![Soundcraft LX7ii-32 Руководство по эксплуатации онлайн [25/32] 776758](/img/pdf.png)
Soundcraft LX7ii-32 Руководство по эксплуатации онлайн [25/32] 776758
![Soundcraft LX7ii-32 Руководство по эксплуатации онлайн [25/32] 776758](/views2/2008473/page25/bg19.png)
25
HF EQHF EQ
HF EQHF EQ
HF EQ
Turn clockwise to boost high (treble) frequencies (12kHz and above) by up to 15dB,
adding crispness to cymbals, vocals and electronic instruments. Turn anticlockwise to
cut by up to 15dB, reducing hiss or excessive sibilance which can occur with certain
types of microphone. Set the knob in the centre-detented position when not required.
MID EQ (HMID & LMID)MID EQ (HMID & LMID)
MID EQ (HMID & LMID)MID EQ (HMID & LMID)
MID EQ (HMID & LMID)
There are two pairs of knobs which work together to form HI and LO MID frequency EQ
sections. The lower knob in each pair provides 15dB of boost and cut, just like the HF
EQ knob, but the frequency at which this occurs can be set by the upper knob over a
range of 550Hz to 13kHz (HMID) or 80Hz to 1.9kHz (LMID). This allows some truly
creative improvement of the signal in live situations, because the mid bands cover the
range of most vocals. Listen carefully as you use these controls together to find how
particular characteristics of, for instance, a vocal signal can be enhanced or reduced.
Set the gain (lower) knob to the centre-detented position when not required. Note: Q
is set at 1.5.
LF EQLF EQ
LF EQLF EQ
LF EQ
Turn clockwise to boost low (bass) frequencies (60Hz and below) by up to 15dB,
adding warmth to vocals or extra punch to synths, guitars and drums. Turn anticlockwise
to cut low frequencies by up to 15dB for reducing hum, stage rumble or to improve a
mushy sound. Set the knob to the centre-detented position when not required.
11
11
1
0 - EQ S0 - EQ S
0 - EQ S0 - EQ S
0 - EQ S
WITWIT
WITWIT
WIT
CHCH
CHCH
CH
The EQ switch bypasses the Equalisation section when released. Alternately pressing
and releasing the switch provides an easy way of comparing the equalised and
unequalised signals.
11
11
1
1 - A1 - A
1 - A1 - A
1 - A
UX SENDSUX SENDS
UX SENDSUX SENDS
UX SENDS
These are used to set up separate mixes for FOLDBACK, EFFECTS or recording, and the
combination of each Aux Send is mixed to the respective Aux Output at the rear of the
mixer. For Effects it is useful for the signal to fade up and down with the fader (this is
called POST-FADE), but for Foldback or Monitor feeds it is important for the send to be
independent of the fader (this is called PRE-FADE). All Aux Sends are muted with the
other channel outputs when the MUTE switch is pressed.
All six Aux Sends are POST-EQ, unless the EQ is bypassed using the EQ switch (see
above) and are normally POST-FADE for use as effects sends or additional submixes.
Aux’s 1 & 2 and 3 & 4 may if required be switched in pairs to PRE-FADE by pressing
the respective PRE switch, for use as foldback or monitor feeds. Aux’s 5 & 6 always
remain POST-FADE.
11
11
1
2 - P2 - P
2 - P2 - P
2 - P
ANAN
ANAN
AN
This control sets the amount of the channel signal feeding the Left and Right MIX
buses, allowing you to move the source smoothly across the stereo image. When the
control is turned fully right or left you are able to route the signal at unity gain to either
left or right outputs individually.
11
11
1
3 - MUTE3 - MUTE
3 - MUTE3 - MUTE
3 - MUTE
All outputs from the channel except inserts are active when the MUTE switch is released
and muted when the switch is down, allowing levels to be pre-set before the signal is
required.
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Block diagram block diagram block diagram block diagram block diagram 19 19 19 19 19 3
- Contents contents contents contents contents 3
- Inst inst inst inst installa alla alla alla allation tion tion tion tion 99999 3
- Introduction introduction introduction introduction introduction 55555 3
- Specifica specifica specifica specifica specifications tions tions tions tions 31 31 31 31 31 3
- Using the console using the console using the console using the console using the console 21 21 21 21 21 3
- Featur featur featur featur features es es es es 6
- W w w w war ar ar ar arranty ranty ranty ranty ranty 7
- The internal power supply unit contains no user serviceable parts refer all servicing to a qualified service engineer through the appropriate soundcraft dealer 10
- This unit must be earthed 10
- To avoid the risk of fire replace the mains fuse only with the correct value fuse as marked on the rear panel 10
- Under no circumstances should the mains earth be disconnected from the mains lead 10
- W w w w warning arning arning arning arning 10
- Caution in all cases refer servicing to qualified personnel 11
- General precautions 11
- General wiring procedures 11
- Handling and transport 11
- Mains installation mains installation mains installation mains installation mains installation 11
- Power cable 11
- Pr pr pr pr precautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instructions uctions uctions uctions uctions 11
- Signal levels 11
- W a r n i n g in the event of an electrical storm or large mains voltage fluctuations immediately switch off the mixer and unplug from the mains 11
- Audio wiring 12
- Initial wiring considerations 12
- Shielding 12
- Points to remember 13
- Condenser mic n condenser mic n condenser mic n condenser mic n condenser mic nooooot w t w t w t w t wor or or or orking king king king king 14
- Initial set up 14
- Nnnnno p o p o p o p o pooooowwwwwer er er er er 14
- Setting up t setting up t setting up t setting up t setting up trrrrroubleshooting oubleshooting oubleshooting oubleshooting oubleshooting 14
- Troubleshooting 14
- Do not use unbalanced mics with 48v switched on as they may be damaged by the phantom power voltage balanced dynamic mics and leads can normally be used with 48v switched on contact your microphone manufacturer for guidance 23
- Mics should always be plugged in and all output faders set to minimum before switching 48v on to avoid damage to external equipment 23
- Mono input channel 23
- Only connect condenser microphones with the 48v powering off switch up and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 23
- Take care when using unbalanced sources which may be damaged by the phantom power voltage on pins 2 3 of the xlr connector 23
- Stereo input channel 27
- Master section 28
- Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording 29
- Specifica specifica specifica specifica specifications tions tions tions tions 31
Похожие устройства
- NEUMANN M 147 tube single Руководство по эксплуатации
- Volta US-1 (505.75) Руководство по эксплуатации
- Nightsun GC005 Руководство по эксплуатации
- Volta CUBE-20WT Руководство по эксплуатации
- Volta US-1 (490.21) Руководство по эксплуатации
- Tascam TC-8 Руководство по эксплуатации
- Tc Electronic Finalizer 96K Руководство по эксплуатации
- Tascam SS-R200 Руководство по эксплуатации
- NEUMANN KM 184 D Руководство по эксплуатации
- NEUMANN KM 120 Руководство по эксплуатации
- Madboy U-TUBE 20 Руководство по эксплуатации
- Involight MH1210B Руководство по эксплуатации
- Lexicon IO82 Руководство по эксплуатации
- LE MAITRE Arctic Snow Machine Руководство по эксплуатации
- LE MAITRE HAZEMASTER Руководство по эксплуатации
- LE MAITRE G-Force 2 DMX Руководство по эксплуатации
- JBL VRX918S Руководство по эксплуатации
- Lexicon IO22 Руководство по эксплуатации
- JBL STX815M Руководство по эксплуатации
- JBL STX812M Руководство по эксплуатации