![Soundcraft LX7ii-32 [29/32] Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording](/img/pdf.png)
Soundcraft LX7ii-32 [29/32] Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording
![Soundcraft LX7ii-32 [29/32] Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording](/views2/2008473/page29/bg1d.png)
29
8 - TB LEVEL8 - TB LEVEL
8 - TB LEVEL8 - TB LEVEL
8 - TB LEVEL
A balanced input is provided for a Talkback microphone. The signal may be routed
selectively to Aux 1/2 or 3/4 (which might typically be used for performers’ foldback) or
Mix L/R by pressing the appropriate switches. The signal level is adjusted by the TB LEVEL
control.
9 - S9 - S
9 - S9 - S
9 - S
TERETERE
TERETERE
TERE
O RETURNSO RETURNS
O RETURNSO RETURNS
O RETURNS
Two balanced Stereo Returns are available for the outputs of effects units and are mixed
directly to the Mix L/R busses at a level set by the RET-1 or RET-2 controls. If a mono
source is used, plugging into the Left jack only automatically feeds to the signal to both
Left and Right.
11
11
1
0 - 2TK LEVEL0 - 2TK LEVEL
0 - 2TK LEVEL0 - 2TK LEVEL
0 - 2TK LEVEL
The rotary control sets the level of the 2 Track Tape input, which is routed to the headphones,
monitor outputs and meters, or directly to the Mix outputs by pressing the adjacent switch
(12). These unbalanced inputs, on RCA phono connectors, are ideal to connect the
playback of a tape machine for monitoring.
11
11
1
1 - 2TK REPLA1 - 2TK REPLA
1 - 2TK REPLA1 - 2TK REPLA
1 - 2TK REPLA
CES MIX OUTPUT!CES MIX OUTPUT!
CES MIX OUTPUT!CES MIX OUTPUT!
CES MIX OUTPUT!
This switch does what it says! When pressed the Mix output is switched to the 2 Track
input and is an ideal way of feeding pre-show music to the main outputs in live applications
without using up valuable input channels. For example, with the switch pressed and a CD
connected and playing pre-show music, the engineer can be setting up channel levels,
adjusting EQ, talking back to performers and monitoring any part of the mix (including
final Mix) without affecting the sound to the audience. Releasing the switch instantly
swaps the Mix Outputs back to the mixer and cuts off the CD.
CAUTION: Pressing this switch cuts off the
normal Mix L/R signal and it should therefore NOT
be used during live performance or recording
11
11
1
2 - MONIT2 - MONIT
2 - MONIT2 - MONIT
2 - MONIT
OR SOUROR SOUR
OR SOUROR SOUR
OR SOUR
CE SELECE SELE
CE SELECE SELE
CE SELE
CTCT
CTCT
CT
These switches allow a choice of 2TK, C (mono), Mix or Groups as the source for the
Phones, Monitor outputs and meters, and may be selected individually or as a combination.
NOTE: If NO switches are pressed, there will be NO signal on the meters or monitors!
11
11
1
3 - MONIT3 - MONIT
3 - MONIT3 - MONIT
3 - MONIT
OR + PHONESOR + PHONES
OR + PHONESOR + PHONES
OR + PHONES
This control sets the output level to the MONITOR LEFT & RIGHT outputs. If Headphones
are plugged into the PHONES jack the Monitor outputs are cut off, and the knob then sets
the headphone listening level. When the PHONES are unplugged the Monitor output is
restored. The source for the Monitor and Phones is selected by the five switches (13)
above the control.
When any PFL or AFL switch is pressed the source for the Monitor outputs and Headphones
is switched to the mono PFL/AFL signal without interrupting the other outputs from the
mixer, to allow individual signals to be monitored. The original monitor source is restored
when the PFL/AFL switches are released.
11
11
1
4 - PFL/AFL4 - PFL/AFL
4 - PFL/AFL4 - PFL/AFL
4 - PFL/AFL
The PFL/AFL LED illuminates to show that a PFL/AFL is active and is the source for the
monitors and meters. The LED will normally be OFF
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Block diagram block diagram block diagram block diagram block diagram 19 19 19 19 19 3
- Contents contents contents contents contents 3
- Inst inst inst inst installa alla alla alla allation tion tion tion tion 99999 3
- Introduction introduction introduction introduction introduction 55555 3
- Specifica specifica specifica specifica specifications tions tions tions tions 31 31 31 31 31 3
- Using the console using the console using the console using the console using the console 21 21 21 21 21 3
- Featur featur featur featur features es es es es 6
- W w w w war ar ar ar arranty ranty ranty ranty ranty 7
- The internal power supply unit contains no user serviceable parts refer all servicing to a qualified service engineer through the appropriate soundcraft dealer 10
- This unit must be earthed 10
- To avoid the risk of fire replace the mains fuse only with the correct value fuse as marked on the rear panel 10
- Under no circumstances should the mains earth be disconnected from the mains lead 10
- W w w w warning arning arning arning arning 10
- Caution in all cases refer servicing to qualified personnel 11
- General precautions 11
- General wiring procedures 11
- Handling and transport 11
- Mains installation mains installation mains installation mains installation mains installation 11
- Power cable 11
- Pr pr pr pr precautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instructions uctions uctions uctions uctions 11
- Signal levels 11
- W a r n i n g in the event of an electrical storm or large mains voltage fluctuations immediately switch off the mixer and unplug from the mains 11
- Audio wiring 12
- Initial wiring considerations 12
- Shielding 12
- Points to remember 13
- Condenser mic n condenser mic n condenser mic n condenser mic n condenser mic nooooot w t w t w t w t wor or or or orking king king king king 14
- Initial set up 14
- Nnnnno p o p o p o p o pooooowwwwwer er er er er 14
- Setting up t setting up t setting up t setting up t setting up trrrrroubleshooting oubleshooting oubleshooting oubleshooting oubleshooting 14
- Troubleshooting 14
- Do not use unbalanced mics with 48v switched on as they may be damaged by the phantom power voltage balanced dynamic mics and leads can normally be used with 48v switched on contact your microphone manufacturer for guidance 23
- Mics should always be plugged in and all output faders set to minimum before switching 48v on to avoid damage to external equipment 23
- Mono input channel 23
- Only connect condenser microphones with the 48v powering off switch up and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 23
- Take care when using unbalanced sources which may be damaged by the phantom power voltage on pins 2 3 of the xlr connector 23
- Stereo input channel 27
- Master section 28
- Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording 29
- Specifica specifica specifica specifica specifications tions tions tions tions 31
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