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MOTU ULTRALITE MKIII HYBRID [50/112] Making settings in motu audio console
![MOTU ULTRALITE MKIII HYBRID [50/112] Making settings in motu audio console](/views2/2007778/page50/bg32.png)
SONAR AND OTHER WDM SOFTWARE
50
If you uncheck this box, WaveRT support is
disabled, and legacy WDM driver support is
provided instead.
MAKING SETTINGS IN MOTU AUDIO
CONSOLE
Before you run your audio software, launch MOTU
Audio Console to configure your UltraLite-mk3
hardware. MOTU Audio Console lets you choose
the audio clock source, sample rate, buffer size and
other hardware settings. For details, see chapter 5,
“MOTU Audio Console” (page 29). The following
sections provide a brief explanation of each
UltraLite-mk3 setting for use with SONAR.
Figure 8-2: MOTU Audio Console gives you access to all of the settings
in the UltraLite-mk3 hardware, including the clock source, sample
rate and headphone output assignment.
Sample rate
Choose the desired overall sample rate for the
UltraLite-mk3 system and SONAR. Newly
recorded audio in SONAR will have this sample
rate.
Clock Source
This setting is very important because it
determines which audio clock the UltraLite-mk3
will follow.
If you do not have any digital audio connections to
your UltraLite-mk3 (you are using the analog
inputs and outputs only), and you will not be
slaving SONAR to external SMPTE time code,
choose Internal.
If you have a S/PDIF digital audio device
connected to the UltraLite-mk3, see “Connecting
and syncing S/PDIF devices” on page 22.
Samples Per Buffer
The Samples Per Buffer setting can be used to
reduce the delay — or monitoring latency — that
you hear when live audio is patched through your
UltraLite-mk3 hardware and SONAR. For
example, you might have MIDI instruments,
samplers, microphones, and so on connected to
the analog inputs of the UltraLite-mk3. If so, you
will often be mixing their live input with audio
material recorded in SONAR. See chapter 9,
“Reducing Monitoring Latency” (page 55) for
complete details.
Phones
This UltraLite-mk3 setting lets you choose what
you’ll hear from the headphone jack. For example,
if you choose Main Out 1-2, the headphones will
duplicate the main outs. Or you can choose any
other output pair. If you choose Phones, this setting
makes the headphone jack serve as its own
independent output pair. As a result, you’ll see
Phones 1-2 as an additional audio destination in
SONAR’s audio output menus.
Main Out Assign
Use the Main Out Assign setting to determine what
audio you will hear on the XLR main outs of the
UltraLite-mk3. If you would like to treat them as
their own separate output pair, choose Main Outs.
Содержание
- Ultralite mk3 hybrid 1
- User guide for windows 1
- About the mark of the unicorn license agreement and limited warranty on software 2
- Copyright notice 2
- Limited warranty on hardware 2
- Reminder of the terms of your license 2
- Update policy 2
- About the ultralite mk3 hybrid 3
- Contents 3
- Cubase nuendo live and other asio software 3
- Cuemix fx 3
- Important run the ultralite mk3 software installer first 3
- Installing the ultralite mk3 hybrid hardware 3
- Motu audio console 3
- Motu smpte console 3
- Packing list and windows system requirements 3
- Performance tips troubleshooting 3
- Quick reference motu audio console 3
- Quick reference ultralite mk3 hybrid front panel 3
- Quick reference ultralite mk3 hybrid rear panel 3
- Reducing monitoring latency 3
- Sonar and other wdm software 3
- Ultralite mk3 hybrid front panel operation 3
- Quick reference ultralite mk3 hybrid front panel 5
- Quick reference ultralite mk3 hybrid rear panel 6
- Chapter 7
- How to access these settings 7
- Quick reference motu audio console 7
- About the ultralite mk3 hybrid 9
- Chapter 9
- Overview 9
- The ultralite mk3 rear panel 10
- The ultralite mk3 front panel 11
- Bit and 24 bit recording 12
- Cuemix fx 32 bit floating point mixing and effects 12
- Host audio software 12
- Chapter 13
- Packing list 13
- Packing list and windows system requirements 13
- Please register today 13
- Windows system requirements 13
- Before you connect the ultralite mk3 audio interface to your computer and turn it on insert the ultralite mk3 software cd and run the ultralite mk3 software installer this ensures that all the ultralite mk3 components are properly installed in your system 15
