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Multi Edit Mode

CONTROLS Page

9-22

Mode

Continuous Controllers have two modes: O, or MIDI CC.

With a value of O, the controller is disabled for this zone.

With a value of MIDI CC, the controller has the ability to transmit MIDI control messages.

Scale

After you’ve selected a continuous physical controller, you can modify the controller’s

response in a similar way that you can modify velocity response.

Scale lets you amplify or diminish the action of the controller. Full scale is 100%. Higher

values will make the controller more sensitive, and lower values will make it less so. Setting

the scale to a negative number makes the controller action work in reverse. As with velocity,

you can use a controller to crossfade between two zones by setting the scaling for one zone

positive and the other negative. Maximum scale values are +300% and -300%.

Add

is adds or subtracts a constant to the controller, and at the same time sets minimum or

maximum values. If Add is 25, the minimum value of the controller will be 25. If it is -25

(and scale is 100%) the rst one-fth of the controller’s movement (25/127 ≈ 1/5) will send a

value of 0, and the maximum value of the controller will be 102 (= 127-25). As with velocity,

Scale is a proportional change to the controller, while Add is a linear change. e values for

Add range from -128 to 127.

Curve

e Curve parameter lets you taper the velocity response. e default setting is Linear,

which means that the output velocity changes directly proportionally to the played velocity.

Expand produces a curve that is less steep than the linear curve at keystrike velocities below

64, and steeper than the linear curve at keystrike velocities above 64. In other words, when

you’re playing softly, you’ll notice velocity dierences less than with a linear curve, while

when you’re playing hard, you’ll notice velocity dierences more.

Compress produces a velocity curve that is the opposite of the expanded curve—that is,

you’ll notice velocity dierences more when you’re playing softly than when you’re playing

hard.

Crossfade is designed to be used in tandem with the Reverse Crossfade curve, enabling you

to perform smooth crossfades between dierent programs.

Bump tapers velocity response to resemble a bell curve, so that notes are loudest when your

keystrike velocity is 64. Notes get softer as the keystrike velocity approaches 0 or 127.