Tc Electronic G-SHARP [27/31] Reverbs
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REVERBS
Soft Room
A room type that simulates a relatively small
room well furnished. In such a room many
reflections are absorbed by soft material and
source material is reflected and sustained only
from walls and windows etc. The sound is
short, dry, and quite intimate.
Tiled Room
Often you’ll want to get the “bathroom” effect,
without actually wanting it to sound like you’re
playing in your bathroom. The Tiled Room
reverb simulates the qualities of a small to
medium size tiled room with its many reflections
and at the same time it behaves respectfully
towards the original source material. Use it as
an effect that adds quite a bit of color to your
sound.
Church
A highly diffuse reverb that is recognizable for
its emulation of the many hard surfaces of
different shapes found in traditional church
rooms.
Concert Hall
This reverb has become a classic in it self. It
simulates a rather large hall and it’s stunningly
good at preserving the original and natural
characteristics of the source material.
If you’re looking for a sound with long decay
times the Concert Hall is excellent and you’ll
get a large and broad sound that is very
distinctive.
Gold Plate
We’ve boosted the full potential of the plate
reverbs of the past, and designed the Gold
Plate algorithm to reflect all the brightness,
coloring and diffusion that the original plate
reverbs had to offer. Use this reverb when you
just can’t get “gold” enough on your sound.
Silver Plate
The Silver Plate algorithm is a luxuriously well-
tempered plate reverb, which gives you a
perfect balance between the Tin and Gold
Plate reverbs. It’s got all the qualities of a
classic plate reverb, the right amount of
exquisite and gentle coloring with crystalline
brightness and subtle diffusion. Use this reverb
for just about anything, and especially when
you want to add that complete and personal
ambience.
Tin Plate
We have done our best to recreate the plate
reverbs used before the digital era. The Tin
Plate reformulates the sound of a large metallic
plate, and gives you a sound that you probably
heard on many recordings from the past. Use
the Tin Plate when you just want the pure and
uncolored plate sound. It is bright and has a
diffuse quality that is perfect for funky rhythm
guitar patterns.
Ambience
With focus on the Early Reflections that defines
the perception of a room size, the Ambience
Reverb type is typically used on dry recordings
simply to emulate a feeling of environment.
Ambience and Room definition are the
keywords here.
Stomp
Quite an extraordinary reverb type reproducing
some of the characteristics from contemporary
stomp-box reverbs. This is not a smooth subtle
reverb but may be just what you are looking for
if you need a reverb that is different and can
cut through.
Club
Did you ever discover the great difference of a
sound-check and the actual concert? The Club
Reverb emulates a typical empty medium sized
club. Try this as an effect that will emphasize
and position the guitar rather than give it a big
sigh.
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Engine 1 7
- Engine 2 7
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- G sharp 11
- Signal flow 11
- Basics 12
- Connecting and setting up the g sharp 12
- Controlling g sharp 12
- Routings 12
- Basics 13
- By the effects engine serial mode works perfectly for all effect combinations but if you are using relatively long and loud delay repeats you should consider whether you prefer to have reverb added to delay repeats or not if you prefer the delay repeats to stand out very clear and still use reverb you may prefer the parallel routing 13
- Effects 13
- General advice 13
- High quality cables good cables are essential we advice that you use properly shielded cables of high quality throughout your entire setup but be aware that one of the most sensitive points is the cable going from your guitar to the first piece of equipment especially if you are using a guitar with passive single coil pickups such as a stratocaster the few extra bucks for good quality cables are well spent 13
- Level settings correct level settings in all audio equipment are essential to get best performance from ad and da converters and as little noise as possible therefore you should follow the advice on setting input level as described on page 16 13
- Parallel routing analog input only this routing gives you the opportunity of having two effects in parallel even on a single mono signal the input signal is split and fed to both the effects engine and the reverb engine at the same time both the effects engine and the reverb engine uses left and right outputs as common outputs 13
- Reverb 13
- You cannot connect a guitar directly to the g sharp inputs always insert a preamp pedal or similar piece of equipment between the guitar and the g sharp 13
- Serial setup 14
- Typical setups 14
- Head cab 15
- Typical setups 15
- Preamp combo 16
- Typical setups 16
- Preamp power amp 17
- Typical setups 17
- Operating input output section 18
- Effects engine 19
- The effects engine 19
- The effects engine 20
- Reverb engine 21
- The reverb engine 21
- Display 22
- Load store presets 22
- Preset modes 22
- Store recall the g sharp display 22
- Miscellaneous 23
- Delay controls 24
- Delay spillover feature 24
- Delay types 24
- Effects 24
- Chorus 25
- Chorus flanger controls 25
- Effects 25
- Flange 25
- Phaser 25
- Phaser controls 25
- Tremolo 25
- Tremolo controls 25
- Vibrato 25
- Reverbs 26
- Reverbs 27
- Appendix 28
- Midi implementation chart 28
- Appendix 29
- Midi bulk dump 29
- Midi cc reset bulk dump 29
- Midi continuous controllers 29
- Reset procedure 29
- Troubleshooting 30
- Appendix 31
- Due to continuous development these specifications are subject to change without notice 31
- Technical specifications 31
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