![Yamaha PSR-2700 [77/94] I clock mode](/img/pdf.png)
Yamaha PSR-2700 [77/94] I clock mode
![Yamaha PSR-2700 [77/94] I clock mode](/views2/2009430/page77/bg4d.png)
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■ Clock Mode
Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled, all of the
time-based functions (Auto Accompaniment, SONG MEMORY, etc.) are controlled by the PSR-1700/PSR-
2700’s own internal clock, the speed of which is set by the [TEMPO] button. When MIDI clock reception is
enabled, however, all timing is controlled by an external MIDI clock signal received via the MIDI IN terminal
(the [TEMPO] setting has no effect).
NOTES
• If clock reception is enabled but no MIDI clock signal is received for more than 400
milliseconds, external clock reception is automatically disable and normal internal
clock operation resumes.
• If you attempt to change the tempo setting when MIDI clock reception is enabled,
“Tempo
q
=External” will appear on the LCD display panel.
ZPress the [RECEIVE CH/CL/COM] Button & Select “Clock Rx” .........................................................
Press the [RECEIVE CH/CL/COM] button, then use the [+] and [–]
buttons, the number buttons, the data dial, or the [RECEIVE CH/CL/
COM] button itself to select “Clock Rx” on the LCD display panel (“Clock
Rx” is the next step above MIDI channel 16).
Use the [+/–] button in the number-button row to select the desired clock
mode. The disable and enable modes are selected alternately each time the
[+/–] button is pressed, and the selected mode appears on the right digit of
the LCD display panel (“Clock Rx=0:Off” for disable; “Clock Rx:=1:On”
for enable).
+
–
1
_ _
9
XSelect the Desired Mode ........................................................................................................................
XSelect the Desired Mode ........................................................................................................................
Use the [+/–] button in the number-button row to select the desired start
mode. The start/stop modes are selected in sequence each time the [+/–]
button is pressed: “Cmnd Rx=0:Off”, “Cmnd Rx=1:Accomp”, or “Cmnd
Rx=2:Song”.
ZPress the [RECEIVE CH/CL/COM] Button & Select “Cmnd Rx”.........................................................
Press the [RECEIVE CH/CL/COM] button, then use the [+] and [–]
buttons, the number buttons, the data dial, or the [RECEIVE CH/CL/
COM] button itself to select “Cmnd Rx” on the LCD display panel (“Cmnd
Rx” is the next step above “Clock Rx” — or the next step
below MIDI
channel 1).
+
–
1
_ _
9
■ Start/Stop Mode
This function determines the effect of external MIDI start and stop signals. There are three start/stop modes,
as follows:
Mode “0” Start/stop reception disabled.
Mode “1” MIDI start and stop commands start and stop the PSR-1700/PSR-2700 Auto Accompani-
ment feature.
Mode “2” MIDI start and stop commands start and stop the PSR-1700/PSR-2700 SONG MEMORY
feature.
RECEIVE
CH/CL/COM
MODE
................
0 RX OFF
1 MULTI
2 REMOTE
3 CHORD
4 ROOT
RECEIVE
CH/CL/COM
MODE
................
0 RX OFF
1 MULTI
2 REMOTE
3 CHORD
4 ROOT
Содержание
- Advarsel 2
- Canada 2
- Entsorgung leerer batterien nur innerhalb deutschlands 2
- Model _________________________________________ 2
- Name plate location the graphic below indi cates the location of the name plate the model number serial number power requirements etc are located on this plate you should record the model number serial number and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase 2
- Observera 2
- Purchase date _________________________________ 2
- Serial no ______________________________________ 2
- Varoitus 2
- Yamaha corporation 2
- Congratulations 3
- Contents 3
- You are the proud owner of a yamaha psr 1700 psr 2700 your psr 1700 psr 2700 is a high quality musical instrument that incorporates advanced yamaha digital technology and many versatile features in order to obtain maximum performance and enjoyment from your psr 1700 psr 2700 we urge you to read this owner s manual thoroughly while trying out the various features described keep the owner s manual in a safe place for later reference 3
- Taking care of your portatone 6
- Installing the backup batteries 7
- Power supply 7
- Preparation 7
- Connecting to an external sound system 8
- Preparation 8
- The music stand 8
- Using headphones 8
- Using pedals 8
- Listen to the demo 9
- Listen to the demo 10
- The psr 1700 comes with one demonstration disk containing 4 dem onstration songs while the psr 2700 includes an additional disk containing 2 demo songs that make use of the psr 2700 s digital sampling feature 10
- Try the disk demo too 10
- Basic editing procedure 11
- Basic editing procedure 12
- Modulation pitch bend 13
- Orchestration 13
- Psr 1700 13
- Psr 2700 13
- Selecting playing the voices 13
- The r1 voice is played across the entire keyboard 13
- The r2 voice is played across the entire keyboard 13
- G dual mode 14
- G split dual modes 14
- G split modes 14
- Selecting playing the voices 14
- Voice assignment 15
- Octave 16
- Selecting playing the voices 16
- Volume 16
- Dsp depth 17
- Auto harmony 18
- Selecting playing the voices 18
- Effects 19
- Keyboard percussion 20
- Pitch bend 20
- Selecting playing the voices 20
- Modulation 21
- Auto accomp 22
