![Yamaha PSR-540 Инструкция по эксплуатации онлайн [158/160] 18195](/img/pdf.png)
Yamaha PSR-540 Инструкция по эксплуатации онлайн [158/160] 18195
Содержание
- Battery notice 2
- Disposal notice 2
- Environmental issues 2
- Name plate location 2
- Notice 2
- Please keep this manual 2
- Purchase date 2
- Serial no 2
- Special message section 2
- Specifications subject to change 2
- Warning 2
- Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property these precautions include but are not limited to the following 3
- Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards these precautions include but are not limited to the following 3
- Caution 3
- I saving user data 3
- Please keep these precautions in a safe place for future reference 3
- Please read carefully before proceeding 3
- Precautions 3
- Warning 3
- Congratulations 4
- Packing list 4
- How to use the manual 5
- Auto accompaniment 32 6
- Basic operation 17 6
- Contents 6
- Demo song playback 15 6
- Digital effects 46 6
- Disk operations 57 6
- Function tree 22 6
- How to use the manual 5 6
- Important features 8 6
- Mode 25 6
- Packing list 4 6
- Panel controls and terminals 10 6
- Panel display indications 16 6
- Playing voices 26 6
- Registration memory 54 6
- Setting up 12 6
- The multi pads 43 6
- Appendix 123 7
- Contents 7
- Disk song playback 68 7
- Midi functions 106 7
- Multi pad recording 92 7
- Other functions utility 118 7
- Part settings 74 7
- Song recording 78 7
- Style recording 96 7
- Basic operations 8
- Important features 8
- Listening to the psr 540 8
- Playing the psr 540 8
- Since the psr 540 has such a wealth of advanced features and functions you may be at a loss as to how to explore its capabilities and how to best use them for your music you needn t worry the psr 540 is very easy to play and use and each function no matter how advanced can be mastered easily 8
- That s what this section is designed for it will help you master the psr 540 it introduces you to the important features of the psr 540 with short explanations and page references read through the features you re interested in then turn to the relevant pages in the manual for instructions and other details 8
- Digital effects 9
- Disk drive 9
- Gm system level 1 9
- Gm system level 1 is an addition to the midi standard which guarantees that any data conforming to the standard will play accurately on any gm compatible tone generator or synthesizer from any manufacturer 9
- Important features 9
- Panel logos 9
- Style file format 9
- The doc voice allocation format provides data playback compatibility with a wide range of yamaha instruments and midi devices including the clavinova series 9
- The logos printed on the psr 540 panel indicate standards formats it supports and special features it includes 9
- The style file format sff is yamaha s original style file format which uses a unique conversion system to provide high quality automatic accompaniment based on a wide range of chord types the psr 540 uses the sff internally reads optional sff style disks and creates sff styles using the style recording feature 9
- Xg is a new yamaha midi specification which significantly expands and improves on the gm system level 1 standard with greater voice handling capacity expressive control and effect capability while retaining full compatibility with gm by using the psr 540 s xg voices it is possible to record xg compatible song files 9
- 7 8 9 6 5 0 10
- Augsus4 10
- Back next 10
- Grand piano 10
- Keyboard start stop 10
- Panel controls and terminals 10
- Track 1 16 part dial 10
- Panel controls and terminals 11
- Rear panel controls 11
- Top panel controls 11
- Although the psr 540 will run either from an optional ac adaptor or batteries yamaha recommends use of the more environmentally safe ac adaptor follow the instructions below according to the power source you intend to use 12
- Connect the ac adaptor pa 6 or other adaptor specifically recommended by yamaha to the power supply jack 12
- For battery operation the psr 540 requires six 1 v sum 1 d size r 20 or equiva lent batteries when the batteries need to be replaced battery low may appear on top of the display the volume may be reduced the sound may be distorted and other problems may occur when this happens turn the power off and replace the batteries replace the batteries as follows 12
- I using an optional ac power adaptor 12
- I using batteries 12
- Insert the six new batteries being careful to follow the polarity markings on the inside of the compartment 12
- Make sure that the standby on switch of the psr 540 is set to standby 12
- Open the battery compartment cover located on the instrument s bottom panel 12
- Plug the ac adaptor into an ac outlet 12
- Power supply connections 12
- Replace the compartment cover making sure that it locks firmly in place 12
- Setting up 12
- This section contains information about setting up your psr 540 and preparing to play be sure to go through this section carefully before turning the power on 12
- When turning the power off simply reverse the procedure 12
- A standard pair of stereo headphones can be plugged in here for private practice or late night playing the internal stereo speaker system is automatically shut off when a pair of head phones is plugged into the phones output jack do not listen with the headphones at high volume for long periods of time doing so may cause hearing loss 13
