Yamaha PSR-9000 — создание оригинального музыкального стиля: пошаговое руководство [107/214]

Содержание

• Special message section p.2
• Caution p.2
• Please keep this manual p.3
• Information relating to personal injury electrical shock and fire hazard possibilities has been included in this list p.3
• Important safety instructions p.3
• Backing up the factory data p.4
• Warning p.4
• Saving user data p.4
• Precautions p.4
• Please read carefully before proceeding p.4
• Please keep these precautions in a safe place for future reference p.4
• Caution p.4
• Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards these precautions include but are not limited to the following p.4
• Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property these precautions include but are not limited to the following p.4
• About the floppy disks p.5
• Using the floppy disk drive fdd and floppy disks p.5
• Cleaning the disk drive read write head p.5
• Inserting ejecting floppy disks p.5
• Handling and installation of options p.5
• Compatible disk type p.5
• Packing list p.6
• Your psr 9000 includes the following items p.6
• You are the proud owner of an extraordinary electronic keyboard the yamaha psr 9000 combines the most advanced tone generation technology with state of the art digital electronics and features to give you stunning sound quality with maximum musical versatility the advanced auto accompaniment vocal harmony and sampler features in particular are brilliant examples of how yamaha technology can signif icantly expand your musical horizons a large size graphic display and easy to use interface also greatly enhance the operability of this advanced instrument in order to make the most of your psr 9000 s features and vast performance potential we urge you to read the manual thoroughly while trying out the various features described keep the manual in a safe place for later reference p.6
• Congratulations p.6
• The following features have been newly added as part of the upgrade to psr 9000 version 2 p.7
• New functions in psr 9000 version 2 p.7
• How to use the manual p.7
• Disk song playback 30 p.8
• Custom voice creating 80 p.8
• The multi pads 34 p.8
• Contents p.8
• Song creator 36 p.8
• Basic operation p.8
• Sampling 72 p.8
• Auto accompaniment 58 p.8
• Sampling 40 p.8
• Auto accompaniment 20 p.8
• Registration memory 28 p.8
• Reference p.8
• Quick guide p.8
• Playing voices 16 p.8
• Organ flutes 56 p.8
• Music database 64 p.8
• Music database 26 p.8
• Voices 53 p.8
• Display based controls 42 p.8
• Voice effects 35 p.8
• Disk song playback 66 p.8
• Vocal harmony 68 p.8
• Vocal harmony 32 p.8
• Direct access chart 45 function tree 46 memory structure 50 p.8
• Demonstration 52 p.8
• The multi pads 65 p.8
• The psr 9000 functions 134 p.9
• The illustrations and lcd screens as shown in this owner s manual are for instructional purposes only and may be different from your instrument p.9
• Style creator 104 p.9
• Song creator 88 p.9
• Multi pad creator 119 p.9
• Mixing console 122 p.9
• Midi functions 144 p.9
• Disk operations 127 p.9
• Contents p.9
• Appendix p.9
• 36 40 72 88 104 119 1 multi pad buttons 34 65 119 p.10
• U accompaniment control buttons 20 i menu buttons 127 134 150 o keyboard transpose buttons 55 p.10
• Top panel connections p.10
• Style song p.10
• Q power on off switch 14 w master volume control 14 e pitch bend wheel 54 r modulation wheel 54 t song buttons 30 66 y style buttons 20 p.10
• Accompaniment control p.10
• A b c d p.10
• Top panel connections p.11
• Registration memory p.11
• Part select p.11
• Part o p.11
• 8 memory button 28 61 9 voice buttons 16 0 part select buttons 53 1 part on off buttons 17 18 53 2 upper octave buttons 55 3 vocal harmony buttons 32 68 p.11
• 2 data dial 42 3 demo button 52 4 voice effect buttons 35 55 5 music database button 26 64 6 one touch setting button 24 61 7 registration memory buttons 28 p.11
• Rear panel connections p.12
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.12
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.13
• Connection examples p.13
• Rear panel connections p.13
• Use the following procedure to start up the psr 9000 p.14
• Turn the power on by pressing the power switch p.14
• Starting up p.14
• Securely plug the female end of the ac power cord sup plied with the psr 9000 into the rear panel ac cord socket p.14
• Press the power switch again to turn the power off p.14
• Plug the power cord into a convenient ac outlet p.14
• Play adjust the volume p.14
• Make sure that the power switch is in the off extended position p.14
• In some areas an ac plug adaptor may be provided to match the pin configu ration of the ac wall outlets in your area p.14
• Check your power supply p.14
• Style file format p.15
• Starting up p.15
• Panel logos p.15
• Music stand p.15
• Gm system level 1 p.15
• Vocal harmony p.15
• The logos printed on the psr 9000 panel indicate the standards formats it supports and special features it includes p.15
• Quick guide p.16
• Playing voices p.16
• Playing a voice p.16
• Try out some of these other voices p.17
• Select a voice group p.17
• Select a voice p.17
• Press the part on off right2 button to turn the right2 part on p.17
• Playing voices p.17
• Playing two or three voices simultaneously p.17
• Play the voices p.17
• Playing voices p.18
• Playing different voices with the left and right hands p.18
• Play the voices p.18
• Adjusting the octave setting p.18
• Select a voice group p.18
• Select a voice p.18
• Press the part on off left button to turn the left part on p.18
• Use the lcd 1 8 buttons to adjust the footage settings p.19
• Try out the preset organ flutes voices p.19
• Store the organ flutes settings p.19
• Press the organ flutes button p.19
• Playing voices p.19
• Organ flutes p.19
• Using auto accompaniment p.20
• Turn sync start on p.20
• Turn auto accompaniment on p.20
• Select a style group p.20
• Select a style p.20
• Auto accompaniment p.20
• As soon as you play a chord with your left hand the auto accompaniment starts p.21
• Try playing other chords with your left hand p.21
• Try out some of the other styles p.21
• Press the start stop button again to stop the accompa niment p.21
• Metronome and bass chord hold p.21
• Auto accompaniment p.21
• Use the same operations as in using auto accompani ment p.22
• Press any of the intro buttons p.22
• Press any of the ending buttons p.22
• Press any of the accompaniment section buttons as desired see the accompaniment structure diagram on the next page p.22
• Auto accompaniment p.22
• As soon as you play a chord with your left hand the auto accompaniment starts p.22
• Accompaniment sections p.22
• Auto accompaniment p.23
• Other controls p.23
• I accompaniment structure diagram p.23
• As soon as you play a chord with your left hand the auto accompaniment starts p.24
• Turn individual tracks on or off muted as required p.24
• Turn auto accompaniment on and start the accompaniment page 20 p.24
• Try out other one touch setting setups p.24
• Track muting volume control p.24
• Select a style p.24
• Press one of the one touch setting buttons p.24
• Play melodies with your right hand and play various chords with your left hand p.24
• One touch setting p.24
• Auto accompaniment p.24
• I about the style data p.25
• Disk direct function p.25
• Auto accompaniment p.25
• Select a music database p.26
• Press the music database button p.26
• Play along with the accompaniment playback p.26
• Music database p.26
• Using the music database p.26
• Select a music database see step 2 on page 26 and play along with the accompaniment playback p.27
• Select a category and set the tempo range p.27
• Searching the music database p.27
• Press the music database button p.27
• Press the lcd i button to execute the search operation p.27
• Press the lcd f button to call up the search display p.27
• Music database p.27
• Using the preset registration memory p.28
• Registration memory p.28
• I the freeze function p.28
• I bank view p.28
• Registration memory p.29
• Registering the panel settings p.29
• Press the memory button p.29
• Press one of the registration memory buttons 1 through 8 p.29
• Set up the panel controls as required p.29
• Select a registration bank 04 through 64 p.29
• Turn the song player on p.30
• Select a song file p.30
• Press the song file directory i button p.30
• Playback of song disks p.30
• Insert the disk that contains song data into the disk drive p.30
• Disk song playback p.30
• Turn individual tracks on or off muted as required p.31
• The solo mode lets you select a specific part for playback muting turn ing off all other parts if you wish to practice the melody part of the xg song on the psr 9000 keyboard set tr1 to mute p.31
