![LINE 6 POD 2.0 [46/97] Line 6 crunch 2](/img/pdf.png)
LINE 6 POD 2.0 [46/97] Line 6 crunch 2
![LINE 6 POD 2.0 [46/97] Line 6 crunch 2](/views2/2009071/page46/bg2e.png)
MODELED AMPS & CABS: WHICH AMPS AND CABS ARE MODELED?
4 • 7
Who. Liberal use of the Bass, Middle, and Treble controls will let you go beyond
the tones that the Fuzz Face could deliver, enabling you to discover your own
unique recipe for those elusive fuzz tones in your head. Just a note: when recording
Purple Haze, Jimi didn’t even use an amp – he just went straight from a Fuzz Face
to an Orange power amp to a 4x12 cabinet. Which is the same sort of tone you
find here....
Tube Preamp - Not even close to being a guitar amp, but once we got
started, we just couldn’t stop ourselves. The thinking went like this: ‘Once people
get this POD, it’s gonna be so great that they’re gonna wish they could use it for
everything – warming up keyboards, crunching up drums, fuzzing up vocals. We’ve
gotta give ’em something to do that!’ So we did. The Tube Preamp Amp Model
lets you warm up any sound source the way producers and engineers often do in
the studio with vintage tube gear. For more “edge” on vocals, try running your
vocal tracks through POD. Or punch up (or munch up) a synth bass track by
sending it through POD and cranking up the drive and EQ controls to suit your
taste. Although this is not actually a guitar amp model, you can even get some
great guitar tones out of it. Also try using it as a direct box for bass. When you do
this stuff, you want to use the Drive control like a mix knob on a reverb to control
how much processing you want to hear. You generally don’t want to mix the pre-
POD sound with the post-POD sound because of the comb filtering that results.
Instead, jack the sound source right into POD and then only monitor it post-POD
processing. With the tone controls at 12 o’clock, the EQ is “flat.”
Line 6 Twang (Hold Tap + Line 6 Clean) - This model draws on our analysis of
the '60s Fender blackface Deluxe amps and the '50s Fender Bassman. (It includes
the classic Fender glassy high end, plus the snap and bite of these vintage amps.)
Things don’t really get too crunchy until you get to the top range of the Drive
knob. The tone controls provide more range than the blackface Deluxe or
Bassman.
Line 6 Crunch #2 (Hold Tap + Line 6 Crunch) - This sound was crafted
during our studies of the '68 50 Watt Marshall Plexi. But unlike the Plexi, this
Содержание
- Pilot s handbook for version 2 software 1
- Amp model 2
- Effect setups 2
- Print me 2
- Reduced size back cover foldout for electrophonic pilot s guide 2
- Bank 1 bank 2 bank 3 bank 4 bank 5 bank 6 bank 7 bank 8 bank 9 3
- Preset chart 3
- Table of contents 1 4
- Chapter 5 pod e 5
- Chapter 6 c 5
- Chapter 7 t 5
- Table of contents 2 5
- Appendix 6
- Chapter 8 d 6
- Midi c 6
- Table of contents 3 6
- Chapter 1 introduction 7
- Manual i don t need no stinking manual 7
- Quick start guide 7
- Register and get great free stuff 7
- Get on line 8
- Modeling 9
- Ntroduction 9
- Welcome the pod 9
- Amp cab models 10
- Agic in th 11
- There s magic in the a i r 11
- And away we go 13
- Customizing your amp models and effects 13
- Ffects 13
- Odels an 13
- Ransfer 13
- Tonetransfer 13
- Ustomizing you 13
- Chapter 2 controls connections 14
- Onnections 14
- Ontrol 14
- Output level 14
- Phones 14
- Power switch 14
- A i r mode 15
- Foot pedal connector 15
- Left right output 15
- Channel up down buttons 16
- Manual button 16
- Midi in out 16
- Amp models 17
- Tone controls 17
- Chan vol 18
- Effect tweak 18
- Reverb 18
- Effects cabs 19
- Noise gate 20
- Tap hold functions 20
- All purpose basics 24
- Cenari 24
- Chapter 3 getting set up 24
- Scenario one in the studio 24
- Gimme some a i r 25
- Pick the right inputs 25
- Ready to play anywhere 25
- Boom boxes small portable studios 26
- Ortabl 26
- Tudios 26
- Big time connections 27
- Changing history 27
- First time s a charm 27
- Onnections 27
