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Behringer FCB1010 [12/16] Applications
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12 MIDI FOOT CONTROLLER FCB1010 User Manual
Keep the respective footswitches pressed for roughly 2.5 sec while powering
up your FCB1010. The displays reads “09” to “00” and the points are blinking.
Whenthe points are no longer shown, your FCB1010 has been reset to factory
defaults and is ready for operation.
2.9 Calibrating expression pedals A and B
Should you experience problems with exact MIDI controller data transmission
while using the expression pedals, we recommend calibrating the pedals.
Calibrating the pedals follows the complition of the FCB1010 self-test.
◊ All software versions 1.4 and newer allow for direct calibration by
keeping the switches 1 and 5 pressed while powering up the unit.
If your FCB1010 features the software version 1.4 or higher, skip the
first 4 steps in the set of instructions that follow (i.e. start at point
number 5). To find if your unit features version 1.4 or higher of the
software, first try keeping the switches 1 and 5 pressed while powering
up the unit. If nothing happens, start calibrating your FCB1010
beginning with the first step in the list that follows.
• Keep the switches 1 and 3 pressed while powering up the unit. This puts
your FCB1010 into self-test mode, and all LEDs are being tested.
• Please wait until all switch LEDs light up. Then press all the switches,
including the UP/ENTER and DOWN/ESCAPE keys, so that all LEDs are
turnedo.
• Wait for a moment while the relay test is completed (four quiet cliking
sounds are heard). The display shows F1 if no MIDI connection is present.
If you connected MIDI Out to MIDI In, the display shows A1. In this case,
theMIDI connections operate correctly.
• Press DOWN/ESCAPE once.
• Move the expression pedal A to the lowest value possible (pedal open).
TheVALUE 1 LED lights up. When the value is adjusted, press the
UP/ENTERkey.
• Move the expression pedal A to the highest value possible (pressed down all
the way). The VALUE 2 LED lights up. When the value is adjusted, press the
UP/ENTER key.
• Move the expression pedal B to the lowest value possible. When the value is
adjusted, press the UP/ENTER key.
• Move the expression pedal B to the highest value possible. When the value is
adjusted, press the UP/ENTER key.
Both pedals are now correctly calibrated.
3. Applications
Several application examples that should help you with the MIDI setup are
described in this chapter.
As long as your equipment features MIDI connectors, you can control it entirely
via the FCB1010. All you need is a MIDI IN connector at the other end.
No audio signal pass through the FCB1010 and consequently no signal processing
takes place in it either. The FCB1010 merely transmits control data to your MIDI
equipment, so it can for example call up presets, turn eects on or o, or adjust
volume. You can nd more detailed information on this subject in chapter 4
“MIDI—A Standard, A Revolution.”
3.1 Basic setup
Midi In
Midi Out
BLUE DEVIL GX112
MIDI FOOT CONTROLLER FCB1010
Fig. 3.1: Basic setup with a guitar amp
Here, the FCB1010 is used to control a guitar amp that is equipped with a
MIDIinterface.
Connect the MIDI OUT jack of your FCB1010 to the MIDI IN of your amp
(seeg.3.1), using a standard 5-pole MIDI cable. Program your FCB1010 as
described in chapter 2.4. Please refer to the user’s manual of your amp to nd out
what functions can be controlled via MIDI.
3.2 Expanded setup (Using the Switch Function)
FX Return
Input
Midi InDSP024P
Switch 1
BLUE DEVIL GX112
MIDI FOOT CONTROLLER FCB1010
Midi Out
Output
FX
Send
Footswitch In
Fig. 3.2: Guitar setup (using the switch function)
Here, the FCB1010 is used to control an eects device via MIDI. In addition,
theswitch function is used to toggle between the two channels (clean/overdrive)
of the guitar amp. Please connect your eects device via the FX send/return loop
of your amp. Now connect the SWITCH 1 connector with the footswitch input of
your guitar amp. Use a standard jack cable for this purpose. Connect the MIDI OUT
connector of the FCB1010 to the MIDI IN connector of the eects device using a
standard MIDI cable.
Содержание
- Midi foot controller fcb1010 1
- User manual 1
- Table of contents 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Before you get started 4
- Control elements 4
- Introduction 4
- The user s manual 4
- 11 12 13 5
- 8 9 10 5
- Programming the fcb1010 5
- Selecting banks and presets 5
- Global configuration 6
- Quick start guide for preset programming 7
- Detailed preset programming 8
- Controller toggle function 10
- Tap tempo function 10
- Data storage 11
- Restoring factory presets 11
- Applications 12
- Basic setup 12
- Calibrating expression pedals a and b 12
- Expanded setup using the switch function 12
- Connections general 13
- Midi a standard a revolution 13
- Midi connections 13
- Midi data format 13
- Almost all devices have a list enclosed which shows the program change number versus preset number assignment some units even allow you to freely assign program change commands to preset numbers please see the corresponding user s manual for detailed information 14
- Dimensions h x w x d approx 2 x 8 x 27 approx 60 x 221 x 687 mm 14
- Dimensions weight 14
- Display 14
- Europe u k australia 230 v 50 hz 14
- Fuse 100 120 v t 100 ma l 250 v 200 240 v t 50 ma l 250 v 14
- General export model 120 230 v 50 60 hz 14
- Japan 100 v 50 60 hz 14
- Mains connection standard iec connector 14
- Midi foot controller fcb1010 user manual 14
- Midi implementation 14
- Midi interface 14
- Power consumption 10 w 14
- Power supply 14
- Running status 14
- Since the midi standard uses a serial transmission format i e transmits data successively it was soon found that the transmission rate is too low if the system is exploited to its full capacity to make up for an audibly delayed transmission of midi data the so called running status was introduced which suppresses the status byte in two or more identical midi messages that follow each other for example if the data bytes of a controller e g volume are changed continuously the corresponding status byte is sent only once only the data byte changes are transmitted as long as another status byte is sent i e in each message transmitted you can eliminate 8 bits this is also the reason why note off messages are no longer used when a keyboard player plays a scale on a keyboard and sends these data via midi to a computer each note on message would be followed by a note off message each time a key is released the running status would identify the note off message as a new status byte and hence sen 14
- Specifications 14
- Switching output 14
- Type 1 4 jack open 14
- Type 3 digit led 14
- Type 5 pin din jacks in and out thru 14
- Usa canada 120 v 60 hz 14
- Voltage 14
- Weight approx 9 lbs 4 4 kg 14
- Federal communications commission compliance information 15
- Midi foot controller fcb1010 15
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