• Stop playback p.31
• Start playback p.31
• Press the part on off button 2 press the lcd button corresponding to the part you wish to turn on or off p.31
• Press the main mixer button 2 press the lcd button corresponding to the part of which the volume you wish to adjust p.31
• Disk song playback p.31
• Adjust the volume as required p.31
• Vocal harmony with accompaniment playback p.32
• Vocal harmony p.32
• Setting up p.32
• Vocal harmony with song playback p.33
• Vocal harmony p.33
• Use the m pad bank buttons to select a multi pad bank p.34
• Turn auto accompaniment on page 20 p.34
• The multi pads p.34
• Press any of the multi pads p.34
• Playing the multi pads p.34
• Play a chord with your left hand and press any of the multi pads p.34
• Chord match p.34
• Voice effects p.35
• Try out harmony echo with some of the voices below p.35
• Applying the voice effects p.35
• Quick recording p.36
• Song creator p.36
• When you finish playing press the start stop button if you have set acmp track to rec in step 5 above you can stop recording by pressing the ending button if you press the ending button record ing will stop automatically after the ending section has finished p.37
• Stop recording p.37
• Start recording p.37
• Song creator p.37
• Set up for recording p.37
• Select the required voice s select a style if required set up all parameters as desired for recording turn the metronome on or off as required p.37
• Save the recorded data to the disk p.37
• Recording starts as soon as you play a key on the keyboard p.37
• Press the start stop button to hear your newly recorded performance p.37
• Press the next button p.37
• Press the exit button to exit from the record mode p.37
• Insert a blank recordable disk into the disk drive and follow the instructions in the illustrations below p.37
• Select new song p.38
• Select multi track record p.38
• Press the digital recording button to engage the record mode p.38
• Multi track recording p.38
• Song creator p.38
• Set the track modes p.38
• Select song creator p.38
• When you finish playing press the start stop button if you have set the accompaniment tracks to rec in step 5 above you can stop recording by pressing the ending button if you press the ending button recording will stop automatically after the ending section has finished p.39
• Stop recording p.39
• Start recording p.39
• Song creator p.39
• Set up for recording p.39
• Select the required voice s select a style if required set up all parameters as desired for recording turn the metronome on or off as required p.39
• Save the recorded data to the disk p.39
• Repeat step 5 9 as needed p.39
• Press the start stop button to hear your newly recorded performance p.39
• Press the next button p.39
• Press the exit button to exit from the record mode p.39
• Insert a blank recordable disk into the disk drive and follow the instructions in the illustration below p.39
• You can start recording with one of the following ways press the start stop button to start the rhythm parts of the accompa niment and recording at the same time press the sync start button to enable synchronized standby then play a key on the left side of the split point to start the accompaniment and recording at the same time press the sync start button to enable synchronized standby 1 play a key on the right side of the split point to start recording 2 play a key on the left side of the split point to start the accompaniment p.39
• Use the same operation as in setting up page 32 p.40
• Sound creator p.40
• Set the key range to which the new sample will be assigned p.40
• Select sampling p.40
• Select recording p.40
• Sampling p.40
• Recording a sample p.40
• Press the sound creator button p.40
• Press the next button twice to call up the sample recording display p.40
• Press the next button p.40
• Page control p.40
• Mixing console p.40
• Digital studio p.40
• Digital recording p.40
• Press the exit button several times to exit from the sam pling mode p.41
• Store voice parameters for the recorded sample as a cus tom voice p.41
• Select the custom voice number above and play the voice from the keyboard p.41
• Save the recorded sample wave data to disk p.41
• Sampling p.41
• Press the lcd stop button to stop the sampling p.41
• Press the lcd start button and speak into the micro phone to start the sampling p.41
• G g g g g g g g g g g g p.42
• Display based controls p.42
• Basic operation p.42
• Basic basic operation p.42
• You can select the desired language of the display messages from the following english german french spanish and italian follow the instructions in the chart below p.43
• The large psr 9000 display panel facilitates operation by making it possible to display comprehensive message and prompts that will guide you through certain operations these messages can be displayed in one of five different languages when such messages appear simply follow the instructions as shown by pressing the corresponding lcd button p.43
• Selecting the desired language of the display message p.43
• Display messages p.43
• Display based controls p.43
• A number of psr 9000 functions allow you to enter a name for for example a file you will be saving to disk a custom voice or style etc the name entry procedure is essentially the same in all cases only the maximum number of characters which can be entered will vary an example display which includes name entry parameters is shown below p.44
• Selecting voices styles songs and registration memory settings p.44
• Name entry p.44
• First from the main display press any key on the computer keyboard then select the desired category voice style song registration memory by repeatedly pressing any key on the computer keyboard with the exception of the delete key and the number keys the selected category is indicated in the display then enter the desired number from the computer keyboard according to the rules below p.44
• Display based controls p.44
• Computer keyboard functions p.44
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.45
• Direct access chart p.45
• Basic operation p.45
• Function tree p.46
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.47
• Function tree p.47
• Basic operation p.47
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.48
• Function tree p.48
• Basic operation p.48
• Basic operation p.49
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.49
• Function tree p.49
• To return the system backup parameters to the original factory settings simulta neously hold down the p.50
• The psr 9000 features three different memory provisions for storing your original data flash rom ram and disk p.50
• Memory structure p.50
• Important information about the psr 9000 s current settings such as the selected style number the split point setting the fingering mode and midi related settings can be retained in the flash rom to do this press the quarter note icon button from the main display and follow the on screen instructions for a complete list of system backup parameters refer to page 178 p.50
• Button and turn on the power p.50
• About system backup p.50
• This diagram illustrates the relationship among the style data stored to different types of memory in addition to normal memory provisions the psr 9000 features special flash rom memory unlike conventional rom flash rom can be overwritten allowing you to store your own original data a number of pre programmed styles have been loaded to the flash rom these are referred to below as flash styles p.51
• Preset styles are stored to conventional rom these are permanent and cannot be overwritten however you can use these as a basis for creating your own original styles with the style creator page 104 use the style manager functions page 62 to backup and organize your original style data p.51
• Playing the disk styles can be done in two ways 1 loading the style data to flash rom and playing it back as a flash style or 2 playing it back directly from disk with the disk direct function page 25 p.51
• Memory structure p.51
• About the style data p.51
• Reference p.52
• G g g g g g g g g g g g g g g g g g g p.52
• Demonstration p.52
• Voices p.53
• Parts right1 right2 right3 and left p.53
• Wheel to bend notes up roll the wheel away from you or down roll the wheel toward you while playing the keyboard the p.54
• Wheel is self centering and will automatically return to normal pitch when released p.54
• Wheel all the way towards yourself minimizes the depth of the effect while rotating it away from yourself increases it p.54
• Voices p.54
• Use the psr 9000 p.54