- Audio equipment connections 13
- Connecting a footswitch 13
- I foot switch jack 13
- I phones output jack 13
- Important notes on battery use 13
- Setting up 13
- The sustain function lets you produce a natural sustain as you play by pressing a footswitch plug an optional yamaha fc4 or fc5 footswitch into this jack and use it to switch sustain on and off the footswitch connected to this jack can also be set to replicate the functions of some panel buttons doing things like starting and stopping accompaniment page 121 13
- Connecting external midi devices 14
- Music stand 14
- Setting up 14
- Demo song playback 15
- Grand piano 15
- Myheartgoon 15
- 0 touch 16
- 1 sustain 16
- 2 harmony 16
- 3 chord 16
- 4 song tracks accompaniment tracks 16
- E easy navigator 16
- Grand piano 16
- I beat indicators 16
- O dsp fast 16
- Panel display indications 16
- Q menu message display 16
- R transpose 16
- T registration bank number 16
- U measure 16
- W menu indication 16
- Y tempo 16
- Basic operation 17
- Calling up the operation displays 17
- How to leave the current display 17
- Club xg 18
- Grand piano 18
- How to read the menu message display and easy navigator 18
- F1 multi pad 19
- F2 regist memory 19
- F3 digitaleffect 19
- Format ok 19
- Menu selection 19
- Basic operation 20
- Changing editing values 20
- Entering one or two digit numbers 20
- Entering three digit numbers 20
- Numeric entry 20
- Basic operation 21
- Direct access 21
- Nam xxxxxxxx 21
- Naming 21
- R name regist01 21
- Function tree 22
- Function tree 23
- Direct access chart 24
- Function tree 24
- Depending on the panel operation used the psr 540 has several fundamentally different conditions or methods of operation each of these condition is called a mode this section explains the main modes of the instrument 25
- Disk mode 25
- Disk mode page 57 25
- Record mode 25
- Select this mode by pressing the load button save button or the utility button in the disk mode you can save and load important data in the disk mode no panel operations can be executed except for disk operations 25
- Select this mode by pressing the record button in the record mode you can record your own original performances and songs create original styles and multi pad phrases 25
- Select this mode by pressing the song button or inserting the disk that contains song data into the disk drive the song mode is used for playing the full keyboard normally and for playing back the songs 25
- Select this mode by pressing the style button this is the default mode when the power is turned on the style mode is used for playing the full keyboard normally and when using the auto accompaniment styles are the rhythm accompaniment pattterns which are played by the auto accompani ment feature 25
- Song mode 25
- Song mode page 68 25
- Style mode 25
- Style mode page 32 25
- When record synchronized start standby is on the recording starts as soon as you play a key on the keyboard 25
- Augsus4 26
- Back next 26
- Easy navigator 26
- Function song style voice l r1 2 26
- Grand piano 26
- Keyboard start stop 26
- Playing voices 26
- Selecting a voice 26
- Track 1 16 part dial 26
- Transpose regist ration tempo measure beat 26
- Bright piano 27
- Playing two voices r1 r2 simultaneously 27
- Playing voices 27
- Selecting a voice for voice r2 27
- Bright piano 28
- Playing different voices with the left l and right r1 r2 hands 28
- Playing voices 28
- Selecting a voice for voice l 28
- Functions of the keyboard 29
- Playing voices 29
- Split point 29
- Pitch bend wheel 30
- Sustain 30
- Transpose 30
- Transpose 0 30
- Transpose 4 30
- Keyboard percussion 31
- Keyboard percussion1 31
- Playing voices 31
- Standardkit1 31
- 8beat 1 32
- Auto accompaniment 32
- Using auto accompaniment rhythm track only 32
- Auto accompaniment 33
- Using auto accompaniment all tracks 33
- Accompaniment sections 34
- Auto accompaniment 34
- Press the style button 34
- Select a style page 32 34
- Turn auto accompaniment on page 33 34
- Turn synchronized start on page 33 34
- As soon as you play a chord with your left hand the auto accompaniment starts 35
- Auto accompaniment 35
- Press the ending button 35
- Press the intro button 35
- Press the main a button 35
- Press the main b button 35
- Press the main buttons as desired during your performance 35
- Tempo 116 36
- Tempo 124 36
- Tempo tap 36
- Accompaniment track muting 37
- Accompaniment volume control 37
- Acmp volume 100 37
- Auto accompaniment 37
- Chord fingerings 38
- Fingermode f1 38
- Fingermode multi 38
- Fingermode singl 38
- Auto accompaniment 39
- Caug c 39
- Cm aug 39
- G example for c chords 39
- Accompaniment split point 40
- Auto accompaniment 40
- Fingermode f2 40
- Fingermode full 40
- Fingermode multi 40
- The fingered 2 mode 40
- The full keyboard mode 40
- The multi finger mode 40
- As soon as you play a chord with your left hand the auto accompaniment starts 41
- Auto accompaniment 41
- Playing a chord with your left hand automatically restarts the auto accompaniment 41
- Press the style button 41
- Stop the accompaniment page 33 41
- Synchro stop 41
- The auto accompaniment stops when you release your left hand from the keys 41
- Turn auto accompaniment on page 33 41
- Turn synchronized start on page 33 41
- Turn synchronized stop off 41
- Turn synchronized stop on 41
