![Tc Electronic G-MAJOR [17/52] I o setup midi util](/img/pdf.png)
Tc Electronic G-MAJOR [17/52] I o setup midi util
![Tc Electronic G-MAJOR [17/52] I o setup midi util](/views2/1011810/page17/bg11.png)
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Please note that when using internal
clock with external digital audio, the
incoming digital audio must be in sync
with the G•Major internal clock in order
to avoid slip-samples.
"***Rate Mismatch****"
This Error message will occur in the display if
the G•Major detects slip-samples. Typically this
problem only occurs in special clock setups e.g.
if the G•Major is running via internal clock,
while processing audio from the Digital Input. If
the incoming clock and the internal clock do not
match the G•Major will display the above
written error message.
Digital In Gain
Adjusts the Digital In level. This parameter is
only active when Digital In is selected.
Dither
Going from one type of bit resolution to a lower,
e.g. from 24 bit to 16 bit, you actually loose 8
bits of information. The process of cutting off
bits is called truncation and it introduces digital
distortion of low level signals, due to lack of
complete signal information. To compensate for
this - dither must be applied. Dither is a small
amount of filtered noise that generates
randomization at the noise floor, ensuring a
less distorted low level signal. Dithering is
relevant only on digital Outputs and it is always
the receiving device that determines the
number of bits you must dither to. A signal
delivered to a CDR or a DAT recorder should
normally be dithered to 16 bit. In other words -
when using the digital Outputs from the
G•Major to feed any 16 or 20 bit equipment you
should dither to that value via the G•Major.
Status Bits
Sets whether the G•Major is sending out
AES/EBU (professional standard or S/PDIF
(consumer standard) status bits.
Input Range
Range: Pro/Consumer
Sets the sensitivity of the G•Major Input.
Default setting is “Pro” which will match most
preamps.
Output Range
Range: 2dBu, 8dBu, 14dBu, 20dBu
Sets the maximum Gain range of the analog
Output Stage.
All parameters in the I/O menu are “general”
parameters that are not stored with the
presets.
MIDI Channel
Range: Off/1-16/Omni.
Sets the responding MIDI channel of the
G•Major. If Omni is selected the G•Major will
respond to MIDI information received on any
channel.
MIDI Program Change
Range: On/Off.
Determines whether the G•Major should
respond to received MIDI program changes or
not.
Bulk Dump
Press ENTER to perform a total Bulk dump of
all presets to an external MIDI device such as a
MIDI sequencer.
The G•Major is always ready to receive MIDI
Bulk dump information. See the section
“Presets Backup Via MIDI” for more information
on this in the Preset handling chapter.
Single presets and current settings can be sent
and received via Sysex.
The “Send Tuner” parameter MUST be
set to off when performing a bulk dump.
The “Send Tuner” parameter is located
further down in the Utility menu.
Program bank
Determines which bank an external MIDI device
will address in the G•Major when sending a
program change. The options are; External,
Factory or User.
When External is selected controller #0 can be
used to address either the Factory or the User
bank.
Factory bank : Controller #0=0
User bank : Controller #0=1
SysEx ID
Determines the Sys-Ex ID number of the unit.
Pedal Type
Sets up the pedal type used on the Ext. Control
1/4" jack. Select between Momentary,
Alternating or Expression-Volume pedal types.
Momentary types are similar to hold pedals
typically used on keyboards, where there is
only connection between tip and ground when
I/O SETUP MIDI/UTIL
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- Introduction 6
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- Signal flow 11
- Basic setups 12
- Connecting and setting up the g major 12
- Basic setups 13
- Combined setup with regular effect pedals a g major and a midi pedal 13
- Connecting and setting up the g major 13
- The display 14
- Preset types 15
- Recall 15
- The display preset handling 15
- I o setup 16
- Preset handling i o setup 16
- I o setup midi util 17
- Midi util 18
- Midi util 19
- The tuner 19
- Midi mapping 20
- Midi util 20
- Channel switching of ext preamp using relay 1 2 21
- Levels all relay 1 2 21
- Channel switching tap tempo 22
- Tap menu 22
- Y splitter cable stereo to stereo jack cable 22
- Routing menu 23
- Routings 23
- Controlling the g major 24
- Introduction 24
- The mod menu 24
- Assigning modifiers 25
- Controlling the g major 25
- Controlling the g major 26
- How to 27
- How to 28
- Effect blocks noise gate 29
- Introduction 29
- Noise gate eq 30
- Compressor 31
- Chorus 32
- Classic chorus 32
- Advanced chorus 33
- Chorus 33
- Advanced flanger 34
- Classic flanger 34
- Flanger 34
- Flanger vibrato 35
- Vibrato 35
- Auto resonance filter 36
- Resonance filter 36
- Phaser 37
- Vintage phaser smooth phaser 37
- Panner 38
- Tremolo 38
- Tremolo panner 38
- Introduction 39
- Ping pong 39
- Dual delay 40
- Dynamic delay 40
- Detune 42
- Whammy 42
- Pitch shifter 43
- Reverb 44
- Spring 44
- Reverb 45
- Reverb 46
- Reverb 47
- Appendix 48
- Midi implementation chart 48
- Appendix 49
- Due continuous development these specifications are subject to change without notice 49
- Technical specifications 49
- Preset list 50
- Frequently asked questions 51
- Frequently asked questions 52
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