![Tc Electronic G-SYSTEM [30/80] Typical setups](/img/pdf.png)
Tc Electronic G-SYSTEM [30/80] Typical setups
![Tc Electronic G-SYSTEM [30/80] Typical setups](/views2/1011825/page30/bg1e.png)
G-System Separated:
GFX01 in a Rack
Drive Pedals
TAP TEMPO
EDIT PARAMETER B EDIT PARAMETER C SELECT PAGE
EDIT PARAMETER A
GAIN ADJUST
HOLD TO STORE HOLD TO STORE HOLD TO STORE HOLD TO STOREHOLD TO STORE
PRESETABLE BOOST LEVEL
LEVEL SET
EDITA EDIT B EDIT C
GLOBALTEMPO
FORMANT | WAH | EFFECT FILTERS COMPRESSOR ALGORITHM
MODEMENU
WHAMMY | PITCH ALGORITHMCHORUS | FLANGER | TREMOLO
| RETURNENTER
HI-CLASS | TAPEECHO | DYNAMIC REVERB ALGORITHM
INPUT DAMP
EDITED
COM FLT PIT DLY REV
E1: E2: E3: E4: E5:
INTEGRATEDEFFECTS
+MANAGEMENT
FILTER LOOP LOOP LOOP EDIT123COMP
UP
DOWN
MOD PITCH DELAY REVERB BOOST
ENCODER ENCODER ENCODER ENCODER ENCODER ENCODER
Expression Pedal
Expression/Volume Pedal
CSA FILE
#108093
S/PDIFUSB
POWER OUTPUTS
PEDAL IN
MIDI
SW OUT
OUTPUTINSERT
LOOP 4LOOP 3LOOP 2
LOOP 1
INPUT
INSTRUMENT
OUTPUT
DO
UL6500
EN/IEC 60065
PROFESSIONAL
AUDIO EQUIPMENT
WARNING
TOREDUCE THE RISK OF FIRE OR ELECTRIC
SHOCKDO NOT EXPOSE THISEQUIPMENTTO
RAINOR MOISTURE
AVIS:
RISQUEDE CHOC ELECTRIQUE-NE PAS
OUVRIR.
100-240VAC 50-60Hz,15W
GF001 | MADE INTHAILAND
QUAD 9V DC OUTPUTS
4x50mA or 200mA totally
CAUTION
R
CUS
THISCLASS B DIGITAL DEVICE MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCE-
CAUSINGEQUIPMENT REGULATIONSAND COMPLIESWITHPART15 OF THE FCC RULES.
OPERATIONSUBJECT TO CONDITIONS STATEDIN THE MANUAL.
RISKOF ELECTRIC SHOCK
DONOT OPEN
RETURNRETURN RETURN RETURN
SENDSEND SEND SEND
L
(mono)
1
VOL SERIAL #
R
2
EXP.
IN OUT
STATUS INPUTCONTROL LINK
PUSH
INSTRUMENT
LINK PWR
GFX01| EFFECTSPROCESSING UNIT
PREAMP
SCHEMATICS
FILTER
EXT EFF 1 EXT EFF 2 EXT EFF 3 EXT EFF 4
IN LOOP 1 LOOP 2 LOOP 3
LOOP 4 INSERT
ADAD
DA
DA
COMP
MOD PITCH DELAY REVERB
OUT L
DIGITAL OUT
OUT R
Preamp
Rackmount
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
BOOST ON
vintage pre-drive
Important!
When the GFX01 is separated from the Control
Board, we strongly recommend mounting a 1
unit standard blank faceplate instead to ensure
maximum stability.
If you do not use a Cat 5 plug with angled
XLR housing, you can turn the wings that
are holding the blank faceplate by 180
degrees to make space for a normal XLR
plug.
This is easily done:
• Unscrew the two screws in each side-panel.
• Turn the wings by 180 degrees.
• Mount the wings again using the screws.
Connections
• Unmount the GFX01 (the 19" unit) from underneath
the Control Board by unscrewing the four 6mm
screws.
• Replace the short CAT 5 cable with a longer cable.
• Mount the 19" GFX01 in your rack.
Please note that some racks require 5mm screws,
while others require 6mm screws. The G-System
is assembled using 6mm screws. Use appropriate
screws for your rack.
For advice on how to connect the drive and
expression pedals, please refer to the descriptions
on the previous pages.