• The psr 9000 actually includes several voice categories the psr 9000 original preset voices percussion kits the xg voices the organ flutes voices and custom voices p.54
• The modulation function applies a vibrato effect to notes played on the keyboard moving the p.54
• Pitch bend wheel modulation wheel p.54
• Pitch bend p.54
• Modulation p.54
• Voice effects p.55
• Voice effect p.55
• Other keyboard related functions p.55
• Buttons turn the corresponding effects on indicator lit or off indicator out p.55
• Voices p.55
• Parameters p.56
• Organ flutes p.56
• In addition to the many organ voices in the organ voice category the psr 9000 has an organ flutes voice which can be assigned to the currenty selected part and edited by pressing the voice organ flutes button p.56
• Basic procedure p.56
• Reference p.57
• Organ flutes p.57
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.57
• This section explains some important functions of the auto accompaniment that are not covered in the quick guide for basic information on playing the auto accompaniment refer to page 20 in the quick guide p.58
• The way in which chords are played or indicated with your left hand on the left side of the keyboard from the split point is referred to as fingering there are 7 types of fingerings as described below p.58
• The auto accompaniment feature puts a full backing band at your fingertips to use it all you have to do is play the chords with your left hand as you perform and the selected accompaniment style matching your music will automatically play along instantly following the chords you play with auto accompaniment even a solo performer can enjoy playing with the backing of an entire band or orchestra p.58
• For information about how to select the fingering mode refer to page 135 p.58
• Chord fingerings p.58
• Auto accompaniment p.58
• Chord types recognized in the fingered mode p.59
• Auto accompaniment p.59
• Reference p.59
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.59
• Tempo control p.60
• Start the accompaniment p.60
• Press the fade in out button so that its indicator lights p.60
• Fade ins and fade outs p.60
• Auto accompaniment p.60
• Synchro stop p.61
• One touch setting p.61
• Auto accompaniment p.61
• Style manager p.62
• Basic procedure p.62
• Auto accompaniment p.62
• Auto accompaniment p.63
• About selecting files from disk or flash rom p.63
• Creating the music database p.64
• Music database p.64
• For basic information on using the music database feature refer to page 26 in the quick guide this section covers how to create your own music database setups for a list of music database setup parameters refer to page 178 p.64
• Turning chord match and repeat on off p.65
• This section explains two important functions of the multi pads that are not covered in the quick guide for basic information on using the multi pads refer to page 34 in the quick guide p.65
• The multi pads p.65
• I repeat unless the repeat function is on for the selected pad playback will end automatically as soon as the end of the phrase is reached a phrase can be stopped while it is playing by pressing the multi pad stop button p.65
• I chord match if a multi pad is played while auto accompaniment is playing and the chord match function for that pad is on the phrase will be automatically re harmonized to match the accompaniment chords p.65
• Selecting a song p.66
• Disk song playback p.66
• Song setup p.67
• Other functions viewing the lyrics and fast forward reverse p.67
• Disk song playback p.67
• Vocal harmony p.68
• Setting up p.68
• Applying the vocal harmony effect p.68
• Basic procedure p.69
• Vocal harmony p.69
• Selecting producing the vocal harmony effect p.69
• Vocal harmony p.70
• Changing the vocal harmony microphone settings p.70
• Basic procedure p.70
• Vocal harmony p.71
• Setting up p.72
• Sampling p.72
• Guidelines for sampling p.72
• Waves waveforms p.73
• To better understand how trigger level works let s look at a specific example sampling of the phrase a one and a two in this phrase one and two are louder than the other words since the first a is lower than the trigger level the psr 9000 doesn t actually start sampling until the word one if you want the phrase to be sampled from the first word the trigger level should be set lower with this new trigger level setting the entire phrase will be sampled be careful however not to set the trigger level too low or else sampling may start from some accidental or extraneous sound such as breathing noises touching the microphone etc p.73
• The terms wave and waveform have distinct meanings in psr 9000 sampling ter minology as follows p.73
• Sampling p.73
• Sampling p.74
• Recording a sample p.74
• Basic procedure p.74
• You can set up a maximum of three dsp effects to be applied to the source sound as it is sampled the dsp blocks are connected in series as shown below the following dis play will be shown in step 10 on page 40 p.75
• To import previously saved waveform files via the psr 8000 or standard wav or aiff format files from disk insert the appropriate disk into the psr 9000 floppy disk drive then press the p.75
• The explanations here apply to step 4 of the basic procedure on page 74 p.75
• Sampling p.75
• Pre effect p.75
• Lcd button in step 3 in basic procedure on page 74 p.75
• Importing wave files from disk p.75
• File import p.75
• Clearing wave data p.75
• Sampling p.76
• Editing wave data p.76
• Sampling p.77
• Reference p.77
• Loop point p.77
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.77
• A b c d e b c d p.77
• This display determines how your sampled waves play back your sampled waves can be played back in three different ways as follows p.77
• Volume tune p.78
• This function increases the overall level of the selected wave to ensure that it uses the full range of digital values press the execute lcd button to normalize the selected wave no change will occur if the selected wave already uses the full range of digital values p.78
• This display can be used to tune the wave to fit a specified playback tempo in other words the wave is stretched tuned down or compressed tuned up so that it plays back over the specified number of measures at the specified time signature and tempo this capability is particularly useful when the sample is a phrase rather than a simple sound the wave will only play back at the specified tempo however when played at its original pitch usually the pitch played by the c3 key to ensure smooth looping adjust the loop start stop point before using this function p.78
• Sampling p.78
• Reference p.78
• Normalize p.78
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.78
• Waveform edit p.79
• Wave start note volume delete wave p.79
• This function can be used to add a wave from a different waveform to the currently selected waveform when a waveform contains two or more waves the individual waves must be assigned to different areas of the keyboard the waves cannot be layered p.79
• Sampling p.79
• Reference p.79
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.79
• Add wave p.79
• Basic procedure p.80
• Custom voice creating p.80
• Parameters p.81
• Easy editing p.81
• Custom voice creating p.81
• I parameters p.82
• I element selection each psr 9000 voice can have up to eight separate elements these elements are the basic sonic building blocks of the sound with each element having its own waveform envelope generator settings and other parameters p.82
• G voice p.82
• Full editing p.82
• Custom voice creating p.82
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.83
• G e1 waveform see page 73 for details about waveform p.83
• Example for velocity limit p.83
• Example for note limit p.83
• Custom voice creating p.83
• G e2 eg an acronym for envelope generator a block that modifies the level of the tone genera tor from the moment that a note is played until the sound decays to silence the ampli tude eg controls the volume level the pitch eg controls the pitch and the filter eg controls the filter cutoff frequency p.84
• Custom voice creating p.84
• The filter level parameters are filter related they determine how much the sound changes in timbre over time as set in filter rate a setting of 0 is the default value p.85
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.85
• G e3 filter the psr 9000 features two independent filters for basic information about the fil ters see page 81 p.85
• Filter rate and filter level filter eg settings the filter rate parameters are time related they determine how long it takes for the sound s timbre to change from level to level as set in filter level p.85
• Custom voice creating p.85
