![Tc Electronic G-SYSTEM [8/80] Introduction](/img/pdf.png)
Tc Electronic G-SYSTEM [8/80] Introduction
![Tc Electronic G-SYSTEM [8/80] Introduction](/views2/1011825/page8/bg8.png)
Once you are up and running …
… what can you do?
How you get where you want to go is explained in later
chapters in this manual – this section is only meant to
serve as an inspiration while you are getting ready for
building your dream setup.
The Five PRESET and BANK UP/DOWN Switches
Presets are organized in banks of five. Using the five
PRESET switches together with the bank UP/DOWN
switches allows you to make radical changes to your
sound by pressing a single switch.
Preset Switches
Preset
s consist of:
– Effect Blocks (Reverb, Delay etc.) – both active and
inactive ones.
– Settings for all Effect Blocks – for both active and
inactive ones.
– Status (active/inactive) for all loops.
– The assignment of the connected expression pedals.
– Various other parameters.
The EFFECT BYPASS & LOOP Switches
These switches allow you to turn effects (such as Delay,
Reverb, Pitch, Modulation Filter, Compression and the
Loops) on or off as p
arts of a presets. These switches
are similar to the On/Off switches on regular stomp-
boxes.
Three, four or five Loops
There four loops – for drive pedals etc. – plus the Insert
loop, which is especially designed to insert a pre-amp.
For each preset you can decide which of the five loops
should be active.
Additionally, you can switch loops 1 to 3 on and off using
the Control board. If you also want to have access to the
fourth loop via the board and maybe even to the Insert
loop of a pre-amp (or a fifth pedal), you can set up your
switches accordingly using the “Custom Switch
Functions”.
What? How? Why?
You may find your own way of utilizing the system, but
the following describes part of the philosophy that has
been the basis of the G-System’s design.
For the purpose of the following example, let us assume
that you have connected overdrive pedals to some or all
of the four loops and maybe a pre-amp to the Insert loop.
Expression pedals are excellent for either Volume control
or real-time parameter control such as pitch in a
“whammy” effect.
For the following example, your setup should resemble
this one:
INTRODUCTION
6
Содержание
- Caution 3
- Important safety instructions 3
- Service 3
- Warning 3
- Emc emi certificate of conformity 4
- General operation 5
- Introduction 5
- Menu mode 5
- Overview 5
- Setups 5
- Table of contents 5
- Appendix 6
- Effects 6
- Table of contents 6
- Introduction 7
- Introduction 8
- Once you are up and running what can you do 8
- Custom switch functions 9
- Introduction 9
- Connections floormount 10
- Quick setup guide 10
- Rackmount or floormount 10
- Unpacking 10
- Quick setup guide 11
- Connections rackmount 12
- Levels 12
- Quick setup guide 12
- Presets 13
- Quick setup guide 13
- Other important issues 14
- Quick setup guide 14
- G system menu hierarchy 15
- Play mode 15
- General navigation basics 17
- Overview 17
- Play mode edit mode 17
- Press edit to access 17
- Overview 18
- Play mode edit mode 18
- Overview 19
- Play mode edit mode 19
- Control board rear 20
- Gfx01 front 20
- Overview 20
- Mounting the g system in a pedal flightcase 21
- Overview 21
- Gfx01 rear 22
- Overview 22
- Overview 23
- Typical setups 24
- Connecting 25
- Pedals and amp 25
- Typical setups 25
- Connecting 26
- Pedals pre amp and amp 26
- Typical setups 26
- Connecting 27
- Pedals and head 27
- Typical setups 27
- Combo amp 28
- In this particular setup the center amp is receiving the dry signal only i e with no effects apart from those added via the active pedals in loops 1 to 4 the left and right amplifiers receive only the effects on all g system presets mix must be set to 100 in this particular setup the mix of the effects is set solely using each effect s out level parameter 28
- Three way split to multiple amps 28
- Typical setups 28
- Dual amp 29
- Typical setups 29
- Connections 30
- G system separated gfx01 in a rack 30
- Important 30
- Typical setups 30
- Additional setup information 31
- Other important issues regarding setups 31
- Factory presets user presets 32
- Introduction 32
- Play mode edit mode 32
- What is a preset 32
- Editing 33
- Play mode edit mode 33
- Overview 34
- Preset handle mode 34
- Preset handle mode store delete 34
- Copying effects between presets 35
- Deleting a preset 35
- Overview preset handling 35
- Menu mode overview 36
- To access menu mode press edit press menu 36
- Menu mode preset routing 37
- Serial routing 37
- Menu mode preset routing 38
- Parallel routing 38
- Semi parallel routing 38
- Left right output levels 39
- Menu mode preset routing global levels 39
- Routing lock 39
- Menu mode global levels 40
- Boost function 41
- Connecting pedals 42
- Expression pedals what are they for 42
- Menu mode pedals 42
- Setting up your pedals 42
- Menu mode pedals 43
- Menu mode pedals 44
- Menu mode pedals 45
- Using expression pedals to control specific parameters 45
- Custom setup of switch functions 46
- Menu mode switches 46
- Switch numbers 46
- Menu mode switches 47
- Menu mode midi 48
- External midi control 49
- Menu mode utility 49
- Utility 49
- Relays for amp channel switching 50
- The tuner 51
- The tuner 52
- The tuner in play mode 52
- The tuner in tuner mode 52
- Tuner mode parameters 52
- Tap tempo 53
- Tap tempo hit twice or more 53
- Effects filter 54
- Resonance filter 54
- Touch res filter additional parameters 54
- Auto resonance filter additional parameters 55
- Effects filter 55
- Wah wah 55
- Auto wah 56
- Effects filter 56
- Touch wah 56
- Auto formant additional parameters 57
- Effects filter 57
- Formant filters introduction 57
- Formant parameters generic 57
- Touch formant additional parameters 57
- Advanced type 58
- Compressor 58
- Effects compressor 58
- Effects compressor 59
- Sustaining and percussive types 59
- Chorus 60
- Classic chorus 60
- Effects mod 60
- Advanced chorus 61
- Classic flanger 61
- Effects mod 61
- Flanger introduction 61
- Advanced flanger 62
- Effects mod 62
- Effects mod 63
- Vibrato 63
- Effects mod 64
- Vintage phaser smooth phaser 64
- Effects mod 65
- Tremolo 65
- Effects mod 66
- Panner 66
- Effects pitch 67
- Pitch shifter 67
- Effects pitch 68
- Octaver 68
- Whammy 68
- Detune 69
- Effects pitch 69
- Common parameters delay 70
- Delay introduction 70
- Effects delay 70
- Effects delay 71
- Ping pong 71
- Reverse 71
- Single delay 71
- Tape delay 71
- Dual delay 72
- Dynamic delay 72
- Effects delay 72
- Common reverb parameters 73
- Effects reverb 73
- Reverb types 73
- Effects reverb eq 74
- Eq parametric 74
- Effects noise gate 75
- Noise gate 75
- Midi implementation chart 76
- Appendix frequently asked questions 77
- Preset list 78
- Preset list 79
- Technical specifications 80
- Technical specifications are subject to change without notice 80
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