- Direct injection 28
- Return to sender 28
- Hooking up pod to a mixer send return 29
- Plug the guitar into your di plug the di into a mixer channel with a direct out set the trim on your channel so your input levels look good plug the direct output from the mixer channel into one of your recorder s track inputs and set the recorder to monitor the input to that track connect the recorder s track output to another mixer channel input that has a direct output plug that direct output into your pod s input and plug the pod outputs into one of your mixer s stereo 29
- Return to sender illustration 29
- Level headed 30
- Radiation alert 30
- Pedal power 31
- Not so big time connections 32
- Onnections 32
- Stomp boxes 32
- Midi mania 33
- Cenari 34
- Gimme some a i r 34
- Mount up 34
- Scenario two pod plays live 34
- C default 35
- Cabinet tuning mode 35
- Pod takes over 35
- Use mode when pod is your speaker cabs are 35
- Pod output level a word of caution 36
- Tuning your amplifier 36
- Tuning your amplifier 36
- Pictures are handy here are a few you may appreciate in all cases plug the left output of your pod into your amp s input for mono operation experiment to get the best from your setup try the a i r switch in the direct position this can work great with smaller amps and also try other knob settings on your amp 37
- Pod as front end for a combo amp or head 37
- Pod in insert return of a combo amp or head 37
- Pod live hook up illustrations 37
- Stomp boxes live setups you 38
- Pedal power 39
- Amp models 40
- Chapter 4 modeled amps cabs 40
- Mps an 40
- Line 6 crunch 41
- Line 6 drive 41
- Line 6 layer 41
- Small tweed 41
- Treble 41
- Black panel 42
- Tweed blues 42
- Brit class a 43
- Modern class a 43
- Brit blues 44
- Brit classic 44
- Brit hi gain 44
- Fuzz box 45
- Modern hi gain 45
- Rectified 45
- Line 6 crunch 2 46
- Line 6 twang 46
- Tube preamp 46
- Line 6 blues 47
- Line 6 insane 47
- Small tweed 2 47
- Black panel 2 48
- Boutique 3 48
- Brit class a 2 48
- Brit class a 3 48
- Boutique 1 49
- California crunch 1 49
- California crunch 2 49
- Boutique 2 50
- Jazz clean 50
- Modern hi gain 2 50
- Rectified 2 50
- Cab models 51
- Cabinet models 51
- The cabinet model is automatically selected by the amp model you can customize these amp cabinet pairings as described in chapter 6 51
- The following cabinet models are available on pod and are accessed by holding the tap button and turning the effects knob 51
- Chapter 5 pod effects 52
- Deep editing 52
- Diting 52
- Ffects 52
- Pod onboard effects 52
- Compressor 53
- Reverbs 53
- Chorus 54
- Flanger 54
- Tremolo 54
- Rotary 55
- Noise gate 56
- Combined effects 57
- Delay chorus 1 57
- Delay chorus 2 57
- Delay compressor 57
- Delay flanger 1 57
- Delay flanger 2 57
- Delay swell 57
- Delay tremolo 57
- Ffects 57
- Ombine 57
- Chapter 6 creating storing sounds 58
- Eatures 58
- Emories 58
- Reatin 58
- Sing th 58
- Using the channel program memories 58
- Using the manual mode features 58
- Pod sounds on the web 59
- Ransfer 59
- Swapping pod channels with friends 59
- Tonetransfer 59
- Your pod sounds transfer to pod pro and flextone ii 59
- Edit mode 60
- About customization mode 61
- Customizing amp models effects 61
- Ffects 61
- Ustomizin 61
- Controls affected by the amp models knob 62
- Customization allows you to store your own personal favorite adjustments for all these parameters so they live on the 16 positions of the amp models and effects 62
- In the same way turning the effects knob sets all the parameters related to the effect you choose 62
- You only get access to these extra controls via the sounddiver software or midi 62
- Activating customization mode 64
- Memory reset 64
- Warning 64
- Chapter 7 that s using your feet 65
- Eature 65
- Floor board 65
- Ontrolle 65
- Channel select 67
- Editing and saving pod channels with the floor board 67
