![Tc Electronic G-SHARP [26/31] Reverbs](/img/pdf.png)
Tc Electronic G-SHARP [26/31] Reverbs
![Tc Electronic G-SHARP [26/31] Reverbs](/views2/1011819/page26/bg1a.png)
24
REVERBS
Perception of Reverb types may vary from
person to person. It is a rather subjective
issue to discuss, describe or even define.
However, over the years a general
perception of basic Reverb types has
evolved. From these definitions the
experienced sound-engineer chooses and is
given good starting points for various
applications. We choose to briefly describe
the Reverb types found in the G-Sharp like
this:
TC Classic Hall
The reverb from many legendary TC products
that gives you a rich spacious feel with plenty of
air. Perfect with medium to long decay times.
Play with the color parameter to find the correct
blend. If you feel you have the correct mix level
but the reverb is not significant enough still, -
try increasing the high colors.
Pro Studio
A neutral generic studio reverb with very limited
modulation on the decay diffuse field. Where
many of the other reverb types are tuned to
stand out in a live environment, the Pro Studio
is a subtle reverb that excels in recording
situations where details in the source material
are the primary focus.
Classic Spring
With the Classic Spring reverb you’ve got one
of the best emulation of a classic spring reverb
there is. We’ve spent a lot of time calculating
and reinterpreting the behavior of a traditional
spring reverb.
Vintage Spring
The Vintage Spring emulates the spring reverb
types found in old guitar-amps. It is a bit more
grindy compared to the Classic spring and
gives a very realistic old-school sound.
Plain Spring
This reverb type is the least colored spring
emulation included in the G-Sharp. Compared
to the Classic Spring and Vintage Spring types,
Plain Spring appears as the most neutral of the
three.
The G-Sharp holds the following Reverb
types:
• TC Classic Hall
• Pro Studio
• Classic Spring
• Vintage Spring
• Plain Spring
• Gold Plate
• Silver Plate
• T-Plate
Each of these Reverb types are created and
fine tuned by the highly experienced staff at TC
Electronic and utilizes the vast experience we
have accumulated over the past years of
producing high quality reverbs. Though the
G-Sharp is a very compact effects unit in the
affordable price range, there is no compromise
when it comes the Reverb quality.
To get best starting points for your
application set the three controls in
the Reverb engine at 12 o’clock
position and “take a trip” round the
different reverb types.
By leaving the controls in 12 o’clock position
you will hear our suggested settings for each
Reverb type.
Once you have the Reverb type closest to your
goal start twisting the controls.
Pre Delay
A short Delay placed between the direct signal
and the Reverb Diffuse field. By using Pre
Delay the source material is kept clear and
undisturbed by the more diffuse Reverb Diffuse
Field arriving shortly after.
Decay
The Decay parameter determines the length of
the Reverb Diffuse Field. The length is defined
as the time it takes for the Diffuse Field to
decay approximately 60dB.
Color
Varies the “color” of the Reverb. From dark to
crisp and bright the Color parameter can really
change the characteristics and style of the
Reverb. Try it!
• Ambience
• Stomp
• Club
• Soft Room
• Tiled Room
• Church
• Concert Hall
• Off
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Engine 1 7
- Engine 2 7
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- G sharp 11
- Signal flow 11
- Basics 12
- Connecting and setting up the g sharp 12
- Controlling g sharp 12
- Routings 12
- Basics 13
- By the effects engine serial mode works perfectly for all effect combinations but if you are using relatively long and loud delay repeats you should consider whether you prefer to have reverb added to delay repeats or not if you prefer the delay repeats to stand out very clear and still use reverb you may prefer the parallel routing 13
- Effects 13
- General advice 13
- High quality cables good cables are essential we advice that you use properly shielded cables of high quality throughout your entire setup but be aware that one of the most sensitive points is the cable going from your guitar to the first piece of equipment especially if you are using a guitar with passive single coil pickups such as a stratocaster the few extra bucks for good quality cables are well spent 13
- Level settings correct level settings in all audio equipment are essential to get best performance from ad and da converters and as little noise as possible therefore you should follow the advice on setting input level as described on page 16 13
- Parallel routing analog input only this routing gives you the opportunity of having two effects in parallel even on a single mono signal the input signal is split and fed to both the effects engine and the reverb engine at the same time both the effects engine and the reverb engine uses left and right outputs as common outputs 13
- Reverb 13
- You cannot connect a guitar directly to the g sharp inputs always insert a preamp pedal or similar piece of equipment between the guitar and the g sharp 13
- Serial setup 14
- Typical setups 14
- Head cab 15
- Typical setups 15
- Preamp combo 16
- Typical setups 16
- Preamp power amp 17
- Typical setups 17
- Operating input output section 18
- Effects engine 19
- The effects engine 19
- The effects engine 20
- Reverb engine 21
- The reverb engine 21
- Display 22
- Load store presets 22
- Preset modes 22
- Store recall the g sharp display 22
- Miscellaneous 23
- Delay controls 24
- Delay spillover feature 24
- Delay types 24
- Effects 24
- Chorus 25
- Chorus flanger controls 25
- Effects 25
- Flange 25
- Phaser 25
- Phaser controls 25
- Tremolo 25
- Tremolo controls 25
- Vibrato 25
- Reverbs 26
- Reverbs 27
- Appendix 28
- Midi implementation chart 28
- Appendix 29
- Midi bulk dump 29
- Midi cc reset bulk dump 29
- Midi continuous controllers 29
- Reset procedure 29
- Troubleshooting 30
- Appendix 31
- Due to continuous development these specifications are subject to change without notice 31
- Technical specifications 31
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