• G e4 lfo an acronym for low frequency oscillator a block that produces a low frequency sig nal the lfo can be used to modulate pitch filter cutoff frequency or amplitude to create a wide range of modulation effects p.86
• Custom voice creating p.86
• Custom voice creating p.87
• With the powerful and easy to use song creating features you can record your own keyboard perfor mances to a floppy disk as a user song and create your own complete fully orchestrated compositions each user song lets you record up to sixteen independent tracks these include not only the voices for the keyboard performance r1 r2 r3 l but also the auto accompaniment parts and vocal harmony effect p.88
• Song creator p.88
• Guidelines for song creating p.88
• Song creator p.89
• Basic procedure p.89
• In the eight measure example below measures 3 through 5 are re recorded p.90
• I record mode p.90
• I measure set when the record mode is set to replace this parameter specifies the mea sure you want to start recording from when the record mode is set to punch in this parameter specifies the first playback measure be sure to give yourself a few measures lead in prior to the actual punch in point p.90
• Track setting for recording multi track recording p.90
• The explanations here apply to step 5 on page 89 p.90
• Song creator p.90
• Track setting for recording quick recording p.91
• Song creator p.91
• The explanations here apply to step 6 on page 89 p.92
• Song edit functions multi track recording p.92
• Song creator p.92
• I quantize quantize lets you clean up or tighten the timing of a previously recorded track for example the following musical passage has been written with exact quarter note and eighth note values p.92
• Even though you think you may have recorded the passage accurately your actual performance may be slightly ahead of or behind the beat or both quantize allows you to align all the notes in a track so that the timing is absolutely accurate to the specified note value p.92
• This function lets you assign the dsp effect block 4 7 to any of the current song s tracks other parameters can be modified up as required via the mixing console display page 122 p.93
• Song setup multi track recording p.93
• Song creator p.93
• I track mixing this function allows data from two tracks can be mixed and the results placed in a dif ferent track or data to be copied from one track to another p.93
• I note shift this allows tracks which contain data to be individually transposed up or down by a maximum of two octaves in semitone increments p.93
• Song creator p.94
• Step recording multi track recording p.94
• Song creator p.95
• Reference p.95
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.95
• Example 2 p.95
• Song creator p.96
• Example 3 p.96
• The functions of each menu item in the display are explained below p.97
• Song creator p.97
• Song creator p.98
• I entering other events event list in addition to note on off the following events can be recorded in the event list dis play p.98
• Song creator p.99
• I about multiple event selection this convenient feature lets you select several events together making it possible to change the values of many different events at once or easily and quickly copy many events to another location p.99
• Copying and pasting multiple events p.99
• Changing the values of multiple events p.99
• Chord step quick recording p.100
• Song creator p.100
• Song creator p.101
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.101
• The functions of each menu item in the display are explained below p.102
• The end mark can be freely set to any position desired if the automatically assigned position doesn t suit you p.102
• Song creator p.102
• I entering other events event list in addition to the chord section the following events can be recorded in the event list display all menu items in the display are the same as in step recording page 98 p.102
• End mark is shown in the display indicating the end of the song data the end mark position for chord step is automatically determined according to the section that is input at the end of the song p.102
• Using the computer keyboard p.103
• Using a computer keyboard is a very convenient way to edit events in the event list if you re familiar with operating a computer you ll find many of the editing conventions that you re used to such as moving the cursor and copying pasting apply to editing the psr 9000 data as well p.103
• Song creator p.103
• I event filter this function lets you select the event types that appear on the editing displays to select an event for display place a checkmark in the box next to the event name to fil ter out an event type so that it does not appear on the list remove the checkmark so that the box is empty p.103
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.103
• For details on using a computer keyboard with the psr 9000 see page 143 for a list of the parameters you can control operate from a computer keyboard see below p.103
• Computer keyboard functions in step recording p.103
• Guidelines for style creating p.104
• When creating a song page 88 you record your keyboard performance to the psr 9000 as midi data creating of styles however is done in a different way the style creator provides two basic ways assembling and recording p.104
• The psr 9000 lets you create original styles which can be used for auto accompaniment in the same way as the preset styles p.104
• Style creator p.104
• I recording styles full edit page 110 when recording a song you record your keyboard performance to the psr 9000 as midi data recording styles however is done in a different way here are some of the aspects in which style recording differs from song recording p.104
• I assembling styles page 107 the style creator provides two basic ways to assemble styles p.104
• The following functions are also available p.105
• The chart below indicates the process by which the accompaniment is played back this does not apply to the rhythm track the source pattern in the chart is the original style data as explained on page 110 in style recording this source pattern is recorded as shown in the chart below the actual output of the accompaniment is determined by various parame ter settings and chord changes playing chords in the auto accompaniment section of the keyboard entered to this source pattern p.105
• Style creator p.105
• Revoice determines the basic volume tempo and part on off settings for your original style groove dynamics this gives you a comprehensive variety of tools for changing the rhythmic feel of your original style specifically it allows you to alter the timing for each section and velocity of notes for each track setup this can be used to change the voices assigned to any of the current selected sec tion part edit the six editing features that contain quantize allow you to edit already recorded style data parameter edit determines various parameters of the style file format see below for details about style file format p.105
• I style file format the style file format sff combines all of yamaha s auto accompaniment know how into a single unified format by using the parameter edit function you can take advantage of the power of the sff format and freely create your own styles p.105
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.105
• Style creator p.106
• Basic procedure p.106
• G store as a flash style to flash rom by following the on screen instruc tions p.107
• G set up for creating a style p.107
• G assign the pattern for each track p.107
• This operation lets you create the patterns rhythm bass and chords that will make up your original style the explanations here apply to step 5 of the basic procedure on page 106 p.107
• Style creator p.107
• Style assembly creating a style p.107
• Style creator p.108
• Revoice easy edit p.108
• The groove and dynamics parameters give you a comprehensive variety of tools for changing the rhythmic feel of your original style the explanations here apply to step 5 of the basic procedure on page 106 p.109
• Style creator p.109
• Groove dynamics easy edit p.109
• G store as a flash style to flash rom by following the on screen instructions p.109
• G select the style and the section p.109
• G edit the groove parameters p.109
• G edit the dynamics parameters p.109
• Style recording full edit p.110
• Style creator p.110
• Style creator p.111
• I style recording bass chord tracks pad phrase recording of the bass phrase pad and chord tracks is unlike recording of the rhythm drum parts in that you have to clear the track data of the original style before record ing p.111
• This section explains various parameters other than the basic ones the explanations here apply to step 5 of the basic procedure on page 106 p.112
• Style editing full edit p.112
