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Deep Editing & MIDI Control: OTHER THINGS YOU CAN DO WITH MIDI

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The POD front panel knobs all send out appropriate MIDI controllers (as do the

wah and volume pedals of the optional Floor Board foot controller) that you can

record into a MIDI track as you play through your POD along with a MIDI

sequence. Follow the Return to Sender hook up instructions in Chapter 3 to set

up your audio.

Hook your POD’s MIDI OUT to a MIDI IN on your sequencing setup. Hook a

sequencer MIDI OUT to POD’s MIDI IN, and make sure POD and your sequencer

are set to the same MIDI Channel.

To allow MIDI-controlled automation, you need to set up a MIDI track in your

sequencer to record the data ﬂowing from POD’s MIDI OUT. Set up a MIDI track

to receive POD’s MIDI output, record-enable it, and start the sequencer recording.

Slowly turn POD’s Drive knob all the way up and then all the way down as your

sequencer records, and then stop your sequencer. Now, look at the data that’s been

recorded into the POD MIDI track on your sequencer. You’ll see that you’ve

recorded MIDI controller #13 messages. This is the controller that’s assigned to

POD’s Drive parameter. Play back the recorded MIDI track as you play through

POD (or play back recorded direct guitar audio through POD), and you’ll hear the

Drive changes that you recorded into your MIDI track.

To automate POD parameters that aren’t accessible from front panel controls (like

the Reverb Tone), you need to use a hardware MIDI controller, or setup an on-

screen fader or other controller on your software MIDI sequencer to transmit the

correct MIDI Controller number on POD’s MIDI Channel.

To minimize “zipper” noise when controlling parameter changes via

MIDI, try making gradual, rather than sudden changes to POD settings.