- Hey what about manual mode don t worry you can get there any time let s say you have a particular channel selected the channel s corresponding light is lit above its floor board channel select switch right ok step on this switch a second time and hold it for at least a second boom you ll find yourself transported directly to manual mode the floor board display will show a zero to get back out of manual mode press either bank up or bank down foot switch and you ll be switched right back to wherever you were when you entered 67
- Manual mode 67
- So now that we ve got this whole bank thing down let s move onto the other four switches on the bottom row these let you pick which of the four channels a b c or d you want to use in the bank you ve selected pick your bank hit one of the channel select switches and you re ready to roll 67
- The basic story on editing the programmable pod channels is in the pod effects chapter with a floor board you ll find that the display will show an e for edited whenever you ve edited a channel it will display an s save if you press the save button on your pod in preparation for saving a channel when you decide you want to save an edited channel you can select any of the locations via the floor board as your destination here s how 67
- Tap tempo 68
- Volume pedal 69
- Wah pedal 69
- Distortion 70
- Drive boost 70
- Reverb 71
- Tremolo chorus 71
- Effect on off settings stored with programmed channels 72
- Chapter 8 deep editing midi control 74
- Midi basics 74
- Ontrol 74
- Midi channel 75
- Midi messages 75
- Lexton 77
- Pod pod 77
- Pod pod pro flextone ii tonetransfer via midi 77
- Ransfer vi 77
- Backing up pod programs to other devices 79
- Evices 79
- Rograms t 79
- Emagic sounddiver software 80
- Oftware 80
- Changing pod channels with midi program changes 81
- Full midi automation of pod 81
- Other things you can do with midi 81
- Tweaking pod tones with midi controllers 81
- Step by step with sounddiver 83
- Tep wit 83
- A few other sounddiver tips 87
- Shooting 88
- Sounddiver setup trouble shooting 88
- Appendix a amp models 90
- Ppendi 90
- Appendix b effect parameters 91
- Arameters 91
- Effect tap tweak notes 91
- Ppendi 91
- Appendix c midi program changes 92
- C midi 92
- Hanges 92
- Pod channel midi program pod channel midi program 92
- Pod channels can be selected via midi program changes some devices number programs starting at zero some start at one we start at zero manual mode and then work our way along through the stored channels as shown in this table 92
- Ppendi 92
- 1 of 3 pages 93
- Appendix d midi controls 1 of 3 pages 93
- D midi 93
- Ontrol 93
- Ppendi 93
- 2 of 3 pages 94
- Appendix d midi controls 2 of 3 pages 94
- D midi 94
- Ontrol 94
- Ppendi 94
- 3 of 3 pages 95
- Appendix d midi controls 3 of 3 pages 95
- D midi 95
- Ontrol 95
- Ppendi 95
- Appendix e line 6 contact 96
- Customer service 96
- Ervice 96
- Ontact 96
- Other line 6 products 96
- Ppendi 96
- Roducts 96
- Ustome 96
- Appendix f warranty info 97
- Arrant 97
- Contact line 6 at 805 379 8900 8am to 5 30 pm monday through friday pacific time and request the product support department or email support line6 com if necessary you will be given a return authorization ra number products returned without an ra number will be returned to you at your sole expense pack the product in its original shipping carton and attach a description of the problem along with your name and a phone number where line 6 can contact you if necessary ship the product insured and freight prepaid to 97
- Line 6 limited warranty information 97
- Line 6 product support 6033 de soto avenue woodland hills ca 91367 97
- Ppendi 97
- Sending in your registration card allows us to register key information so that we may handle problems faster and inform you of advance information upgrades and other news thanks in advance for filling out your registration card and sending it to us and good luck in your music 97
- To obtain factory service 97
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