PRESONUS S1 Artist 3.0 [223/307] Studio one reference manual

Sync Optional Sync mode for LFO Speed.

Sync disengaged results result in Speed expressed as frequency, from 0.01 Hz to 5 Hz.

Sync engaged results in Speed expressed as beats, from 4/1 to 1/64, with triplet and dotted-time vari-

ants.

Synced LFO and synced delay with LFO slower than delay means that modulation is not perceptible (except with high

inertia).

Damping

Low Cut Filters frequencies below this value from the delayed signal. Variable from Off to 20 Hz to 3.2 kHz. Filter

is 6 dB per octave.

High Cut Filters frequencies above this value from the delayed signal. Variable from 400 Hz to 16 kHz to Off. Fil-

ter is 6 dB per octave.

Feed

Feedback Feedback percentage; that is, the amount of delayed signal to be fed back into the delay input. Vari-

able from 0 to 100%.

Boost Enable this parameter to boost feedback levels.

Width Regulates the stereo width of the delay feedback. Variable from inverted stereo (ping pong) to full stereo

width. Select Lor Rfor stereo ping-pong effects. Select [C] for a mono delay.

L/C/R Select the channel (or combination of channels) that feeds the delay. In ping pong mode, selecting

[L] or [R] produces two opposite delay panning effects. Click [C] to feed a mono-summed mix of both

channels into the delay.

Sat Saturation; emulates tape saturation. Variable percentage from 0 to 100%.

Mix Adjusts the mix of processed signal and the original dry signal. Variable from 0 to 100%. A setting of 100% is

likely to increase feedback.

Beat Delay

The Beat Delay is a tempo-synced delay with optional cross-delay and filtered feedback. Use this effect for

adding/changing the feel of rhythmic parts (e.g., adding off-beats) or “spatially doubling” parts (for instance, slap-back

echo). Beat Delay has the following parameters:

Cross Delay When not set to Off (center), the input is sent, in mono, to the left or right channel, with a delayed sig-

nal sent to the other channel. Variable from L 50 ms (right channel dry, left channel delayed 50 ms) to R 50 ms

(left channel dry, right channel delayed 50 ms). Extreme left or right settings create a pronounced stereo effect.

Beats Delay time expressed as beats. Variable from 4/1 to 1/64, with triplet and dotted-time variants.

Offset Adjusts a time offset from -30 to+30% of the specified Beats value.

Pingfactor Applies a multiplier to delay time, in line with a variety of rhythmic subdivisions.

Feedback Percentage of delayed signal added back into the delay input. Variable from 0 to 99.99%.

216│Studio One Reference Manual