- As soon as you play a chord with your left hand the auto accompaniment starts 42
- Auto accompaniment 42
- One touch setting 42
- One touch setting parameter list 42
- Press one of the one touch setting buttons 1 4 42
- Press the round one touch setting button to call up the one touch setting function 42
- Stop the accompaniment 42
- Chord match 43
- Chord match1 43
- Play a chord with your left hand 43
- Playing the multi pads 43
- Press any of the multi pads 43
- Press the style button 43
- The multi pads 43
- Turn auto accompaniment on page 33 43
- Bank 01 fanfare 44
- C match pad1 on 44
- C match pad2 on 44
- F1 multi pad 44
- Selecting a multi pad bank 44
- Turning chord match on off 44
- Turning chord match on off1 44
- G multi pad bank list 45
- Multi pad bank list 45
- The multi pads 45
- Digital effects 46
- F3 digitaleffect 46
- Reverb 46
- Adjust the depth of the reverb 47
- Digital effects 47
- Effect reverb 47
- Return level 64 47
- Return level 81 47
- Type hall3 47
- Chorus 48
- Effect chorus 48
- Return level 64 48
- Type chorus2 48
- Return level 64 49
- Type stage2 49
- Digital effects 50
- F3 digitaleffect 50
- Harmony echo 50
- Selecting a harmony echo type 50
- System effects and insertion effects 50
- Applying the harmony echo effect 51
- Digital effects 51
- Effect harmony 51
- Type duet 51
- Adjusting the harmony echo volume 52
- Digital effects 52
- Effect harmony 52
- Harmony vol 113 52
- Harmony vol 120 52
- Changing the part for the harmony echo effect 53
- Digital effects 53
- Effect harmony 53
- H part auto 53
- Data stored by the registration memory 54
- Registration memory 54
- Registration memory data can be saved to and loaded from floppy disk as needed page 57 54
- Registration memory provides up to 128 complete control panel setups 32 banks 4 setups each that can be recalled instatly during your performance 54
- Since the psr 540 is such a sophisticated instrument with such a variety of controls and functions voice style auto accompaniment and effect settings just to name a few the registration memory feature is one of the most convenient and powerful of the instrument it allows you save virtually all panel settings to a registration memory setting and then instantly recall your custom panel settings by press ing a single button 54
- Press one of the registration memory buttons 1 through 4 55
- Press the freeze button 55
- Press the round registration memory button to call up the registration memory function 55
- Recalling the registered panel settings 55
- Registering the panel settings 55
- Registering the panel settings1 55
- Registration memory 55
- Set up the panel controls as required 55
- The accompaniment freeze function 55
- While holding the memory button press one of the regis tration memory buttons 1 through 4 55
- Bank 01 regist01 56
- F2 regist memory 56
- Naming the registration banks 56
- R name regist01 56
- Selecting a registration bank 56
- Built into the psr 540 is a disk drive simply insert a floppy disk and you ve got access to a wide variety of convenient functions such as recording and playback of user songs page 78 as well as saving and loading of user styles page 96 user pads page 92 and registration memory data page 54 57
- Disk operations 57
- You can save any number of user styles pads and registration data to floppy disks create your own song libraries or find many other ways to make playing and using the psr 540 more efficient 57
- Cleaning the disk drive read write head 58
- Disk operations 58
- I about the floppy disks 58
- I compatible disk type 58
- I inserting ejecting floppy disks 58
- Using the floppy disk drive fdd and floppy disks 58
- Augsus4 59
- Back next 59
- Club xg 59
- Easy navigator 59
- Function song style voice lr12 59
- If a disk has already been inserted into the drive press the song button to call up the song display 59
- Keyboard start stop 59
- Sample disk 59
- Track 1 16 part dial 59
- Transpose regist ration tempo measure beat 59
- Completed 60
- Executing 49 60
- Format 60
- Menu format 60
- Completed 61
- Disk operations 61
- Executing 45 61
- Save ok 61
- Sv name uf_00002 61
- Sv new 61
- Disk operations 62
- Ld abcd usr 62
- Ld type all 62
- Completed 63
- Dst userstyle1 63
- Executing 45 63
- Load ok 63
- Src user8beatpop 63
- Copytyp another 64
- Menu songcopy 64
- Song copy 64
- Copy ok 65
- Disk operations 65
- Src song_01 65
- _ nam song 01 65
- Copytyp same 66
- _ nam song 01 66
- Completed 67
- Del abcd usr 67
- Delete 67
- Executing 49 67
- Disk song playback 68
- Song playback 68
- Augsus4 69
- Back next 69
- Easy navigator 69
- Function song style voice lr12 69
- Keyboard start stop 69
- Plymode single 69
- S menu plymode 69
- Techno 69
- Track 1 16 part dial 69
- Transpose regist ration tempo measure beat 69
- Augsus4 70
- Back next 70
- Easy navigator 70
- Function song style voice lr12 70
- Keyboard start stop 70
- Song track muting 70
- Song volume 108 70
- Song volume 120 70
- Song volume control 70
- Track 1 16 part dial 70
- Transpose regist ration tempo measure beat 70
- Playing from a specified measure 71
- S menu measure 71
- Startmeasure 1 71
- Startmeasure 12 71
- A b repeat a 72
- A b repeat a b 72
- A b repeat off 72
- Repeat play 72
- S menu abrepeat 72
- Disk song playback 73
- S menu s trans 73
- Song transpose 73
- Songtranspos 0 73
- Songtranspos 4 73