• Style creator p.112
• I setup p.112
• I edit p.112
• When you change the chord of the source pattern from the default cm7 to others the chord notes and scale notes will change depending on the currently selected chord type see page 111 for information on chord notes and scale notes p.113
• Style creator p.113
• I parameter edit p.113
• G source root source chord these settings determine the original key of the source pattern i e the key used when recording the pattern the default cm7 the source root is c and the source chord type is m7 is automatically selected whenever the preset data is deleted prior to recording a new style regardless of the source root and chord included in the preset data p.113
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.113
• Ex source chord root of c p.113
• Style creator p.114
• Style creator p.115
• I creating the data p.116
• I connections p.116
• Custom style recording via an external sequence recorder p.116
• You can create custom styles for the psr 9000 using an external sequencer or per sonal computer with sequencing software instead of using the psr 9000 s style creator function p.116
• The initial setup area from 1 2 000 through 1 4 479 is used for voice and effect settings do not include note event data the main a data begins at 2 1 000 any number of mea sures from 1 to 255 can be used all measures must have one of the following time signatures 2 4 3 4 4 4 or 5 4 fill in aa begins from the top of the measure following the last measure of the main a pattern in the chart this is 4 1 00 but this is only an example and the actual timing will depend on the length of main a please note that all fill ins can be only 1 measure in length refer to the sec tion length chart below p.117
• The following charts indicate the valid midi events for both the initial setup data and the pattern data make sure to not enter any events marked with a dash nor any events not listed here p.117
• System exclusive p.117
• Style creator p.117
• Rpn nrpn p.117
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.117
• Channel message p.117
• A template which is handy for creating style data is included on the supplied floppy disk tem plate mid p.117
• The step recording features lets you record notes with absolutely precise timing the procedure is essentially the same as that for song recording with the exception of the points listed below p.118
• Style creator p.118
• Step recording full edit p.118
• Multi pad creator p.119
• Basic procedure p.119
• Multi pad recording p.120
• Multi pad creator p.120
• Turning chord match and repeat on off p.120
• The step recording features lets you record notes with absolutely precise timing the procedure is essentially the same as that for song recording with the exception of the points listed below p.121
• Step recording p.121
• Multi pad creator p.121
• Part settings p.122
• Mixing console p.122
• Basic procedure p.122
• This parameter sets the effect depth for the corresponding part see the next page for details about effects p.123
• This lets you change the voice for each part p.123
• Reference p.123
• O available same as the keyboard transpose button page 138 p.123
• Mixing console p.123
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.123
• Filter p.123
• Effect depth p.123
• Brightness this increases or decreases the brightness of the sound harmonic content this increases or decreases the harmonic content giving the sound more or less punch p.123
• Volume this lets you change the volume of each part and adjust the relative balance among all the parts panpot positions the sound of the specified voice or track from left to right in the stereo sound field equalizer the eq high and eq low controls function in the same way as the treble and bass controls on a sound system boosting or cutting the high or low frequency ranges by the specified amount p.123
• Volume eq p.123
• Transpose allows the pitch to be transposed up or down in semitone incre ments tuning sets the pitch for the corresponding part octave shifts the pitch of the specified part up or down by one or two octaves the value of this parameter is added to the value set via the upper octave button pitch bend range sets the range of the pitch bend wheel for the corresponding part the range is from 0 to 12 with each step corresponding to one semitone portamento time sets the portamento time for the corresponding part only when the part is set to mono page 55 the higher the value the longer the portamento time the portamento effect a smooth slide between notes is produced when the notes are played legato i e a note is held while the next note is played p.123
• With the digital effects built into the psr 9000 you can add ambiance and depth to your music in a variety of ways such as adding reverb that makes you sound like you are playing in a concert hall for a full rich sound p.124
• Mixing console p.124
• I effect block the psr 9000 has 9 independent digital signal processing dsp blocks for effects plus the vocal harmony processor each dsp block applies to a specific part or portion of the psr 9000 sound as listed below the dsp block numbers appear in several locations on the psr 9000 panel and in some of the display screen for easy reference e g reverb 1 chorus 2 dsp 3 dsp 4 etc p.124
• I about the effect connections system and insertion all the effect blocks are connected or routed in one of two ways system or insertion system applies the selected effect to all parts while insertion applies the selected effect to one specific part reverb 1 and chorus 2 are system effects and dsp 4 vocal harmony 9 are insertion effects the dsp 3 effect on the other hand can be config ured for either system or insertion routing this is done from the parameters of the individual effect type see above p.124
• Effect type settings p.124
• Usually an equalizer is used to correct the sound output from amps or speakers to match the special character of the room the sound is divided into several frequency bands allowing you to correct the sound by raising or lowering the level for each band the equalizer allows you to adjust the tone or timbre of the sound to match the performance space or to compensate for certain acoustic characteristics in your room for example you can cut some of the low range frequencies when playing on stages or in large studio spaces where the sound is too boomy or boost the high frequencies in rooms and close spaces where the sound is relatively dead and free of echoes the psr 9000 possesses a high grade five band digital equalizer function with this func tion a final effect tone control can be added to the output of your instrument p.125
• Mixing console p.125
• Master equalizer settings p.125
• G effect signal flow chart p.125
• Connection is set to system p.125
• Connection is set to insertion p.125
• Line out settings p.126
• In general the extensive built in effects and other part controls of the psr 9000 pro vide all you need for processing and mixing complex multi part songs however there may be times in studio recording for instance when you want to sweeten or process a certain voice or sound with a favorite outboard effect unit or record a part to a sepa rate track of a tape recorder the line out settings are designed just for these kinds of applications p.126
• This convenient feature allows you to send the output of a selected part or parts to the line out jacks for drum parts you can even select specific drum sounds to be output through these jacks p.126
• Settings of sub1 and sub2 output the part in mono to the corresponding jack parts output through the sub line out jacks cannot be heard through the phones jack and the speaker system p.126
• Mixing console p.126
• Storage devices compatible with the psr 9000 p.127
• Disk operations p.127
• Basic procedure p.127
• This operation lets you load the specified file from a floppy disk an optional hard disk or an optional scsi device to flash rom the explanations here apply to step 3 of the basic procedure on page 127 p.128
• Loading data from a disk to flash rom p.128
• G select the destination p.128
• G select a source file in the disk p.128
• G select a load method p.128
• G execute the load operation by following the on screen instructions p.128
• Disk operations p.128
• G select the data type to be saved p.129
• G execute the save operation by following the on screen instructions p.129
• Disk operations p.129
• The data types described below can be saved to a floppy disk an optional hard disk or an optional scsi device the explanations here apply to step 3 of the basic procedure on page 127 p.129
• Saving data from flash rom to a disk p.129
