![Tc Electronic G-SYSTEM [25/80] Typical setups](/img/pdf.png)
Tc Electronic G-SYSTEM [25/80] Typical setups
![Tc Electronic G-SYSTEM [25/80] Typical setups](/views2/1011825/page25/bg19.png)
Pedals and Amp
In this setup, we are using up to four drive pedals
and a single combo amp. If you add another amp,
you have a stereo setup.
The two expression pedals are optional. If
connected, you can use them to control e.g. a
volume parameter or a pitch for “whammy”.
Connecting
• Connect your guitar to the Instrument Input.
• Connect up to four drive pedals to the loops.
• All pedals connected to the loops must remain
switched on at all times. The G-System
activates/deactivates the loops – not the pedals!
• Connect expression pedals using a single standard
1/4" jack cable. Depending on the expression pedal
model, the cable must be mono or stereo.
• Connect the G-System’s Out to your amp’s input or to
the amp’s effect loop return. Use two amps for stereo
operation.
• Connect expression pedals and calibrate these using
the Pedals menu.
Drive Pedals
Combo amp
TAP TEMPO
EDIT PARAMETER B EDIT PARAMETER C SELECT PAGE
EDIT PARAMETER A
GAIN ADJUST
HOLDTOSTORE HOLDTOSTORE HOLDTOSTORE HOLDTOSTOREHOLD TO STORE
PRESETABLE BOOST LEVEL
LEVEL SET
EDITA EDIT B EDIT C
GLOBALTEMPO
FORMANT | WAH | EFFECT FILTERS COMPRESSOR ALGORITHM
MODEMENU
WHAMMY | PITCH ALGORITHMCHORUS | FLANGER | TREMOLO
| RETURNENTER
HI-CLASS | TAPE ECHO | DYNAMIC REVERB ALGORITHM
INPUT DAMP
EDITED
COM FLT PIT DLY REV
E1: E2: E3: E4: E5:
INTEGRATEDEFFECTS
+MANAGEMENT
FILTER LOOP LOOP LOOP EDIT123COMP
UP
DOWN
MOD PITCH DELAY REVERB BOOST
ENCODER ENCODER ENCODER ENCODER ENCODER ENCODER
Send
Return
Send
Return
Send
Return
Send
Return
Loop 1
Expression Pedal
Loop 2Loop 3Loop 4
Expression/Volume Pedal
INPUT
Out Insert
Guitar
Input
PUSH
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
In this section we will take a look at some examples of how the G-System can be connected to your gear. There
are probably no two setups that are 100% identical. We suggest you look for the setup that comes closest to your
own.
TYPICAL SETUPS
23
Содержание
- Caution 3
- Important safety instructions 3
- Service 3
- Warning 3
- Emc emi certificate of conformity 4
- General operation 5
- Introduction 5
- Menu mode 5
- Overview 5
- Setups 5
- Table of contents 5
- Appendix 6
- Effects 6
- Table of contents 6
- Introduction 7
- Introduction 8
- Once you are up and running what can you do 8
- Custom switch functions 9
- Introduction 9
- Connections floormount 10
- Quick setup guide 10
- Rackmount or floormount 10
- Unpacking 10
- Quick setup guide 11
- Connections rackmount 12
- Levels 12
- Quick setup guide 12
- Presets 13
- Quick setup guide 13
- Other important issues 14
- Quick setup guide 14
- G system menu hierarchy 15
- Play mode 15
- General navigation basics 17
- Overview 17
- Play mode edit mode 17
- Press edit to access 17
- Overview 18
- Play mode edit mode 18
- Overview 19
- Play mode edit mode 19
- Control board rear 20
- Gfx01 front 20
- Overview 20
- Mounting the g system in a pedal flightcase 21
- Overview 21
- Gfx01 rear 22
- Overview 22
- Overview 23
- Typical setups 24
- Connecting 25
- Pedals and amp 25
- Typical setups 25
- Connecting 26
- Pedals pre amp and amp 26
- Typical setups 26
- Connecting 27
- Pedals and head 27
- Typical setups 27
- Combo amp 28
- In this particular setup the center amp is receiving the dry signal only i e with no effects apart from those added via the active pedals in loops 1 to 4 the left and right amplifiers receive only the effects on all g system presets mix must be set to 100 in this particular setup the mix of the effects is set solely using each effect s out level parameter 28
- Three way split to multiple amps 28
- Typical setups 28
- Dual amp 29
- Typical setups 29
- Connections 30
- G system separated gfx01 in a rack 30
- Important 30
- Typical setups 30
- Additional setup information 31
- Other important issues regarding setups 31
- Factory presets user presets 32
- Introduction 32
- Play mode edit mode 32
- What is a preset 32
- Editing 33
- Play mode edit mode 33
- Overview 34
- Preset handle mode 34
- Preset handle mode store delete 34
- Copying effects between presets 35
- Deleting a preset 35
- Overview preset handling 35
- Menu mode overview 36
- To access menu mode press edit press menu 36
- Menu mode preset routing 37
- Serial routing 37
- Menu mode preset routing 38
- Parallel routing 38
- Semi parallel routing 38
- Left right output levels 39
- Menu mode preset routing global levels 39
- Routing lock 39
- Menu mode global levels 40
- Boost function 41
- Connecting pedals 42
- Expression pedals what are they for 42
- Menu mode pedals 42
- Setting up your pedals 42
- Menu mode pedals 43
- Menu mode pedals 44
- Menu mode pedals 45
- Using expression pedals to control specific parameters 45
- Custom setup of switch functions 46
- Menu mode switches 46
- Switch numbers 46
- Menu mode switches 47
- Menu mode midi 48
- External midi control 49
- Menu mode utility 49
- Utility 49
- Relays for amp channel switching 50
- The tuner 51
- The tuner 52
- The tuner in play mode 52
- The tuner in tuner mode 52
- Tuner mode parameters 52
- Tap tempo 53
- Tap tempo hit twice or more 53
- Effects filter 54
- Resonance filter 54
- Touch res filter additional parameters 54
- Auto resonance filter additional parameters 55
- Effects filter 55
- Wah wah 55
- Auto wah 56
- Effects filter 56
- Touch wah 56
- Auto formant additional parameters 57
- Effects filter 57
- Formant filters introduction 57
- Formant parameters generic 57
- Touch formant additional parameters 57
- Advanced type 58
- Compressor 58
- Effects compressor 58
- Effects compressor 59
- Sustaining and percussive types 59
- Chorus 60
- Classic chorus 60
- Effects mod 60
- Advanced chorus 61
- Classic flanger 61
- Effects mod 61
- Flanger introduction 61
- Advanced flanger 62
- Effects mod 62
- Effects mod 63
- Vibrato 63
- Effects mod 64
- Vintage phaser smooth phaser 64
- Effects mod 65
- Tremolo 65
- Effects mod 66
- Panner 66
- Effects pitch 67
- Pitch shifter 67
- Effects pitch 68
- Octaver 68
- Whammy 68
- Detune 69
- Effects pitch 69
- Common parameters delay 70
- Delay introduction 70
- Effects delay 70
- Effects delay 71
- Ping pong 71
- Reverse 71
- Single delay 71
- Tape delay 71
- Dual delay 72
- Dynamic delay 72
- Effects delay 72
- Common reverb parameters 73
- Effects reverb 73
- Reverb types 73
- Effects reverb eq 74
- Eq parametric 74
- Effects noise gate 75
- Noise gate 75
- Midi implementation chart 76
- Appendix frequently asked questions 77
- Preset list 78
- Preset list 79
- Technical specifications 80
- Technical specifications are subject to change without notice 80
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