- G mixer page 76 this lets you change the volume of each part and adjust the relative balance among all the parts 74
- G parameter edit page 77 this lets you change the following settings for each part octave shifts the pitch of the specified voice or track up or down by one or two octaves a setting of 0 produces normal pitch pan positions the sound of the specified voice or track from left to right in the stereo sound field 7 is full left 7 is full right 0 is center and all other settings are corresponding positions in between reverb depth sets the reverb depth for the specified voice or track and thus the amount of reverb effect applied to that voice or track chorus depth sets the chorus depth for the specified voice or track and thus the amount of chorus effect applied to that voice or track dsp depth sets the dsp depth for the specified voice or track and thus the amount of dsp effect applied to that voice or track 74
- G voice change page 75 this lets you change the voice for each part 74
- In addition to the keyboard played voices the psr 540 features many different instrumental parts included with the auto accompaniment and song playback 74
- Part settings 74
- The parameters which can be set for each part are shown in the chart below 74
- Use the following functions to change the settings for each part 74
- Part settings 75
- Rhm 216 stndkit1 75
- Voice change 75
- Part settings 76
- Volume ph1 110 76
- Volume ph1 120 76
- Chodepth r2 108 77
- Dspdepth r2 112 77
- F6 parameteredit 77
- Octave r2 2 77
- Pan r2 40 77
- Parameter edit 77
- Parameter edit1 77
- Revdepth r2 120 77
- Each user song lets you record up to sixteen independent tracks these include not only the voices for the keyboard performance r1 r2 l but also the auto accompaniment parts 78
- I data that can be recorded to user songs 78
- Song recording 78
- With the powerful and easy to use song recording features you can record your own keyboard performances to a floppy disk as a user song and create your own complete fully orchestrated compositions 78
- G about multi track recording in multi track recording you determine the track assignments as shown above before recording several tracks can be recorded simultaneously in addition to being able to record to empty tracks you can also re record tracks that already contain recorded data 79
- G about quick recording in quick recording you can quickly record without having to worry about the track assignments above quick recording automatically makes track assign ments according to the simple rules below 79
- I user song tracks 79
- Song recording 79
- The following notes and cautions are important points for you to keep in mind as you record 79
- The psr 540 provides two different ways to record quick recording and multi track recording 79
- The quick recording method is different from the multi track recording method however for both of them the recorded data is recorded on tracks 1 16 if you wish to re record a user song that was originally recorded by the quick recording method use multi track recording 79
- The tracks which can be recorded to the user songs are organized as shown in the chart below 79
- Track other parts that can be set default part 79
- Voice r1 r2 l accompaniment style track 79
- Voice r1 r2 l accompaniment style track accompaniment style bass 79
- Voice r1 r2 l accompaniment style track accompaniment style chord1 79
- Voice r1 r2 l accompaniment style track accompaniment style chord2 79
- Voice r1 r2 l accompaniment style track accompaniment style pad 79
- Voice r1 r2 l accompaniment style track accompaniment style phrase1 79
- Voice r1 r2 l accompaniment style track accompaniment style phrase2 79
- Voice r1 r2 l accompaniment style track voice l 79
- Voice r1 r2 l accompaniment style track voice r1 79
- Voice r1 r2 l accompaniment style track voice r2 79
- When record method is set to melody your keyboard performances voice r1 r2 l are recorded to tracks 1 3 when record method is set to acmp the auto accompaniment parts are recorded to tracks 9 16 when record method is set to melody acmp your keyboard performances voice r1 and r2 are recorded to tracks 1 2 and the auto accompaniment parts are recorded to tracks 9 16 79
- New song 80
- Quick recording 80
- Rec tr melody 80
- Recmenu song 80
- Recmode quickrec 80
- Song recording 80
- Completed 81
- Executing 72 81
- Multi track recording 82
- New song 82
- Recmode multirec 82
- Recmode t16 rec 82
- Recpart t01 r1 82
- Recpart t16 rhm 82
- Completed 83
- Executing 72 83
- Re recording punch in out and start measure 84
- Recmenu song 84
- Recmode multirec 84
- Usersong1 84
- Punch in 3 85
- Punch in out on 85
- Punch out 5 85
- Rec start 2 85
- Song recording 85
- Ed menu quantize 86
- Q track 5 86
- Quantize 86
- Recmode edit 86
- Usersong1 86
- Completed 87
- Executing 84 87
- Q size 1 4 87
- Quantize ok 87
- Ed menu setup dt 88
- Editing setup data 88
- Recmode edit 88
- Usersong1 88
- Completed 89
- Executing 84 89
- Setup ok 89
- Song recording 89
- Nam usersong1 _ 90
- Naming user songs 90
- Recmode edit 90
- Clearing user song data 91
- Completed 91
- Executing 84 91
- Bank userpad1 92
- Multi pad recording 92
- Recmenu multipad 92
- M pad recording 93
- Rec pad pad1 93
- Recmode record 93
- Rehearsal 93
- Chmatch pad1 off 94
- Chmatch pad2 off 94
- Chord match 94
- Naming user pads 94
- Clear ok 95
- Clearing user pad data 95
