![Tc Electronic M350 [27/34] Compressor controls](/img/pdf.png)
Tc Electronic M350 [27/34] Compressor controls
![Tc Electronic M350 [27/34] Compressor controls](/views2/1011884/page27/bg1b.png)
25
DELAY-EFFECTS
Studio Delay
The Studio Delay algorithm will give you a clear
reproduction of the material fed to the M350.
To soften the Delay (as it is commonly done in
studio productions), the Studio Delay uses a
subtle yet significant HiCut at a relatively high
crossover frequency.
Triplets Delay
Tap the tempo in 1/4 notes and the delay
repeats will play in 1/4 note triplets according to
the tapped tempo.
Soft Delay
The Soft Delay rolls of the high-end frequencies
slightly, giving you delay repeats with less edge
that very often blend better and sound more
natural in the mix.
PingPong Delay
The PingPong Delay basically pans the delay
repeats from left to right and back while
keeping the input signal at its original position.
This gives a very wide-spread special effect.
Slapback Delay
The Slapback delay is a very short delay with
only a single or a few repeats. It is commonly
used as a “doubling-effect”, making the
processed material seem more massive. Short
slapback delays are also often used on funky
rhythm guitars – a bit longer on rockabilly guitar
or vocals.
Compressor
Compression basics
A compressor is a tool used to reduce the
dynamic content of a signal. When the signal is
above the set threshold, the compressor starts
reducing the output level according to the set
ratio. A signal with a reduced dynamic range is
much easier to control and will have a more
consistent sound in any audio production.
Illustration:
Be aware that compression is a powerful tool.
Applying the right amount of compression to
specific instruments will create a homogenous,
well-defined result. Applying too much
compression will probably create a less
musical, flat and uninteresting sound.
Compressor Controls
For optimal “ease of use” we have simplified
and reduced the common compression
controls to the following controls:
Drive (
TIMING KNOB)
The higher the Drive setting is, the lower the
Threshold point is set – and the harder you
will “hit” the Compressor. In other words:
The higher the Drive setting, the more
compression is added.
Ratio (
FEEDBACK/DEPTH KNOB
)
This parameter sets the amount of gain
reduction of the signal above the
“Threshold” – see Drive parameter.
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- Jack cable mono to mono 11
- Jack cable stereo 11
- Midi cable 11
- Signal flow 11
- Connecting and setting up the m350 12
- Dual input mode 12
- Typical setups 12
- Serial setup 13
- Typical setups 13
- Controlling m350 via midi 14
- Parallel setup 14
- Typical setups 14
- Guitar setups 15
- Typical setups 15
- Digital setup m350 as insert 16
- Typical setups 16
- Digital setup m350 as a to d converter 17
- Typical setups 17
- Operating input output section 18
- Operating input output section 19
- Delay effects engine 20
- The delay effects engine 20
- The delay effects engine 21
- Reverb engine 22
- The reverb engine 22
- Display 23
- Load store presets 23
- Preset modes 23
- Store recall the display 23
- Miscellaneous 24
- Routings 25
- Delay controls 26
- Delay effects 26
- Delay types 26
- Compressor 27
- Compressor controls 27
- Delay effects 27
- Chorus and flanger 28
- Chorus flanger controls 28
- De esser 28
- De esser controls 28
- Delay effects 28
- Delay effects 29
- Hard tremolo soft 29
- Phaser 29
- Phaser controls 29
- Tremolo 29
- Tremolo controls 29
- Reverbs 30
- Reverbs 31
- Appendix 32
- Midi implementation chart 32
- Appendix 33
- Midi bulk dump 33
- Midi cc reset bulk dump 33
- Reset procedure 33
- Appendix 34
- Due to continuous development these specifications are subject to change without notice 34
- Technical specifications 34
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