![Soundcraft LX7ii-32 [28/32] Master section](/img/pdf.png)
Soundcraft LX7ii-32 [28/32] Master section
![Soundcraft LX7ii-32 [28/32] Master section](/views2/2008473/page28/bg1c.png)
28
Master Section
1 - A1 - A
1 - A1 - A
1 - A
UX MASUX MAS
UX MASUX MAS
UX MAS
TERSTERS
TERSTERS
TERS
Each of the six AUX outputs has a master output level control and
associated AFL switch.
AA
AA
A
UX AFLsUX AFLs
UX AFLsUX AFLs
UX AFLs
Just as the Channel PFL switches allow pre-fade listening, so you can
monitor each AUX output after the level control by pressing the AFL
switch. This routes the AUX output signal to the MONITOR or PHONES,
replacing any existing signal which is selected. The METERS also switch
from the selected source to display the PFL/AFL signal and the PFL/
AFL LED lights to warn that a PFL or AFL switch is pressed. When you
release the switch the Monitor swaps back to the previous source.
2 - PO2 - PO
2 - PO2 - PO
2 - PO
WER INDICWER INDIC
WER INDICWER INDIC
WER INDIC
AA
AA
A
TT
TT
T
ORSORS
ORSORS
ORS
These LEDs light to show that power is connected to the console and
that the internal power supply is operating correctly.
3 - BAR3 - BAR
3 - BAR3 - BAR
3 - BAR
GRAPH METERSGRAPH METERS
GRAPH METERSGRAPH METERS
GRAPH METERS
3-colour peak reading BARGRAPH METERS are provided to monitor
the four Subgroup outputs and the selected Monitor + Phones source
(2TK, C (mono), Mix or Groups), giving you a constant warning of
excessive peaks in the signal which might cause overloading. Aim to
keep the signal within the amber segments at peak levels for best
performance.
Similarly, if the output level is too low and hardly registering at all on
the meters, the level of background noise may become significant.
Take care to set up the input levels for best performance.
When any PFL or AFL switch is pressed, the L & R meters automatically
switch to show the selected PFL/AFL signal on both meters, in mono.
4 - MIX4 - MIX
4 - MIX4 - MIX
4 - MIX
Pressing the Mix switch routes the post-fade Subgroup signals in pairs
to the main Mix. Groups 1 & 3 are routed to Mix L, Groups 2 & 4 are
routed to Mix R.
5 - MAS5 - MAS
5 - MAS5 - MAS
5 - MAS
TER FTER F
TER FTER F
TER F
ADERSADERS
ADERSADERS
ADERS
The MASTER FADERS set the final level of the Subgroup and Mix L & R
outputs. These should normally be set close to the `0’ mark if the
input GAIN settings have been correctly set, to give maximum travel on
the faders for smoothest control.
6 - MIX T6 - MIX T
6 - MIX T6 - MIX T
6 - MIX T
O C (mono)O C (mono)
O C (mono)O C (mono)
O C (mono)
Pressing this switch routes the post-fade Mix L/R outputs to the C
(mono) bus to create a separate mono mix to feed, for example, an
induction loop or centre cluster. Note: If there are input channels
which are routed both to Mix and C (mono), pressing this switch will
have an additive effect which may lead to feedback.
7 - PHONES7 - PHONES
7 - PHONES7 - PHONES
7 - PHONES
The PHONES output appears on a 3-pole 1/4” jack, suitable for
headphones with an impedance of 200Ω or higher.
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Block diagram block diagram block diagram block diagram block diagram 19 19 19 19 19 3
- Contents contents contents contents contents 3
- Inst inst inst inst installa alla alla alla allation tion tion tion tion 99999 3
- Introduction introduction introduction introduction introduction 55555 3
- Specifica specifica specifica specifica specifications tions tions tions tions 31 31 31 31 31 3
- Using the console using the console using the console using the console using the console 21 21 21 21 21 3
- Featur featur featur featur features es es es es 6
- W w w w war ar ar ar arranty ranty ranty ranty ranty 7
- The internal power supply unit contains no user serviceable parts refer all servicing to a qualified service engineer through the appropriate soundcraft dealer 10
- This unit must be earthed 10
- To avoid the risk of fire replace the mains fuse only with the correct value fuse as marked on the rear panel 10
- Under no circumstances should the mains earth be disconnected from the mains lead 10
- W w w w warning arning arning arning arning 10
- Caution in all cases refer servicing to qualified personnel 11
- General precautions 11
- General wiring procedures 11
- Handling and transport 11
- Mains installation mains installation mains installation mains installation mains installation 11
- Power cable 11
- Pr pr pr pr precautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instructions uctions uctions uctions uctions 11
- Signal levels 11
- W a r n i n g in the event of an electrical storm or large mains voltage fluctuations immediately switch off the mixer and unplug from the mains 11
- Audio wiring 12
- Initial wiring considerations 12
- Shielding 12
- Points to remember 13
- Condenser mic n condenser mic n condenser mic n condenser mic n condenser mic nooooot w t w t w t w t wor or or or orking king king king king 14
- Initial set up 14
- Nnnnno p o p o p o p o pooooowwwwwer er er er er 14
- Setting up t setting up t setting up t setting up t setting up trrrrroubleshooting oubleshooting oubleshooting oubleshooting oubleshooting 14
- Troubleshooting 14
- Do not use unbalanced mics with 48v switched on as they may be damaged by the phantom power voltage balanced dynamic mics and leads can normally be used with 48v switched on contact your microphone manufacturer for guidance 23
- Mics should always be plugged in and all output faders set to minimum before switching 48v on to avoid damage to external equipment 23
- Mono input channel 23
- Only connect condenser microphones with the 48v powering off switch up and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 23
- Take care when using unbalanced sources which may be damaged by the phantom power voltage on pins 2 3 of the xlr connector 23
- Stereo input channel 27
- Master section 28
- Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording 29
- Specifica specifica specifica specifica specifications tions tions tions tions 31
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