- Enter the desired name for the bank 95
- Execute the clear operation 95
- Press the next button 95
- Press the record button to exit from the record mode 95
- Select clear 95
- Select the pad number to be cleared 95
- Use the same operation as in chord match above 95
- I data that can be recorded to user styles 96
- I user style tracks 96
- Note on off key press and release page 107 velocity strength of key press page 107 pitch bend pitch bend range pages 30 122 voice number drum kit number page 26 mixer settings page 76 parameter edit settings page 77 tempo page 36 reverb type and settings page 46 chorus type and settings page 48 96
- On the psr 540 you can record up to a total of 48 tracks 6 sections x 8 tracks 96
- Style recording 96
- The four editing features below allow you to edit already recorded style data quantize page 102 this function aligns the timing of the recorded note data to a specified value naming user styles page 104 this function lets you name your original styles clearing user style data page 104 this function is for clearing deleting or part of the recorded style 96
- The psr 540 lets you record up to three original user styles which can be used for auto accompaniment in the same way as the preset styles user style data can also be saved to and loaded from floppy disk page 57 96
- The psr 540 provides two basic ways to record styles style recording rhythm track page 98 style recording bass phrase pad chord tracks page 100 96
- The tracks which can be recorded to the user styles are organized as shown in the chart below 96
- Up to approximately 1 950 notes for a section a total of about 7 150 notes can be recorded to the psr 540 style tracks only one event of the item marked with can be recorded for each track of the sections 96
- You can create a user style by using the internal style data as a starting point select a preset style that is closest to the type of style you want to create and record the auto accompaniment patterns to each section 96
- All tracks with the exception of the rhythm track must be cleared before recording page 104 97
- As shown in the chart at left when you select the internal preset style that is the closest to the type of style you wish to create the preset style data will be copied to a special memory location for recording you create record your new original style by adding or deleting data from the memory location 97
- Auto accompaniment repeats the accompaniment patterns of several measures in a loop and style recording is also done using loops for example if you start recording with a two measure main section the two measures are repeatedly recorded notes that you record will play back from the next repetition loop letting you record while hearing previously recorded material 97
- I about recording user styles 97
- In recording a user song the psr 540 records your keyboard performance as midi data recording of user styles however is done in a different way here are some of the aspects in which style recording differs from song recording 97
- Loop recording 97
- Overdub recording 97
- Style recording 97
- This method records new material to a track already containing recorded data without deleting the original data in style recording the recorded data is not deleted except when using functions such as clear page 104 and drum cancel page 99 for example if you start recording with a two measure main section the two measures are repeated many times notes that you record will play back from the next repetition letting you overdub new material to the loop while hearing previously recorded material 97
- Using preset styles 97
- 8beat 1 98
- Recmenu style 98
- Recmode record 98
- Section main a 98
- Style recording rhythm track 98
- Drum cancel 99
- Rec track rhm 99
- Style recording 99
- Rec track bas 100
- Style recording bass phrase pad chord tracks 100
- Press the record button to exit from the record mode 101
- Press the start stop button to stop recording 101
- Select a voice for the track to be recorded 101
- Start recording 101
- Style recording 101
- Quantize 102
- Section main a 102
- Completed 103
- Q size 1 4 103
- Quantize ok 103
- Clearing user style data 104
- Ed menu clear 104
- Ed menu name 104
- Nam userstyle1 _ 104
- Naming user styles 104
- Clear ok 105
- Completed 105
- Style recording 105
- As shown in the illustration above in an electronic instrument the sampling note previously recorded note stored in the tone generator section electronic circuit is played based on information received from the keyboard so then what is the information from the keyboard that becomes the basis for note production for example let s say you play a c quarter note using the grand piano sound on the psr 540 keyboard unlike an acoustic instrument that puts out a resonated note the electronic instrument puts out information from the keyboard such as with what voice with which key about how strong when was it pressed and when was it released then each piece of information is changed into a number value and sent to the tone generator using these numbers as a basis the tone generator plays the stored sampling note 106
- In the rear panel of your psr 540 there are midi terminals midi in midi out a to host terminal and a host select switch by using the midi functions you can expand your musical possibilities this section explains what midi is and what it can do as well as how you can use midi on your psr 540 106
