LED in the display
startsashing.
• Use the UP/ENTER key to get to the next page. The SELECT LED in the display
is lit.
◊ To program a MIDI function, you have to first activate it. Individual
MIDI functions are activated by keeping the corresponding keys
pressed for a few seconds. Active MIDI functions are indicated by a
permanently lit footswitch LED.
• Select the NOTE function you wish to edit by keeping the 10/0 key
pressed for a few seconds and then consequently tap it once again briey.
Thefootswitch LED blinks.
• Conrm your selection with UP/ENTER. The NUMBER LED lights up.
• Enter the maximal possible delay time value for the equipment you wish to
control. Calculate the value that is to be entered for NOTE by dividing the
maximum delay time value by 10 ms. Conrm your selection with UP/ENTER.
The SELECT LED lights up.
◊ Please note that the FCB1010 allows for a maximum delay time of
1,270 ms, which is due to the MIDI standard’s maximum resolution of
7 bits (= 128 values).
• Activate control change 1 (CNT 1) by keeping the footswitch 6 pressed for a
few seconds. The footswitch LED lights up and is activated by briey tapping
the footswitch (the LED blinks).
• Press UP/ENTER again. Now the FCB1010 prompts you to enter a controller
number. The NUMBER LED lights up. Enter the controller number which
the manufacturer of your eects device has preset for delay time changes.
Conrm your selection with UP/ENTER. The VAL1 LED lights up.
• The VALUE to be entered now corresponds to the upper limit of the
parameter range determined by the controlled device. That might sound
a bit confusing, but it’s quite easy: the manual that came with the device
usually contains an eects table listing the parameter range to be input via
MIDI in order to control the delay time. For example, the device might use
the entire range from 0 through 127; or a limited range from 0 through 63,
and so on. So, the VALUE parameter simply determines the resolution with
which the delay time can be programmed. The higher the value, the higher
the resolution.
• Conrm your entry with UP/ENTER. The SELECT LED lights up.
• Disable Control Change 1 (CNT 1) by means of a long foot- switch press on
footswitch #6. This is necessary because otherwise each time you select the
PRESET used for tempo tapping, the FCB1010 would transmit the controller
dened here (including the adjusted VALUE parameter), instead of the
FCB1010-generated value.
• Quit PRESET programming mode by means of a long press on DOWN.
Now,the TAP-TEMPO function is ready for use.
To use the tap-tempo feature, press the footswitch (which selects the PRESET
just programmed) twice in the rhythm of the music, e.g. every crotchet or quaver
note. The FCB1010 will calculate the delay time and send it to the receiving
device, by means of the controller you selected before. If the interval between
the two footswitch presses is greater than the maximum NOTE/NUMBER value,
the FCB1010 will divide the time by 2 until it is equal to or smaller than the
maximum value. Thus, a crotchet delay becomes a quaver or semiquaver delay,
depending on which value can be processed in the receiving device.
Содержание
- Midi foot controller fcb1010 1
- User manual 1
- Table of contents 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Before you get started 4
- Control elements 4
- Introduction 4
- The user s manual 4
- 11 12 13 5
- 8 9 10 5
- Programming the fcb1010 5
- Selecting banks and presets 5
- Global configuration 6
- Quick start guide for preset programming 7
- Detailed preset programming 8
- Controller toggle function 10
- Tap tempo function 10
- Data storage 11
- Restoring factory presets 11
- Applications 12
- Basic setup 12
- Calibrating expression pedals a and b 12
- Expanded setup using the switch function 12
- Connections general 13
- Midi a standard a revolution 13
- Midi connections 13
- Midi data format 13
- Almost all devices have a list enclosed which shows the program change number versus preset number assignment some units even allow you to freely assign program change commands to preset numbers please see the corresponding user s manual for detailed information 14
- Dimensions h x w x d approx 2 x 8 x 27 approx 60 x 221 x 687 mm 14
- Dimensions weight 14
- Display 14
- Europe u k australia 230 v 50 hz 14
- Fuse 100 120 v t 100 ma l 250 v 200 240 v t 50 ma l 250 v 14
- General export model 120 230 v 50 60 hz 14
- Japan 100 v 50 60 hz 14
- Mains connection standard iec connector 14
- Midi foot controller fcb1010 user manual 14
- Midi implementation 14
- Midi interface 14
- Power consumption 10 w 14
- Power supply 14
- Running status 14
- Since the midi standard uses a serial transmission format i e transmits data successively it was soon found that the transmission rate is too low if the system is exploited to its full capacity to make up for an audibly delayed transmission of midi data the so called running status was introduced which suppresses the status byte in two or more identical midi messages that follow each other for example if the data bytes of a controller e g volume are changed continuously the corresponding status byte is sent only once only the data byte changes are transmitted as long as another status byte is sent i e in each message transmitted you can eliminate 8 bits this is also the reason why note off messages are no longer used when a keyboard player plays a scale on a keyboard and sends these data via midi to a computer each note on message would be followed by a note off message each time a key is released the running status would identify the note off message as a new status byte and hence sen 14
- Specifications 14
- Switching output 14
- Type 1 4 jack open 14
- Type 3 digit led 14
- Type 5 pin din jacks in and out thru 14
- Usa canada 120 v 60 hz 14
- Voltage 14
- Weight approx 9 lbs 4 4 kg 14
- Federal communications commission compliance information 15
- Midi foot controller fcb1010 15
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