![Tc Electronic G-SHARP [16/31] Typical setups](/img/pdf.png)
Tc Electronic G-SHARP [16/31] Typical setups
![Tc Electronic G-SHARP [16/31] Typical setups](/views2/1011819/page16/bg10.png)
14
TYPICAL SETUPS
Preamp + combo
This is a basic setup if you are using a
preamp separate from the one in your amp.
• Connect the guitar to the input of the pre-
amp.
• Connect the pre-amps output to the G-Sharp
input and the G-Sharp output to either the
input or the effects return on your amplifier.
• Set Routing to serial or parallel.
• Set Input level to 12 o’clock position.
• Set EFFECTS MIX to 12 o’clock position.
• Set REVERB MIX to 12 o’clock position.
• Adjust/fine-tune the G-Sharp Input level so
the Input LED on the front panel often is
yellow but only rarely peaks at red color.
• Select Reverb type and Effects type using
the selectors on the front panel.
• Now fine-tune EFFECTS and REVERB mix
as well as parameters.
The setup is mono but could be expanded to
stereo if the right output of the G-Sharp is
connected to a separate amp.
You can of course add effect pedals in front of
the preamp as you wish.
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Engine 1 7
- Engine 2 7
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- G sharp 11
- Signal flow 11
- Basics 12
- Connecting and setting up the g sharp 12
- Controlling g sharp 12
- Routings 12
- Basics 13
- By the effects engine serial mode works perfectly for all effect combinations but if you are using relatively long and loud delay repeats you should consider whether you prefer to have reverb added to delay repeats or not if you prefer the delay repeats to stand out very clear and still use reverb you may prefer the parallel routing 13
- Effects 13
- General advice 13
- High quality cables good cables are essential we advice that you use properly shielded cables of high quality throughout your entire setup but be aware that one of the most sensitive points is the cable going from your guitar to the first piece of equipment especially if you are using a guitar with passive single coil pickups such as a stratocaster the few extra bucks for good quality cables are well spent 13
- Level settings correct level settings in all audio equipment are essential to get best performance from ad and da converters and as little noise as possible therefore you should follow the advice on setting input level as described on page 16 13
- Parallel routing analog input only this routing gives you the opportunity of having two effects in parallel even on a single mono signal the input signal is split and fed to both the effects engine and the reverb engine at the same time both the effects engine and the reverb engine uses left and right outputs as common outputs 13
- Reverb 13
- You cannot connect a guitar directly to the g sharp inputs always insert a preamp pedal or similar piece of equipment between the guitar and the g sharp 13
- Serial setup 14
- Typical setups 14
- Head cab 15
- Typical setups 15
- Preamp combo 16
- Typical setups 16
- Preamp power amp 17
- Typical setups 17
- Operating input output section 18
- Effects engine 19
- The effects engine 19
- The effects engine 20
- Reverb engine 21
- The reverb engine 21
- Display 22
- Load store presets 22
- Preset modes 22
- Store recall the g sharp display 22
- Miscellaneous 23
- Delay controls 24
- Delay spillover feature 24
- Delay types 24
- Effects 24
- Chorus 25
- Chorus flanger controls 25
- Effects 25
- Flange 25
- Phaser 25
- Phaser controls 25
- Tremolo 25
- Tremolo controls 25
- Vibrato 25
- Reverbs 26
- Reverbs 27
- Appendix 28
- Midi implementation chart 28
- Appendix 29
- Midi bulk dump 29
- Midi cc reset bulk dump 29
- Midi continuous controllers 29
- Reset procedure 29
- Troubleshooting 30
- Appendix 31
- Due to continuous development these specifications are subject to change without notice 31
- Technical specifications 31
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