- Midi functions 106
- No doubt you have heard the terms acoustic instrument and digital instrument in the world today these are the two main categories of instruments let s consider an acoustic piano and a classical guitar as representative acoustic instruments they are easy to understand with the piano you strike a key and a hammer inside hits some strings and plays a note with the guitar you directly pluck a string and the note sounds but how does a digital instrument go about playing a note 106
- What s midi 106
- Midi and to host terminals 107
- Midi functions 107
- As you can see it is essential to determine which data is to be sent over which midi channel when transmitting midi data page 114 108
- G play music from another keyboard no tone generator using the psr 540 xg tone generator 108
- G record performance data 1 16 channels using the psr 540 auto accompaniment on a external sequencer such as a personal computer after recording edit the data with the sequencer then play it again on the psr 540 playback 108
- G use the psr 540 as a multi tone generator playing 16 channels at one time 108
- Midi functions 108
- Midi receive settings page 115 108
- Midi transmit settings page 114 initial data send page 117 108
- Receive mode for all channels set to xg gm midi receive settings page 115 108
- The psr 540 is an electronic musical instrument which is capable of transmitting and receiving over sixteen channels imagine that there are sixteen separate pipes in the connected midi cable when transmitting midi data from the psr 540 to an external device midi data is sent through the assigned pipe or midi channel and trans mitted to the external device for example several tracks can be transmitted simultaneously including the auto accompaniment data as shown below 108
- What you can do with midi 108
- Midi data compatibility 109
- Midi functions 109
- Sequence format 109
- The system which records song data is called sequence format playback is only possible when the sequence format of the disk matches that of the midi device 109
- This section covers basic information on data compatibility whether or not other midi devices can playback the data recorded by psr 540 and whether or not the psr 540 can playback commercially available song data or song data created for other instruments or on a computer depending on the midi device or data characteristics you may be able to play back the data without any problem or you may have to perform some special operations before the data can be played back if you run into problems playing back data please refer to the information below 109
- Voice allocation format 109
- With midi voices are assigned to specific numbers called program numbers the numbering standard order of voice allocation is referred to as the voice allocation format voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible midi device used for playback 109
- Connect using the psr 540 midi terminals 110
- Connecting to a personal computer 110
- Midi functions 110
- Connect using the to host terminal 111
- Midi functions 111
- F5 midi 112
- Menu template 112
- Midi template 112
- Type acmp out 112
- Type xg module 112
- Completed 113
- Midi functions 113
- Midi temp load 113
- Menu transmit ch 114
- Midi functions 114
- Midi transmit setting 114
- Trans ch16 r1 114
- Menu receive ch 115
- Midi receive setting 115
- Reciv ch01 xg gm 115
- Local control 116
- Local off 116
- Menu local 116
- Midi functions 116
- Completed 117
- Init send 117
- Initial data send 117
- Menu clock 117
- Menu init send 117
- F4 utility 118
- Metronome 118
- Metronome off 118
- Other functions utility 118
- Utility metronom 118
- Master tuning 119
- Octave r1 1 119
- Other functions utility 119
- Part octave 119
- Scale tuning 119
- Scaletune c 63 119
- Split c3 119
- Split point 119
- Tuning 414 119
- Other functions utility 120
- Touch sense 127 120
- Touch sensitivity 120
- Voice set 120
- Voice set on 120
- Footswitch 121
- Other functions utility 121
- Polarity norm 121
- Type sustain 121
- Bend range 4 122
- Other functions utility 122
- Pitch bend range 122
- Appendix 123
- Panel voice list 123
- Voice list 123
- Voice list 124
- 0 112 10 music box 125
- 0 112 108 kalimba 125
- 0 112 11 vibraphone 125
- 0 112 114 steel drums 125
- 0 112 12 marimba 125
- 0 112 13 xylophone 125
- 0 112 14 tubular bell 125
- 0 112 15 dulcimer 125
- 0 112 47 timpani 125
- 0 112 8 celesta 125
- 0 112 9 glockenspiel 125
- 0 113 11 jazz vibes 125
- 0 113 95 transform 125
- 0 114 94 solaris 125
- 0 117 88 millenium 125
- 126 0 0 sfx kit 1 125
- 126 0 1 sfx kit 2 125
- 127 0 0 standardkit1 125
- 127 0 1 standardkit2 125
- 127 0 16 rock kit 125
- 127 0 24 electro kit 125
- 127 0 25 analog kit 125
- 127 0 27 dance kit 125
- 127 0 32 jazz kit 125
- 127 0 40 brush kit 125
- 127 0 48 symphony kit 125
- 127 0 8 room kit 125
- Bank select midi voice program voice name number msb lsb change number 125
- Drum kits 125
- Percussion 125
- Voice list 125
- Xg voice list 125
- Voice list 126
- Voice list 127
- Drum kit list 128
- Indicates that the drum kit is the same as standard kit1 each percussion voice uses one note the note numbers and note names printed on the keyboard are one octave higher than the midi note numbers and note names shown in the list for example the note number and note name 36 and c1 on the keyboard correspond to the midi note number and note name 24 and c0 shown in the list 128