- Overall control 22
- Psr 2700 psr 1700 22
- Split point 22
- Split point change 22
- Splitpt 0 61 c 3 08 showtune 001 grandpno accoff splitpt 0 61 c 3 22
- Splitpt 0 65 f3 08 showtune 001 grandpno accoff splitpt 0 65 f3 22
- Style select 22
- The key numbers for each note are listed above the keyboard the c3 middle c key number for example is 60 22
- The psr 1700 psr 2700 actually memorizes two separate split points one for the left and right hand orchestration parts and one for auto accompaniment mode see page 25 for details on setting the auto accompaniment split point 22
- The split point key becomes the lowest key in the right hand section of the keyboard 22
- Transpose 23
- Tuning 23
- Dsp type 24
- Overall control 24
- Touch sensitivity 25
- Accompaniment control 26
- Auto accomp 26
- Auto accompaniment 26
- Eight additional styles are provided on floppy disk these can be loaded one at a time into the por tatone s custom style memory location style number 00 and used in the same way as the 100 preset styles see page 60 for instructions on loading styles from disk 26
- Left hand fingering specifies the auto accompaniment chords the right hand plays normally 26
- Normal 26
- Psr 2700 psr 1700 26
- Selecting a style 26
- Styl 0 8 showtune 08 showtune 001 grandpno accoff styl 0 8 showtune 26
- Style select 26
- The psr 1700 psr 2700 also has a special full auto accompaniment fingering mode in which chords played anywhere on the keyboard determine the auto accompaniment chords see page 28 for details 26
- Auto accompaniment fingering 27
- Setting the auto accompaniment split point 27
- Auto accompaniment 28
- Example for c chords 28
- Fingrng 1 chord1 28
- G mode 1 chord 1 28
- Showtune 001 grandpno c fingrng 1 chord1 28
- The chord 1 mode is ideal if you already know how to play chords on a keyboard since it allows you to supply your own chords for the auto accompaniment feature 28
- The psr 1700 psr 2700 will accept the following chord types 28
- Auto accompaniment 30
- Tempo control 30
- Accompaniment control 31
- Auto accompaniment 32
- Accompaniment volume 34
- Auto accompaniment 34
- The track buttons 35
- Auto accompaniment 36
- Re voicing the tracks 36
- One touch setting 38
- Auto accompaniment 39
- G memorizing the settings 39
- Registration memory 39
- The panel settings listed above can be stored to any one of the eight registration memory buttons by pressing the button 1 through 8 while holding the memorize button the indicator of the selected button will light continu ously indicating that the data has been stored 39
- The registration memory can be used to store eight complete sets of voice and auto accompaniment settings that can be recalled anytime at the touch of a button the registration memory stores the following parameters 39
- Registration memory 40
- Record functions 41
- Song memory 41
- I realtime accompaniment track recording 42
- Record functions 42
- Realtime melody track recording 44
- Record functions 44
- I accompaniment and melody playback 45
- I record or play from a specified measure 46
- I the reset button 46
- Record functions 46
- I realtime recording 47
- The multi pads 47
- I playback 48
- Record functions 48
- Accompaniment control 49
- Auto accompaniment 49
- Custom accompaniment 49
- I realtime custom accompaniment recording 49
- Intro fill in 1 fill in 2 ending variation 49
- Recording 49
- Selecting fill in 2b 49
- Record functions 50
- I using a custom accompaniment 51
- Record functions 52
- Step recording 52
- Record functions 54
- Editing functions 55
- I quantization 55
- I clearing tracks 56
- Record functions 56
- I changing the recorded settings 57
- Floppy disks are an inexpensive convenient and reliable way to store your music data they are not indestructable however and should be handled with care observe the following points to ensure the long term safety of your disks and data 58
- G data backup 58
- G floppy disk handling precautions 58
- G head cleaning 58
- G protecting your data write protect tab 58
- G taking care of your floppy disks 58
- G type of disk 58
- The psr 1700 and psr 2700 feature a floppy disk drive that allows virtually unlimited storage of songs you record using the song memory custom ac companiments multi pad data regis tration memory data and sampled voices psr 2700 only the disk drive also allows the psr 1700 and psr 2700 to play standard midi music files file format 0 and yamaha disk orchestra collection disks 58
- Using floppy disks 58
- Formatting a new floppy disk 59
- G saving to disk 60
- Saving loading deleting disk files 60
- Using floppy disks 60
- G loading from disk 62
- Using floppy disks 62
- G deleting a disk file 63
- Disk orchestra collection standard midi file disks 64
- G minus one playback 64
- Quick play 64
- Using floppy disks 64
- Be sure to obtain proper permission when sampling copyrighted mate rial 65
- Caution 65
- Cd player 65
- Digital sampling 65
- Line sample in 65
- Never interrupt the psr 2700 power supply either by unplug ging the power cord or by turning the power switch off during sampling during a clear operation while the psr 2700 is processing sampled data i e while squeezing appears on the display or while loading sampled voices from disk doing so will result in the loss of all data in the psr 2700 wave ram 65