- Cancel the driver search 15
- Chapter 15
- If windows asks you to locate the drivers if you ve already connected the ultralite mk3 to your computer and switched it on windows probably issued an alert notifying you that the ultralite mk3 requires drivers followed by another window asking you to locate the drivers on disk if this happens 15
- Important run the ultralite mk3 software installer first 15
- Install the ultralite mk3 software first 15
- Installing the ultralite mk3 software 15
- Overview 15
- Run the ultralite mk3 software installer as instructed in the next section 15
- Switch off the ultralite mk3 15
- To install the ultralite mk3 software insert the motu universal audio installer cd and follow the directions it gives you on your computer screen the ultralite mk3 ships with the following software and drivers for windows xp and vista 15
- Asio motu audio driver 16
- Cuemix fx 16
- Motu audio console 16
- Motu gsif firewire driver 16
- Motu midi driver 16
- Motu smpte console 16
- The motu audio wdm driver 16
- Chapter 17
- Important note before you begin 17
- Installing the ultralite mk3 hybrid hardware 17
- Overview 17
- Connect the ultralite mk3 interface 18
- Connect audio inputs and outputs 20
- Connect midi gear 21
- Connecting and syncing s pdif devices 22
- Pci firewire card 23
- Pcmcia or expresscard slot adapter 23
- Power options 23
- A typical ultralite mk3 hybrid setup 25
- Here is a typical ultralite mk3 studio setup this rig can be operated without an external mixer all mixing and processing can be done in the computer with audio software during recording you can use the ultralite mk3 s cuemix fx no 25
- Latency monitoring to listen to what you are recording via the main outs headphone outs or any other output pair you can control monitoring either from the front panel or from the included cuemix fx software 25
- Connecting multiple motu firewire interfaces 26
- Accessing the ultralite mk3 settings 29
- Chapter 29
- Motu audio console 29
- Overview 29
- General tab settings 30
- Ultralite mk3 tab settings 32
- Chapter 35
- Mic guitar inputs 35
- Overview 35
- Power switch 35
- Push button rotary encoders 35
- Ultralite mk3 hybrid front panel operation 35
- From the factory the phones jack figure 6 1 is a discrete output at 44 48 khz but it can mirror any other output pair digital or analog or serve as its own independent output 36
- Main out volume 36
- Phones 36
- Push the vol knob twice to view and control the volume of the main outs on the rear panel 36
- The master volume adjustment can be programmed to control any combination of outputs see the monitor group on page 84 for details 36
- To view the current setting without changing it just push the knob without turning it 36
- When you turn the phone vol knob the lcd display provides visual feedback 36
- Audio menu 37
- Meter display 37
- Multi function lcd display 37
- Setup menu 37
- Cuemix menu 38
- Individual channels once you scroll past master and reverb the page knob then scrolls through all available inputs for the mix bus once you choose an input access its channel settings using the param knob and value knob 41
- Inputs menu 41
- Once you ve selected the reverb menu you can access all settings using the parameter and value knobs the page knob is not needed and is therefore disabled when editing reverb settings 41
- Reverb these are the reverb send and return controls for the bus master fader access them with the parameter knob 41
- Summary of mix menu settings for a summary of mix menu settings see mixes menu on page 42 41
- Summary of reverb menu settings see reverb menu on page 42 for a summary 41
- The reverb processor is not available at sample rates above 48 khz therefore when the ultralite mk3 is operating at 88 khz or higher the reverb menu does not appear in the lcd 41
- The reverb settings push the channel button repeatedly until you see reverb in the channel section of the lcd figure 6 9 this is similar to accessing the reverb tab in cuemix fx the reverb tab on page 83 41
- All settings including all mix settings and global settings are saved in the ultralite mk3 s memory and they remain in effect even when the ultralite mk3 is not connected to a computer this allows you to use the ultralite mk3 as a stand alone 8 bus mixer you can make adjustments to any setting at any time from the front panel 42