- Drum kit list 129
- Style list 130
- About the digital effects reverb chorus dsp 131
- Chorus effect type depth can be set by panel operation when you select a different style the appropriate chorus type will be selected accord ingly 131
- Dsp effect on off status type and depth can be set by panel operation dsp effect will function as either system or insertion effect whether dsp effect is system or insertion depends on the selected type dsp effect configuration will differ between system and insertion effects as follows 131
- G chorus system effect 131
- G dsp system insertion effect 131
- G reverb system effect 131
- Reverb effect type depth can be set by panel operation when you select a different style the appropriate reverb type will be selected accord ingly 131
- About the digital effects reverb chorus dsp 132
- Chorus type list 132
- Dsp type list 132
- G chorus type list 132
- G dsp type list 132
- G reverb type list 132
- Reverb type list 132
- Harmony echo type list 133
- Troubleshooting 134
- All data can be initialized and restored to the factory preset condition by turning on the power while holding the highest rightmost white key on the keyboard now initializ ing will appear briefly on the display 135
- Data backup initialization 135
- Except for the data listed below all psr 540 panel settings are reset to their initial settings whenever the power is turned on the data listed below are backed up i e retained in memory as long as an ac adaptor is connected or a set of batteries is installed 135
- I data backup 135
- I data initialization 135
- Now initializing 135
- Alert message list 136
- Disk error 136
- Disk full 136
- Disk removed 136
- File protected 136
- Maximum 60 songs 136
- Memory full 136
- Memory over 136
- No disk 136
- No file 136
- Same name 136
- Unformatted 136
- Write protected 136
- Wrong disk 136
- Alert message list 137
- Backup error 137
- Battery low 137
- Cannot operate 137
- Cannot set midi 137
- Cannotenterfunc 137
- Cannotturndsp on 137
- Cannotturnhar on 137
- Data not found 137
- Host is offline 137
- Now initializing 137
- Preset data 137
- User style full 137
- 1 transmit flow 138
- 2 receive flow 138
- Aah hexidecimal 0aaaaaaa binary denotes the data address the address contains high mid and low 138
- Bbh 0bbbbbbb denotes the byte count 138
- Cch 0ccccccc denotes the check sum 138
- Control change bank select msb bnh 00h bank select lsb bnh 20h modulation bnh 01h portamento time bnh 05h data entry msb bnh 06h data entry lsb bnh 26h main volume bnh 07h panpot bnh 0ah expression bnh 0bh sustain bnh 40h portamento bnh 41h sostenuto bnh 42h soft pedal bnh 43h harmonic content bnh 47h release time bnh 48h attack time bnh 49h brightness bnh 4ah portamento control bnh 54h reverb send level bnh 5bh chorus send level bnh 5dh variation send level bnh 5eh data increment bnh 60h data decrement bnh 61h nrpn lsb bnh 62h nrpn msb bnh 63h vibrato rate bnh 63h 01h 62h 08h 06h mmh vibrato depth bnh 63h 01h 62h 09h 06h mmh vibrato delay bnh 63h 01h 62h 0ah 06h mmh filter cutoff freq bnh 63h 01h 62h 20h 06h mmh filter resonance bnh 63h 01h 62h 21h 06h mmh aeg attack time bnh 63h 01h 62h 63h 06h mmh aeg decay time bnh 63h 01h 62h 64h 06h mmh aeg release bnh 63h 01h 62h 66h 06h mmh 138
- Ddh 0ddddddd denotes the data value 138
- Drum inst cutoff freq bnh 63h 14h 62h rrh 06h mmh filter resonance bnh 63h 15h 62h rrh 06h mmh aeg attack rate bnh 63h 16h 62h rrh 06h mmh aeg decay rate bnh 63h 17h 62h rrh 06h mmh pitch coarse bnh 63h 18h 62h rrh 06h mmh 138
- Except the table above for example 144 159 decimal 9nh 1001 0000 1001 1111 binary displays the note on message for each channel 1 16 176 191 bnh 1011 0000 1011 1111 displays the control change message for each channel 1 16 192 207 cnh 1100 0000 1100 1111 displays the program change message for each channel 1 16 240 foh 1111 0000 denotes the start of a system exclusive message 247 f7h 1111 0111 denotes the end of a system exclusive message 138
- Many midi messages listed in the midi data format are expressed in decimal numbers binary numbers and hexadecimal numbers hexadecimal numbers may include the letter h as a suffix also n can freely be defined as any whole number to enter data values refer to the table below 138
- Midi data format 138
- Midi note off 8nh in note on off 9nh 138
- Midi note on off 9nh out control change bnh bank select msb bnh 00h bank select lsb bnh 20h data entry msb bnh 06h data entry lsb bnh 26h main volume bnh 07h panpot bnh 0ah sustain bnh 40h sostenute bnh 42h soft pedal bnh 43h release time bnh 48h reverb send level bnh 5bh chorus send level bnh 5dh variation send level bnh 5eh rpn lsb bnh 64h rpn msb bnh 65h pitch bend sens bnh 65h 00h 64h 00h 06h mmh 138
- Program change cnh pitch bend change enh 138
- System realtime message midi clock f8h start fah stop fch active sensing feh 138
- Xg parameter change f0h 43h 1nh 4ch aah aah aah ddh ddh f7h xg bulk dump f0h 43h 0nh 4ch bbh bbh aah aah aah ddh ddh cch f7h special operators 138
- 3 transmit receive data 139
- Midi data format 139
- Midi data format 140
- Midi data format 141
- Midi data format 142
- Midi parameter change table system 142
- Midi parameter table system information 142
- Parmeter basic address 142