TYPICAL SETUPS
28
Содержание
- Caution 3
- Important safety instructions 3
- Service 3
- Warning 3
- Emc emi certificate of conformity 4
- General operation 5
- Introduction 5
- Menu mode 5
- Overview 5
- Setups 5
- Table of contents 5
- Appendix 6
- Effects 6
- Table of contents 6
- Introduction 7
- Introduction 8
- Once you are up and running what can you do 8
- Custom switch functions 9
- Introduction 9
- Connections floormount 10
- Quick setup guide 10
- Rackmount or floormount 10
- Unpacking 10
- Quick setup guide 11
- Connections rackmount 12
- Levels 12
- Quick setup guide 12
- Presets 13
- Quick setup guide 13
- Other important issues 14
- Quick setup guide 14
- G system menu hierarchy 15
- Play mode 15
- General navigation basics 17
- Overview 17
- Play mode edit mode 17
- Press edit to access 17
- Overview 18
- Play mode edit mode 18
- Overview 19
- Play mode edit mode 19
- Control board rear 20
- Gfx01 front 20
- Overview 20
- Mounting the g system in a pedal flightcase 21
- Overview 21
- Gfx01 rear 22
- Overview 22
- Overview 23
- Typical setups 24
- Connecting 25
- Pedals and amp 25
- Typical setups 25
- Connecting 26
- Pedals pre amp and amp 26
- Typical setups 26
- Connecting 27
- Pedals and head 27
- Typical setups 27
- Combo amp 28
- In this particular setup the center amp is receiving the dry signal only i e with no effects apart from those added via the active pedals in loops 1 to 4 the left and right amplifiers receive only the effects on all g system presets mix must be set to 100 in this particular setup the mix of the effects is set solely using each effect s out level parameter 28
- Three way split to multiple amps 28
- Typical setups 28
- Dual amp 29
- Typical setups 29
- Connections 30
- G system separated gfx01 in a rack 30
- Important 30
- Typical setups 30
- Additional setup information 31
- Other important issues regarding setups 31
- Factory presets user presets 32
- Introduction 32
- Play mode edit mode 32
- What is a preset 32
- Editing 33
- Play mode edit mode 33
- Overview 34
- Preset handle mode 34
- Preset handle mode store delete 34
- Copying effects between presets 35
- Deleting a preset 35
- Overview preset handling 35
- Menu mode overview 36
- To access menu mode press edit press menu 36
- Menu mode preset routing 37
- Serial routing 37
- Menu mode preset routing 38
- Parallel routing 38
- Semi parallel routing 38
- Left right output levels 39
- Menu mode preset routing global levels 39
- Routing lock 39
- Menu mode global levels 40
- Boost function 41
- Connecting pedals 42
- Expression pedals what are they for 42
- Menu mode pedals 42
- Setting up your pedals 42
- Menu mode pedals 43
- Menu mode pedals 44
- Menu mode pedals 45
- Using expression pedals to control specific parameters 45
- Custom setup of switch functions 46
- Menu mode switches 46
- Switch numbers 46
- Menu mode switches 47
- Menu mode midi 48
- External midi control 49
- Menu mode utility 49
- Utility 49
- Relays for amp channel switching 50
- The tuner 51
- The tuner 52
- The tuner in play mode 52
- The tuner in tuner mode 52
- Tuner mode parameters 52
- Tap tempo 53
- Tap tempo hit twice or more 53
- Effects filter 54
- Resonance filter 54
- Touch res filter additional parameters 54
- Auto resonance filter additional parameters 55
- Effects filter 55
- Wah wah 55
- Auto wah 56
- Effects filter 56
- Touch wah 56
- Auto formant additional parameters 57
- Effects filter 57
- Formant filters introduction 57
- Formant parameters generic 57
- Touch formant additional parameters 57
- Advanced type 58
- Compressor 58
- Effects compressor 58
- Effects compressor 59
- Sustaining and percussive types 59
- Chorus 60
- Classic chorus 60
- Effects mod 60
- Advanced chorus 61
- Classic flanger 61
- Effects mod 61
- Flanger introduction 61
- Advanced flanger 62
- Effects mod 62
- Effects mod 63
- Vibrato 63
- Effects mod 64
- Vintage phaser smooth phaser 64
- Effects mod 65
- Tremolo 65
- Effects mod 66
- Panner 66
- Effects pitch 67
- Pitch shifter 67
- Effects pitch 68
- Octaver 68
- Whammy 68
- Detune 69
- Effects pitch 69
- Common parameters delay 70
- Delay introduction 70
- Effects delay 70
- Effects delay 71
- Ping pong 71
- Reverse 71
- Single delay 71
- Tape delay 71
- Dual delay 72
- Dynamic delay 72
- Effects delay 72
- Common reverb parameters 73
- Effects reverb 73
- Reverb types 73
- Effects reverb eq 74
- Eq parametric 74
- Effects noise gate 75
- Noise gate 75
- Midi implementation chart 76
- Appendix frequently asked questions 77
- Preset list 78
- Preset list 79
- Technical specifications 80
- Technical specifications are subject to change without notice 80
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