• Saving data from flash rom a disk p.129
• G select the destination file in the disk p.129
• The copy file function allows you to copy files to a different directory on the same disk or to another disk the copy floppy disk copy fd function allows you to make complete copies of floppy disks a perfect way to make backup copies of your important data the explanations here apply to step 3 of the basic procedure on page 127 p.130
• G select the source files p.130
• G select the destination device and directory p.130
• G select the desired menu p.130
• G select the data type to be backed up p.130
• Disk operations p.130
• Copying files copying floppy disks p.130
• Backing up restoring the data in flash rom p.130
• Any data that was pre recorded in flash rom will be erased and replaced by the new settings this means that preset setups factory settings will also be erased it is there fore a good idea to save them to disk via the backup function before recording or creat ing your own original data so that you can keep them indefinitely the explanations here apply to step 3 of the basic procedure on page 127 p.130
• Disk operations p.131
• Converting files p.131
• Converting files p.131
• These functions allow you to assign a name to the file and to delete any unnecessary files the explanations here apply to step 3 of the basic procedure on page 127 p.131
• G select the file to be deleted g select the file to be named p.131
• G select the desired menu p.131
• Editing disk files p.131
• The explanations here apply to step 3 of the basic procedure on page 127 p.132
• Setting up commercially available blank floppy disks for use with psr 9000 is called formatting this function is also useful for quickly deleting unnecessary files from an already formatted disk be careful when using this operation since it automatically deletes all data on the disk the explanations here apply to step 3 of the basic procedure on page 127 p.132
• G select the device to be formatted p.132
• G select the desired menu p.132
• Formatting a disk p.132
• Editing directories p.132
• Disk operations p.132
• Disk operations p.133
• Checking disk p.133
• Checking a disk p.133
• Master tuning scale tuning p.134
• Basic procedure p.134
• The psr 9000 functions p.134
• The psr 9000 functions p.135
• The explanations here apply to step 3 of the basic procedure on page 134 p.135
• The explanations here apply to step 3 of the basic procedure on page 101 p.135
• Split point chord fingering p.135
• Foot controller various functions can be assigned to the foot volume switch connected to the foot pedal jacks p.135
• Controller assignment p.135
• The psr 9000 functions p.136
• Functions controlled by the footswitch p.136
• The psr 9000 functions p.137
• I panel controller p.137
• G modulation wheel determines to which of the psr 9000 voices the modulation wheel will apply p.137
• G initial touch with this function the psr 9000 senses how strongly or softly you play the keys and uses that playing strength to affect the sound in various ways depending on the selected voice this allows you to play with greater expressiveness and add effects with your playing tech nique p.137
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.137
• G after touch with this function the psr 9000 senses how much pressure you apply to the keys while playing and uses that pressure to affect the sound in various ways depending on the selected voice this allows you to play with greater expressiveness and add effects with your playing technique p.137
• The psr 9000 functions p.138
• The psr 9000 functions p.139
• The explanations here apply to step 3 of the basic procedure on page 134 p.139
• Registration freeze group voice set settings p.139
• I voice set this function determines whether or not the preset voice effect eq and harmony type settings assigned to each preset voice are recalled when a new voice is selected p.139
• I registration you can enter descriptive names for each registration bank number via the name func tion p.139
• I freeze group you can specify which settings are affected by the freeze function page 28 via this function p.139
• The psr 9000 functions p.140
• The explanations here apply to step 3 of the basic procedure on page 134 p.140
• I about the harmony types p.140
• I about assign p.140
• Harmony echo settings p.140
• Video monitor settings p.141
• This function page includes a number of parameters which affect the microphone sound when the talk button is on the explanations here apply to step 3 of the basic procedure on page 134 p.141
• The psr 9000 functions p.141
• The functions on this page let you set the display characteristics for the lyrics and chords page 67 that are output to a television or video monitor connected to the video out jack page 12 you can set the size and color of the displayed characters as well as the color of the display background the explanations here apply to step 3 of the basic procedure on page 134 p.141
• Talk setting p.141
• Utility settings p.142
• The psr 9000 functions p.142
• The explanations here apply to step 3 of the basic procedure on page 134 p.142
• I configuration p.142
• The psr 9000 functions p.143
• I time p.143
• I language p.143
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.143
• G computer keyboard types for use with the psr 9000 p.143
• What s midi p.144
• Midi functions p.144
• In the rear panel of the psr 9000 there are two kinds of terminals the midi terminals and the to host terminal p.145
• I midi and to host terminals in order to exchange midi data between multiple devices each device must be con nected by a cable there are two ways to connect from the midi terminals of the psr 9000 to the midi terminals of an external device using a midi cable or from the to host port of the psr 9000 to the serial port of a personal computer using a special cable if you connect from the psr 9000 to host terminal to a personal computer the psr 9000 will be used as a midi interface meaning that a dedicated midi interface is not necessary p.145
• G system messages this is data that is used in common by the entire midi system system messages include messages like system exclusive messages that transmit data unique to each instrument manufacturer and realtime messages that control the midi device p.145
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.145
• G channel messages the psr 9000 is an electronic instrument that can handle 32 channels this is usually expressed as it can play 32 instruments at the same time channel messages transmit infor mation such as note on off program change for each of the 32 channels p.145
• The midi b in out terminals function regardless of the setting of the host select switch p.145
• The midi a terminals and the to host terminal are mutually exclusive they cannot be used at the same time use the host select switch to change between the midi a terminals and the to host terminal when the host select switch is set to midi the midi a terminals receive trans mit midi data when the host select switch is set to mac pc 1 or pc 2 the midi a terminals will not receive transmit data p.145
• The messages transmitted received by the psr 9000 are shown in the midi data for mat and midi implementation chart on pages 192 and 208 p.145
• Midi functions p.145
• What you can do with midi p.146
• On the psr 9000 16 channels of midi data can be transmitted received over a single midi cable or over a serial cable using the to host terminal since the psr 9000 features two independent midi ports a and b a total of 32 midi channels can be used simultaneously p.146
• Midi functions p.146
• As you can see it is essential to determine which data is to be sent over which midi channel when transmitting midi data page 151 p.146
• This section covers basic information on data compatibility whether or not other midi devices can playback the data recorded by psr 9000 and whether or not the psr 9000 can playback commercially available song data or song data created for other instruments or on a computer depending on the midi device or data characteristics you may be able to play back the data without any problem or you may have to perform some special operations before the data can be played back if you run into problems playing back data please refer to the information below p.147
• Midi functions p.147
• Midi data compatibility p.147
• Midi compatibility p.147
• I voice allocation format with midi voices are assigned to specific numbers called program numbers the numbering standard order of voice allocation is referred to as the voice allocation format voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible midi device used for playback p.147
