![Tc Electronic G-SHARP [25/31] Effects](/img/pdf.png)
Tc Electronic G-SHARP [25/31] Effects
![Tc Electronic G-SHARP [25/31] Effects](/views2/1011819/page25/bg19.png)
23
EFFECTS
Vibrato
An effect deriving from minute and rapid
variations in pitch. This is the classic
expression know from many vocalists.
Chorus
A Chorus/Flanger is basically a short Delay that
is modulated by an LFO (Low Frequency
Oscillator).
The modulation of the short Delay gives very
small variations in pitch. These pitch changes
blended with the direct sound gives you the
Chorus/Flanger sound.
A Chorus effect is typically used as a
smoothing effect.
Soft Chorus/Lush Chorus
The Soft Chorus is ideal for silk-smooth
softening of the signal. The Lush Chorus is a
better choice for more significant and hearable
chorus sounds.
Flange
The basics of the flanging sound are identical
to the chorus (see above), but the delay time is
longer and the feedback control has a wider
range.
Where the chorus typically is used as a
smoothing effect the Flanger is more in the
genre of “special effects”.
Chorus/Flanger - controls
DELAY/TIMING knob
In the Chorus/Flanger algorithms the
TIMING knob sets the speed of the effect.
FEEDBACK/DEPTH knob
In the Chorus/Flanger algorithm the
FEEDBACK/DEPTH knob sets the depth of
the effect.
Tremolo - controls
DELAY/TIMING knob
In the Tremolo algorithm the TIMING knob
sets the speed of the Tremolo.
FEEDBACK/DEPTH knob
In the Tremolo algorithm the
FEEDBACK/DEPTH knob sets the depth of
the Tremolo effect.
Tremolo
Hard Tremolo/Swell Tremolo
A Tremolo is basically a repeated level change
controlled by an LFO. The G-Sharp offers a
Hard Tremolo that used a “square” wave-shape
and Swell Tremolo that use a “triangular” wave
shape. Please see the illustration below. The
difference is quite obvious. Listen and enjoy!
Hard Tremolo - Square shape
Swell Tremolo - Triangular shape
Phaser
Vintage Phaser
The Vintage Phaser utilizes four all-pass filters.
These filters create comb-looking characteristics.
When the filtered sound is mixed with the direct
sound the “phasing sound” occurs.
Smooth Phaser
Where the Vintage Phaser utilizes 4 all-pass
filters the Smooth Phaser uses an 8 all-pass
filter structure. This gives a much smoother and
subtle phasing sound.
Phaser - controls
DELAY/TIMING knob
In the Phaser algorithm the TIMING knob
sets the speed of the Phaser.
FEEDBACK/DEPTH knob
In the Phaser algorithm the
FEEDBACK/DEPTH knob sets the depth of
the phasing effect.
Содержание
- Important safety instructions 3
- Important safety instructions 4
- Table of contents 5
- If you just can t wait 6
- Quick start 6
- Engine 1 7
- Engine 2 7
- Introduction 7
- Front panel overview 8
- Front panel overview 9
- Rear panel 10
- G sharp 11
- Signal flow 11
- Basics 12
- Connecting and setting up the g sharp 12
- Controlling g sharp 12
- Routings 12
- Basics 13
- By the effects engine serial mode works perfectly for all effect combinations but if you are using relatively long and loud delay repeats you should consider whether you prefer to have reverb added to delay repeats or not if you prefer the delay repeats to stand out very clear and still use reverb you may prefer the parallel routing 13
- Effects 13
- General advice 13
- High quality cables good cables are essential we advice that you use properly shielded cables of high quality throughout your entire setup but be aware that one of the most sensitive points is the cable going from your guitar to the first piece of equipment especially if you are using a guitar with passive single coil pickups such as a stratocaster the few extra bucks for good quality cables are well spent 13
- Level settings correct level settings in all audio equipment are essential to get best performance from ad and da converters and as little noise as possible therefore you should follow the advice on setting input level as described on page 16 13
- Parallel routing analog input only this routing gives you the opportunity of having two effects in parallel even on a single mono signal the input signal is split and fed to both the effects engine and the reverb engine at the same time both the effects engine and the reverb engine uses left and right outputs as common outputs 13
- Reverb 13
- You cannot connect a guitar directly to the g sharp inputs always insert a preamp pedal or similar piece of equipment between the guitar and the g sharp 13
- Serial setup 14
- Typical setups 14
- Head cab 15
- Typical setups 15
- Preamp combo 16
- Typical setups 16
- Preamp power amp 17
- Typical setups 17
- Operating input output section 18
- Effects engine 19
- The effects engine 19
- The effects engine 20
- Reverb engine 21
- The reverb engine 21
- Display 22
- Load store presets 22
- Preset modes 22
- Store recall the g sharp display 22
- Miscellaneous 23
- Delay controls 24
- Delay spillover feature 24
- Delay types 24
- Effects 24
- Chorus 25
- Chorus flanger controls 25
- Effects 25
- Flange 25
- Phaser 25
- Phaser controls 25
- Tremolo 25
- Tremolo controls 25
- Vibrato 25
- Reverbs 26
- Reverbs 27
- Appendix 28
- Midi implementation chart 28
- Appendix 29
- Midi bulk dump 29
- Midi cc reset bulk dump 29
- Midi continuous controllers 29
- Reset procedure 29
- Troubleshooting 30
- Appendix 31
- Due to continuous development these specifications are subject to change without notice 31
- Technical specifications 31
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