Soundcraft LX7ii-32 [6/32] Featur featur featur featur features es es es es
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The LX7-II combines the essential Soundcraft live mixer qualities with basic recording-oriented features, in a compact frame that’s
light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel outputs make the LX7-II an ideal choice for bands who need
a live desk that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7-II provides 24, 32 or 40 inputs - with no less than 13 separate bus outputs
including mix, 4 groups, a dedicated mono bus for centre speaker clusters, side or rear fills, and six auxiliary busses.
There are also 8, 16 or 24 direct outs, depending on the frame size of your console.
LX7-II’s balanced mic inputs all use Soundcraft new GB30 padless mic preamp providing 60dB of gain and 22dBu of headroom.
Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave
High Pass Filter, allow effective audio control in difficult venues whilst the six auxiliary sends are pre-post switchable in pairs from
each channel, providing a maximum of 4 pre-fader and six post-fader. This makes LX7-II equally applicable for foldback - heavy
performance or in situations where more effects are required.
LX7-II groups section houses two further stereo inputs - with EQ, auxiliaries for keyboards or stereo recording devices - as well as
two FX returns. All four groups are routable to mix and include 12 segment bargraph metering for accurate monitoring and inserts.
Six auxiliary masters on rotary controls also included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and the mix. Phantom power in banks of four, and a two
track return for pre-show music are also present. A “two-track” to mix switch allows the engineer to play CD’s over the main PA
whilst back-stage set-up is going on, with one press of a button. The mix is also routable to the separate mono bus if mono PAs are
required.
LX7-II is built in a rugged wedge-shaped steel chassis with an internal power supply, professional all-metal jackfield and connectors
on the rear of the console. All inputs and outputs are balanced.
Applications incluse : Gigging Bands, Small installations, Small venues, Theatres, Houses of Worship and Live & studio recording.
Содержание
- Important please read this manual carefully before using your mixer for the first time 2
- Block diagram block diagram block diagram block diagram block diagram 19 19 19 19 19 3
- Contents contents contents contents contents 3
- Inst inst inst inst installa alla alla alla allation tion tion tion tion 99999 3
- Introduction introduction introduction introduction introduction 55555 3
- Specifica specifica specifica specifica specifications tions tions tions tions 31 31 31 31 31 3
- Using the console using the console using the console using the console using the console 21 21 21 21 21 3
- Featur featur featur featur features es es es es 6
- W w w w war ar ar ar arranty ranty ranty ranty ranty 7
- The internal power supply unit contains no user serviceable parts refer all servicing to a qualified service engineer through the appropriate soundcraft dealer 10
- This unit must be earthed 10
- To avoid the risk of fire replace the mains fuse only with the correct value fuse as marked on the rear panel 10
- Under no circumstances should the mains earth be disconnected from the mains lead 10
- W w w w warning arning arning arning arning 10
- Caution in all cases refer servicing to qualified personnel 11
- General precautions 11
- General wiring procedures 11
- Handling and transport 11
- Mains installation mains installation mains installation mains installation mains installation 11
- Power cable 11
- Pr pr pr pr precautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instr ecautions and safety instructions uctions uctions uctions uctions 11
- Signal levels 11
- W a r n i n g in the event of an electrical storm or large mains voltage fluctuations immediately switch off the mixer and unplug from the mains 11
- Audio wiring 12
- Initial wiring considerations 12
- Shielding 12
- Points to remember 13
- Condenser mic n condenser mic n condenser mic n condenser mic n condenser mic nooooot w t w t w t w t wor or or or orking king king king king 14
- Initial set up 14
- Nnnnno p o p o p o p o pooooowwwwwer er er er er 14
- Setting up t setting up t setting up t setting up t setting up trrrrroubleshooting oubleshooting oubleshooting oubleshooting oubleshooting 14
- Troubleshooting 14
- Do not use unbalanced mics with 48v switched on as they may be damaged by the phantom power voltage balanced dynamic mics and leads can normally be used with 48v switched on contact your microphone manufacturer for guidance 23
- Mics should always be plugged in and all output faders set to minimum before switching 48v on to avoid damage to external equipment 23
- Mono input channel 23
- Only connect condenser microphones with the 48v powering off switch up and only turn the 48v powering on or off with all output faders down to prevent damage to the mixer or external devices 23
- Take care when using unbalanced sources which may be damaged by the phantom power voltage on pins 2 3 of the xlr connector 23
- Stereo input channel 27
- Master section 28
- Caution pressing this switch cuts off the normal mix l r signal and it should therefore not be used during live performance or recording 29
- Specifica specifica specifica specifica specifications tions tions tions tions 31
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