- Midi data format 143
- Midi parameter change table effect 143
- Midi data format 144
- Midi parameter change table multi part 144
- Address size data prameter name description default value h h h h h 3n rr 00 1 00 f pitch coarse 64 63 40 3n rr 01 1 00 f pitch fine 64 63cent 40 3n rr 02 1 00 f level 0 27 depend on the note 3n rr 03 1 00 f alternate group 0 off 1 27 depend on the note 3n rr 04 1 00 f pan 0 random depend on the note l63 c r63 1 4 27 3n rr 05 1 00 f reverb send level 0 27 depend on the note 3n rr 06 1 00 f chorus send level 0 27 depend on the note 3n rr 07 1 00 f variation send level 0 27 7f 3n rr 08 1 00 1 key assign 0 single 1 multi 00 3n rr 09 1 00 1 rcv note off off on depend on the note 3n rr 0a 1 00 1 rcv note on off on 01 3n rr 0b 1 00 f filter cutoff freq 64 3 40 3n rr 0c 1 00 f filter resonance 64 3 40 3n rr 0d 1 00 f eg attack rate 64 3 40 3n rr 0e 1 00 f eg decay1 rate 64 3 40 3n rr 0f 1 00 f eg decay2 rate 64 3 40 total size 10 145
- Effect type list 145
- Midi data format 145
- Midi parameter change table drum setup 145
- N drum setup number 0 1 rr note number 0dh 5bh if xg system on and or gm on message is received all drum setup parameter will be reset to default values according to the drum setup reset message individual drum setup parameters can be reset to default values 145
- Effect parameter list 146
- Midi data format 146
- Ambience variation block 147
- Amp simulator variation insertion block 147
- Auto pan variation insertion block 147
- Auto wah dist auto wha odrv variation block 147
- Auto wah variation insertion block 147
- Band eq mono variation insertion block 147
- Band eq stereo variation insertion block 147
- Comp dist variation block 147
- Distortion overdrive variation insertion block 147
- Midi data format 147
- Phaser 1 chorus variation insertion block 147
- Phaser 2 variation block 147
- Rotary speaker variation insertion block 147
- Tremolo variation insertion block 147
- Way rotary speaker variation block 147
- Comp dist delat variation block comp overdrive delat variation block 148
- Compressor variation insertion block 148
- Dist delat variation block overdrive delat variation block 148
- Harmonic enhancer variation block 148
- Lo fi variation block 148
- Midi data format 148
- No effect reverb chorus variation block thru variation insertion block 148
- Noise gate variation insertion block 148
- Pitch change 1 variation block 148
- Pitch change 2 variation block 148
- Talking modulation variation block 148
- Touch wah 1 variation insertion block touch wah dist variation block 148
- Touch wah 2 variation insertion block touch wah odrv variation block 148
- Voice cancel variation block 148
- Wah dist delat variation block wah overdrive delat variation block 148
- Effect data value assign table 149
- Midi data format 149
- Midi implementation chart 150
- Midi implementation chart 151
- Amplifiers 155
- Auto accompaniment 155
- Auxiliary jacks 155
- Control number buttons 155
- Digital effects 155
- Dimensions w x d x h 155
- Disk operations 155
- Display 155
- Keyboards 155
- Multi pad recording 155
- Multi pads 155
- Optional accessories 155
- Other functions 155
- Overall controls 155
- Power consumption 155
- Power supply 155
- Realtime controls 155
- Registration memory 155
- Song recording 155
- Speakers 155
- Specifications 155
- Style recording 155
- Supplied accessories 155
- Weight 155
- Advarsel 156
- Entsorgung leerer batterien nur innerhalb deutschlands 156
- Fcc information u s a 156
- Important 156
- Important notice do not modify this unit 156
- Observera 156
- Varoitus 156
- Consumers responsibilities 157
- Days labor 1 year parts 157
- Exclusions 157
- Important 157
- Keep this document for your records do not mail 157
- Limited warranty 157
- Psr series of portatone electronic keyboards 157
- Yamaha corporation of america electronic service division 6600 orangethorpe avenue buena park ca 90620 157
- Africa 159
- Argentina 159
- Australia 159
- Austria 159
- Belgium 159
- Brazil 159
- Canada 159
- Central south america 159
- Countries and trust territories in pacific ocean 159
- Denmark 159
- Die einzelheiten zu produkten sind bei ihrer unten aufgeführten nie derlassung und bei yamaha vertragshändlern in den jeweiligen bestimmungsländern erhältlich 159
- Europe 159
- Finland 159
- For details of products please contact your nearest yamaha or the authorized distributor listed below 159
- France 159
- Germany switzerland 159
- Greece 159
- Head office 159
- Hong kong 159
- Iceland 159
- Indonesia 159
- Ireland 159
- Malaysia 159
- Mexico 159
- Middle east 159
- New zealand 159
- North america 159
- Norway 159
- Oceania 159
- Other countries 159
- Other european countries 159
- Panama and other latin american countries caribbean countries 159
- Para detalles sobre productos contacte su tienda yamaha más cercana o el distribuidor autorizado que se lista debajo 159
- Philippines 159
- Pour plus de détails sur les produits veuillez vous adresser à yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante 159
- Singapore 159
- Spain portugal 159
- Sweden 159
- Taiwan 159
- Thailand 159
- The netherlands 159
- The people s republic of china and other asian countries 159
- The united kingdom 159
- Turkey cyprus 159
- Yamaha corporation electronic musical instrument division 159
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