LINE 6 POD 2.0 [20/97] Noise gate

LINE 6 POD 2.0 [20/97] Noise gate
CONTROLS & CONNECTIONS
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Noise Gate - Turns on and off the PODs built in Noise Gate. More
Noise Gate details in the POD Effects chapter.
Tap - This control sets and displays the current tempo or speed of delay or
tremolo/chorus/ange/rotary speaker. To use the Tap control, just tap the button at
the tempo you want. For Chorus and Flange effects, the speed is actually displayed
by the blinking of the button and set at twice the speed of the effect so you dont have
to count to 23 between taps if you want to set up a really slow chorus. And for
Tremolo the tapped tempo is displayed and set at half the speed of the Tremolo
effect, so you can get fast tremolo settings even if you cant tap as fast as Bruce Lee.
You can also simply hold the Ta p button and turn the Effect Tweak knob to
change the speed or tempo of your effects. This is especially useful if you are trying
to nudge your Ta p setting to just the right value. See the Effects chapter, the back
cover foldout, and Appendix B for Effect Parameters to learn exactly what Ta p
controls for each of the Effect settings.
Tap (HOLD) Functions - The Tap button also lets you access a
second layer of POD features: Amp Models 17-32, Cab Model selection, Delay
Feedback, Delay Level, Reverb Decay Time, a Presence Boost, a Volume Boost, and
a Drive Boost. Heres the detail:
Amp Models 17-32: Hold down, and keep holding down, the Ta p button as
you turn the Amp Models knob to select Amp Models 17-32. Appendix A lists
these Amp Models and details about them. Chapter 4 describes them.
Cab Model Select (Effects Knob): Hold down, and keep holding down, the
Ta p button as you turn the Effects knob to select Cab Models. The cab models
are labeled in gray. Youll nd a list of the Cab Models at the end of Chapter 4.
Drive Boost On/Off (Drive Knob): Hold down, and keep holding down, the
Ta p button as you turn the Drive knob up past twelve oclock, and you get the
kind of extra dirt that youd expect from a Distortion pedal with the distortion
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