- Channel page param 42
- Outputs menu mixes menu 42
- Reverb menu 42
- Stand alone operation 42
- Chapter 43
- Cubase nuendo live and other asio software 43
- Overview 43
- Preparation 43
- Run motu audio console 43
- What is asio 43
- Choosing the motu asio driver 45
- Direct monitoring 46
- Other system dialog settings 46
- Viewing and managing ultralite mk3 inputs 46
- Changing ultralite mk3 settings 47
- Midi i o via the ultralite mk3 midi ports 47
- Processing live inputs with host based vst plug ins 47
- Synchronization 47
- Viewing and managing ultralite mk3 outputs 47
- Working with cuemix fx mixing and effects 47
- Bit operation 48
- Chapter 49
- Enabling wave mme compatibility 49
- Installing the motu audio wdm driver 49
- Overview 49
- Sonar and other wdm software 49
- Wavert support 49
- Wdm and wave driver compatibility 49
- Making settings in motu audio console 50
- Enabling the motu audio wdm driver 51
- Changing ultralite mk3 settings 52
- Midi i o via the ultralite mk3 midi ports 52
- Processing live inputs with host based vst plug ins 52
- Reducing delay when monitoring live inputs 52
- Working with cuemix fx mixing and effects 52
- Working with ultralite mk3 inputs and outputs 52
- Bit operation 53
- Chapter 55
- Overview 55
- Reducing monitoring latency 55
- Monitoring live input 56
- Adjusting the audio i o buffer 57
- Cuemix fx hardware monitoring 58
- Two methods for controlling cuemix fx 58
- A 16 bus mixer with eq compression and reverb 61
- Chapter 61
- Cuemix fx 61
- Overview 61
- Advantages over host based mixing and processing 62
- Cuemix fx installation 62
- Cuemix fx is installed with the rest of your ultralite mk3 software 62
- Cuemix fx provides several major advantages over mixing and processing in your host audio software 62
- Cuemix has no buffer latency thanks to the ultralite mk3 s dsp chip cuemix provides the same throughput performance as a digital mixer 62
- Cuemix mixing and effects processing imposes no processor drain on the computer s cpu 62
- Cuemix routing can be maintained independently of individual software applications or projects 62
- Cuemix routing can operate without the computer allowing the ultralite mk3 to operate as a portable stand alone mixer with effects 62
- Each input output and mix bus provides a send to the classic reverb processor which then feeds reverb returns to mix busses and outputs with a selectable split point between them to prevent send return feedback loops 62
- Cuemix fx basic operation 63
- The mixes tab 64
- The inputs tab 66
- The outputs tab 68
- The channel settings section 70
- Composite curve white line 73
- Eq filter 73
- Filter display options menu 73
- Filter enable disable 73
- Filter handle 73
- Filter response display 73
- Filter type 73
- Individual filter curve 73
- Low high pass filter 73
- Parameter display 73
- Q handle 73
- Vertical scale 73
- The monitor group 84
- Dsp meter 85
- Solo light 85
- Talkback and listenback 85
- Edit menu 87
- File menu 87
- Shortcuts 87
- Devices menu 88
- Oscilloscope 88
- X y plot 94
- Phase analysis 97
- Configurations menu 100
- Control surfaces menu 101
- Phones menu 101
- Talkback menu 101
- Chapter 103
- Clock address 103
- Frame rate 103
- Motu smpte console 103
- Motu smpte setup 103
- Overview 103
- Reader section 104
- Generator section 105
- Resolving cubase or nuendo to smpte time code 105
- Syncing to smpte time code 106
- The ultralite mk3 system can resolve directly to smpte time code it can also generate time code under its own clock or while slaving to time code therefore the ultralite mk3 can act both as an audio interface and as a smpte time code synchronizer to which you can slave other devices you can use the ultralite mk3 to slave your audio software to time code as well as long as your software supports sample accurate sync which is the means by which the software follows the ultralite mk3 the accuracy may not be sample accurate but in most cases it will be very close 106
- Chapter 107
- Performance tips troubleshooting 107
- Customer support 108
- Replacing disks 108
- Technical support 108
- 11 18 19 109
- 15 16 43 109
- 61 102 109
- Symbols 109
- 44 50 55 57 58 62 110
- 31 44 50 111
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