• I sequence format sequence format refers to the way in which midi data for playback such as songs and styles is stored to disk a number of popular sequence formats described below are compatible with the psr 9000 playback is only possible when the sequence format of the disk matches that of the midi device p.147
• Connecting to a personal computer p.148
• Connecting the psr 9000 to a computer via the to host terminal or the midi ter minals lets you take advantage of the enormous processing power and editing flexibil ity of computer generated music connection can be done in one of two ways p.148
• Midi functions p.148
• I using the psr 9000 midi terminals using a midi interface device installed in the personal computer connect the midi terminals of the personal computer and the psr 9000 for the connection cable use a special midi cable p.148
• Midi functions p.149
• I using the to host terminal connect the serial port of the personal computer rs 232c terminal or rs 422 termi nal to the to host terminal of the psr 9000 for the connection cable use the appropriate cable below sold separately that matches the personal computer type p.149
• Midi functions p.150
• Basic procedure p.150
• Transmit settings p.151
• System settings p.151
• Midi functions p.151
• Receive settings p.152
• Midi receive mode p.152
• Midi functions p.152
• Storing the midi settings p.153
• Root settings p.153
• Midi functions p.153
• Chord detect settings p.153
• This allows you to store your custom midi settings to flash rom the explanations here apply to step 6 of the basic procedure on page 150 p.153
• The note on off messages received at the channel s set to on are recognized as the fingerings in the accompaniment section the chords to be detected depend on the fin gering mode on the psr 9000 the chords will be detected regardless of the accompa niment on off and split point settings on the psr 9000 panel the explanations here apply to step 5 of the basic procedure on page 150 p.153
• The note on off messages received at the channel s set to on are recognized as the root notes in the accompaniment section the root notes will be detected regardless of the accompaniment on off and split point settings on the psr 9000 panel the explanations here apply to step 5 of the basic procedure on page 150 p.153
• Various functions can be assigned to an optional yamaha mfc10 midi foot controller connected to the psr 9000 connect the mfc10 to the midi b terminals and set the midi channel for the mfc10 messages by following the on screen instructions the psr 9000 provides two ways to set easy setup and full setup p.154
• The explanations here apply to step 5 of the basic procedure on page 150 p.154
• Midi functions p.154
• Mfc10 settings p.154
• I easy setup follow the on screen instructions to call up the template display as shown below p.154
• Midi functions p.155
• I full setup you can create your original settings and store them as a template follow the on screen instructions to call up the template display as shown below p.155
• G select the destination template p.155
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g reference p.155
• G assign various functions to the five footswitches p.155
• G assign various functions to the five foot controllers p.155
• G g g g g g g g g g g g g g g g g g g g p.156
• Appendix p.156
• Troubleshooting p.156
• G g g g g g g g g g g g g g g g g g g g g p.156
• Troubleshooting p.157
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.157
• Appendix p.157
• Optional simm installation p.160
• Installing options installationsoptionen installation des p.160
• Installing options p.160
• Appendix anhang annexe p.160
• Options p.161
• Optionale simm installation p.161
• Installation de modules simm optionnels p.161
• Installing options installationsoptionen installation des options p.162
• Installing options installationsoptionen installation des options p.163
• Optional hard disk installation p.164
• Installing options installationsoptionen installation des options p.164
• Optionale festplatteninstallation p.164
• Installing options installationsoptionen installation des options p.165
• Installation du disque dur optionnel p.165
• Voice list voice liste liste des voix p.166
• Voice list p.166
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.166
• Appendix anhang annexe p.166
• Voice list voice liste liste des voix p.167
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.167
• Appendix anhang annexe p.167
• Voice list voice liste liste des voix p.168
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.168
• Appendix anhang annexe p.168
• Voice list voice liste liste des voix p.169
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.169
• Appendix anhang annexe p.169
• Voice list voice liste liste des voix p.170
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.170
• Appendix anhang annexe p.170
• Voice list voice liste liste des voix p.171
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.171
• Appendix anhang annexe p.171
• Voice list voice liste liste des voix p.172
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.172
• Appendix anhang annexe p.172
• Voice list voice liste liste des voix p.173
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.173
• Appendix anhang annexe p.173
• Keyboard drum assignments klaviatur drum belegung p.174
• Keyboard drum assignments p.174
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.174
• Appendix anhang annexe p.174
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.175
• Appendix anhang annexe p.175
• Affectation des percussions de clavier p.175
• Style stil voreinstellung style présélectionné p.176
• Style stil blitz style flash p.176
• Style list style liste liste des styles p.176
• Style list p.176
• G prese p.176
• G flash p.176
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.176
• Multi pad bank list multi pad bank liste liste des banques multi pads p.177
• Multi pad bank list p.177
• Appendix anhang annexe p.177
• Parameter chart p.178
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.178
• Appendix anhang annexe p.178
• Parameter chart parametertabelle tableau des p.178
• Paramétres p.179
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.179
• Appendix anhang annexe p.179
• Parameter chart parametertabelle tableau des paramétres p.180
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.180
• Appendix anhang annexe p.180
• Parameter chart parametertabelle tableau des paramétres p.181
• Microphone p.181
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.181
• Appendix anhang annexe p.181
• Parameter chart parametertabelle tableau des paramétres p.182
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.182
• Appendix anhang annexe p.182
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.183
• Appendix anhang annexe p.183
• Video out p.183
• Utility p.183
• Registration memory p.183
• Parameter chart parametertabelle tableau des paramétres p.183
• Other settings p.183
• Multi pad p.183
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.184
• Effect type list effekttypenliste liste des types d effet p.184
• Effect type list p.184
• Appendix anhang annexe p.184
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.185
• Effect type list effekttypenliste liste des types d effet p.185
• Appendix anhang annexe p.185
• Effect parameter list liste der effektparameter liste p.186
• Effect parameter list p.186
• Appendix anhang annexe p.186
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.186
• Tremolo variation insertion block msb 70 p.187
• Symphonic chorus variation insertion block msb 68 p.187
• Rotary speaker variation insertion block msb 69 lsb 0 16 p.187
• Phaser 2 variation insertion1 4 block msb 72 lsb 8 p.187
• Phaser 1 chorus variation insertion block msb 72 lsb 0 16 17 18 p.187
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.187
• Flanger1 2 3 chorus variation insertion block msb 67 p.187
• Distortion rotary speaker variation insertion1 4 block msb 69 lsb 1 overdrive rotary speaker variation insertion1 4 block msb 69 lsb 2 p.187
• Distortion msb 73 lsb 0 overdrive variation insertion block msb 74 p.187
• Des paramètres d effet de voix p.187
• Comp dist variation insertion1 4 block msb 73 lsb 1 16 p.187
• Chorus1 2 3 4 msb 65 celeste1 2 3 4 chorus variation insertion block msb 66 p.187
• Auto pan variation insertion block msb 71 p.187
• Appendix anhang annexe p.187
• Amp sim rotary speaker variation insertion1 4 block msb 69 lsb 3 p.187
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.188
• Effect parameter list liste der effektparameter liste des paramètres d effet de voix p.188
• Appendix anhang annexe p.188