- Psr 2700 digital sampling 65
- Sample pads 65
- Setting the input level 65
- Showtune 001 grandpno level check mode 65
- To use the digital sampler you ll need to connect the source you intend to use to either the rear panel sample in line or mic jack if you ll be recording via a microphone plug the microphone into the sample in mic jack if you ll be recording from a line level source such as a cassette player or other audio playback device plug the player s line output into the sample in line jack if your audio playback device has rca pin jack type outputs you ll need to acquire a cable or connector converter that al lows connection to the psr 2700 s 1 4 inch mono phone jack 65
- Psr 2700 digital sampling 66
- Setting the sampling frequency 66
- Setting the trigger level 67
- Psr 2700 digital sampling 68
- Recording 68
- Playing the sample pads 69
- Editing samples 70
- G clearing samples 70
- G tuning the samples 70
- Psr 2700 digital sampling 70
- G volume dsp depth pan settings 71
- Individual sample pad volume settings 71
- G mapping 72
- Playing samples via the keyboard 72
- Psr 2700 digital sampling 72
- Sample memory backup disk storage 73
- Example 74
- Optional yamaha fc4 or fc5 footswitches and or or fc7 foot controllers can be plugged into either or both of the rear panel pedal jacks and used to control a wide range of functions 74
- Pedal assign 74
- The functions listed below can be assigned to the footswitch or foot con troller connected to the pedal 1 and pedal 2 jacks by pressing the appro priate function button while holding the pedal assign 1 or 2 button 74
- I channel reception modes 76
- Midi reception modes 76
- I clock mode 77
- I start stop mode 77
- I local midi output on off 78
- I midi transmit channels 78
- Midi transmission 78
- Appendix 79
- Voice polyphony list 79
- Appendix 80
- Name rhythm comments pop 80
- Pop ballad 80
- Rhythm blues 80
- Style list 80
- Caribbean 81
- Country western 81
- Latin pop 81
- Name rhythm comments rock roll 81
- Traditional jazz 81
- Appendix 82
- Ballroom latin 82
- Ballroom standard 82
- Custom 82
- Disk style 82
- Disk style file 05 12 are the styles provided on the supplied psr 1700 2700 demonstration disk 82
- I style list 82
- Name rhythm comments world music 82
- Disk related error messages 83
- I error messages 83
- If an error occurs during operation of the psr 1700 2700 one of the following error messages will appear so you ll know what went wrong and how to remedy the situation 83
- All internal memory settings are retained in memory even when the power switch is turned off as long as a good set of backup batteries is present or the ac plug is connected you can however restore the factory default settings by following the procedures outlined below 84
- Appendix 84
- Digital sampling related error messages psr 2700 84
- Other error messages 84
- Press the power switch to turn the psr 1700 psr 2700 power off 84
- System reset procedure 84
- Turn the power back on while holding both the and buttons backup ram clear will appear on the lcd display panel while the data is being reset 84
- Something not working as it should in many cases what appears to be a malfunction can be traced to a sim ple error that can be remedied immediately before assuming that your portatone is faulty please check the fol lowing points 85
- Troubleshooting 85
- Note note 1 standard 0 2 room 8 3 rock 16 4 electronic 24 87
- Percussion kit list 87
- Note note 5 analog 25 6 jazz 32 7 brush 40 8 classic 48 88
- Midi implementation chart 89
- I gm system level 1 90
- The existing midi protocol allows performance and other data to be transferred between different instruments even if they are from different manufacturers this means for example that sequence data that was originally created to control a tone generator from manufacturer a can also be used to control a different tone generator from manufacturer b since the voice allocation in different devices from different manufacturers is usually different however appropriate program change data must be transmitted to select the right voices the general midi protocol was developed to minimize confusion and the need for re programming when playing soft ware created by one midi device on another this has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or midi channels the current standard recog nized by the international midi association is known as gm system level 1 the psr 1700 psr 2700 voice allocation complies 90
- Are you sure 91
- Auto accompaniment 91
- Auxiliary jacks 91
- Backup batteries 91
- Digital sampling 91
- Dimension 91
- Keyboards 91
- Lcd display panel 91
- Main amplifiers 91
- Multi pads 91
- Optional accessories 91
- Overall control 91
- Pedal assign 91
- Quick play 91
- Recording 91
- Registration memory 91
- Sample pad 91
- Song memory 91
- Speakers 91
- Specifications 91
- Supplied accessories 91
- Weight 91
- Important safety instructions 92
- Information relating to personal injury electrical shock and fire hazard possibilities has been included in this list 92
- Please keep this manual 92
- Warning 92
- Connecting the plug and cord 93
- Fcc information u s a 93
- Important 93
- Important notice do not modify this unit 93
- Important notice for the united king dom 93
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