• Talking modulation variation insertion1 4 block msb 93 p.189
• Noise gate variation insertion block msb 84 p.189
• Lo fi variation insertion1 4 block msb 94 p.189
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.189
• Ensemble detune chorus variation insertion block msb 87 p.189
• Effect parameter list liste der effektparameter liste des paramètres d effet de voix p.189
• Dist delay variation insertion1 4 block overdrive delay variation insertion1 4 block msb 95 p.189
• Dist 2way rotary speaker variation insertion1 4 block msb 86 lsb 1 od 2way rotary speaker variation insertion1 4 block msb 86 lsb 2 p.189
• Compressor variation insertion block msb 83 p.189
• Comp dist delay variation insertion1 4 block comp overdrive delay variation insertion1 4 block msb 96 p.189
• Appendix anhang annexe p.189
• Amp sim 2way rotary sp variation insertion1 4 block msb 86 lsb 3 p.189
• Ambience variation insertion1 4 block msb 88 p.189
• Way rotary speaker variation insertion1 4 block msb 86 lsb 0 p.189
• Voice cancel variation insertion1 4 block msb 85 p.189
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.190
• Effect parameter list liste der effektparameter liste des paramètres d effet de voix p.190
• Appendix anhang annexe p.190
• Table 2 modulation delay offset p.191
• Table 14 tempo delay p.191
• Table 13 sampling freq control p.191
• Table 12 wah release time p.191
• Table 11 reverb width depth height p.191
• Table 10 compressor ratio p.191
• Table 1 lfo frequency p.191
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.191
• Effect data value assign table effektdaten zuordnungstabelle table d affectation des valeurs pour les données d effets p.191
• Table 9 compressor release time p.191
• Effect data value assign table p.191
• Table 8 compressor attack time p.191
• Appendix anhang annexe p.191
• Table 7 delay time 400 ms p.191
• Table 6 room size p.191
• Table 5 delay time 200 ms p.191
• Table 4 reverb time p.191
• Table 3 eq frequency p.191
• Midi data format midi datenformat format de données p.192
• Midi data format p.192
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.192
• Appendix anhang annexe p.192
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.193
• Channel mode realtime messages kanal modus realtime meldungen messages canal de mode temps réel p.193
• Appendix anhang annexe p.193
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.194
• Appendix anhang annexe p.194
• Nrpn vocalharmony p.194
• Midi data format midi datenformat format de données midi p.194
• System exclusive messages systemexklusive meldungen messages exclusifs au système p.195
• System exclusive messages p.195
• Midi data format midi datenformat format de données midi p.195
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.195
• Appendix anhang annexe p.195
• System exclusive messages xg standard p.196
• System exclusive messages universal system exclusive p.196
• Midi data format midi datenformat format de données midi p.196
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.196
• System exclusive messages special operators p.197
• System exclusive messages clavinova compliance p.197
• Midi data format midi datenformat format de données midi p.197
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.197
• Appendix anhang annexe p.197
• System exclusive messages the other p.198
• System exclusive messages special operators vocal harmony additional parameters p.198
• Midi data format midi datenformat format de données midi p.198
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.198
• Midi parameter change table änderungstabelle der midi parameter tableau des changements de paramètres midi p.199
• Midi parameter change table system information p.199
• Midi parameter change table system p.199
• Midi parameter change table effect 1 p.199
• Midi data format midi datenformat format de données midi p.199
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g appendix anhang annexe p.199
• Midi parameter change table master eq p.200
• Midi parameter change table effect 2 p.200
• Midi data format midi datenformat format de données midi p.200
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.200
• Midi data format midi datenformat format de données midi p.201
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g appendix anhang annexe p.201
• Midi parameter change table special effect p.202
• Midi parameter change table multi part p.202
• Midi parameter change table display data p.202
• Midi data format midi datenformat format de données midi p.202
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.202
• X x x x x x p.203
• X o o o o o p.203
• Midi data format midi datenformat format de données midi p.203
• Keyboard p.203
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g appendix anhang annexe p.203
• Xg additional parameter change table multi part p.204
• Midi data format midi datenformat format de données midi p.204
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.204
• Midi parameter change table a d part p.205
• Midi data format midi datenformat format de données midi p.205
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g appendix anhang annexe p.205
• Xg additional parameter change table drum setup p.206
• Midi parameter change table drum setup p.206
• Midi data format midi datenformat format de données midi p.206
• Appendix anhang annexe g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.206
• Midi data format midi datenformat format de données midi p.207
• Midi b out p.207
• Midi b in p.207
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g appendix anhang annexe p.207
• Functions of the midi b port when connected to the mfc10 funktionen des midi b ports bei verbindung mit dem mfc10 fonctions du port midi b lors de la connexion au mfc10 p.207
• Yamaha portable keyboard date 9 sep 1999 model psr 9000 midi implementation chart version 1 p.208
• Transmitted recognized remarks p.208
• Midi implementation chart midi implementierungstabelle p.208
• Midi implementation chart p.208
• Function p.208
• Default 3 3 mode messages x x altered x p.208
• Basic default 1 16 1 1 16 2 channel changed 1 16 1 1 16 2 p.208
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.209
• Feuille d implémentation midi p.209
• Appendix anhang annexe p.209
• Specifications p.210
• Sampling p.210
• Registration memory p.210
• Polyphony p.210
• Orchestration p.210
• One touch setting p.210
• Music database p.210
• Multi pads p.210
• Keyboard p.210
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.210
• Effects p.210
• Auto accompaniment p.210
• Appendix anhang annexe p.210
• Voices p.210
• Specifications spezifikationen spécifications p.210
• Supplied accessories p.211
• Specifications spezifikationen spécifications p.211
• Speakers p.211
• Power supply p.211
• Optional accessories p.211
• Language p.211
• G g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g g p.211
• Display p.211
• Disk storage p.211
• Dimensions p.211
• Demo songs p.211
• Connectors p.211
• Appendix anhang annexe p.211
• Amplifier p.211
• Weight p.211
• Important notice for the united kingdom p.212
• Fcc information u s a p.212
• Connecting the plug and cord p.212
• Caution p.212
• Attention p.212
• The netherlands p.213
• Middle east p.213
• Denmark p.213
• Thailand p.213
• Mexico p.213
• Countries and trust territories in pacific ocean p.213
• Taiwan p.213
• Malaysia p.213
• Central south america p.213
• Sweden p.213
• Ireland p.213
• Canada p.213
• Spain portugal p.213
• Indonesia p.213
• Brazil p.213
• Iceland p.213
• Belgium p.213
• Singapore p.213
• Http www yamaha co jp english product pk p.213
• Austria p.213
• Pour plus de détails sur les produits veuillez vous adresser à yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante p.213
• Hong kong p.213
• Australia p.213
• Philippines p.213
• Head office p.213
• Argentina p.213
• Para detalles sobre productos contacte su tienda yamaha más cercana o el distribuidor autorizado que se lista debajo p.213
• Greece p.213
• Africa p.213
• Panama and other latin american countries caribbean countries p.213
• Other european countries p.213
• Germany switzerland p.213
• Other countries p.213
• France p.213
• Yamaha pk club portable keyboard home page p.213
• Oceania p.213
• For details of products please contact your nearest yamaha or the authorized distributor listed below p.213
• Turkey cyprus p.213
• Norway p.213
• Finland p.213
• The united kingdom p.213
• North america p.213
• Europe p.213
• The people s republic of china and other asian countries p.213
• New zealand p.213
• Die einzelheiten zu produkten sind bei ihrer unten aufgeführten niederlassung und bei yamaha vertragshändlern in den jeweiligen bestimmungsländern erhältlich p.213