Tc Electronic G-FORCE [8/63] From a users point of view
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FROM A USERS POINT OF VIEW
6
Foreword by Palle Schultz, a guitar player with 10 years experience.
From a users point of view
If you ditch your beloved stomp boxes and invest your money in a
multi- effects unit, you'll most likely lose the simplicity and flexibility of
your pedal arrangement. You'll often have to deal with phone book
sized manuals and interfaces made by and for computer experts.
These circumstances often drive creative people and musicians away
from such space-age machinery.
I've owned several different effect units, that each had their own
version of a hostile user interface so I've been waiting a long time for
someone to develop a multi-effect that doesn't clash with ones creative
state of mind. The fact that those "someone" are the people of TC
Electronic guaranties the quality of the entire product.
The G-FORCE is a very flexible machine which is very easy to
approach. You have the choice of simply using it as a linear chain of
effects or you can go beyond the use of any known multi-effect unit,
and explore the countless combinations and control possibilities within
the G-FORCE.
After a short while of using the G-Force, I changed my whole approach
towards the creation of effects for my guitar. From simple use of
standard effects like delay, chorus and reverb connected in a straight
line, I now find myself thinking up a non-existing effect like say; a
tremolo that only kicks in when you play on the high notes, while the
level of a phased distorted dark delay is controlled by your old volume
pedal that you calibrated for use with your G-FORCE.
If you are totally new to digital machinery like the G-FORCE, and are a
hard-core knob turner but get frustrated dealing with scroll bars, LCD-
displays and strange technical terms, then you have ended up buying
the right product. The TC Electronic G-FORCE is so easy to use that
it’s a bit ridiculous that this manual even exists. When you cruise
around the G-FORCE, and want a certain thing to happen and have a
feeling that this particular parameter is the right one to adjust, then
you're most probably right. The way you learn this machine is by using
it, don't be afraid of tweaking anything to its maximum, the edges are
the learning spot and from there you either take a fall or a step back.
The cool thing about the G-FORCE is that you won't hurt yourself, if
you go over the edge, but you might end up with the strangest or
coolest new effect you ever heard.
One very pleasing side effect of owning a G-FORCE is the dramatically
lighter rack you'll end up with. Mine certainly slimmed down to a tiny
Formula One sized powerhouse.
Palle Schultz
Содержание
- User s manual 1
- Important safety instructions 3
- Important safety instructions 4
- 6 7 8 10 11 12 16 17 18 29 21 25 29 31 32 33 48 49 50 51 52 54 5
- Table of contents 5
- About this manual 7
- Congratulations 7
- Welcome 7
- From a users point of view 8
- Editing 9
- General control 9
- Input output 9
- Quick reference 9
- Quick store 9
- Recall 9
- Setting up an expression pedal 9
- Setting up your midi board 9
- The front panel 10
- The rear panel 12
- The signal flow 13
- How to 14
- How to build a user preset 14
- How to 15
- How to connect the modifiers 15
- How to 16
- How to set up an expression pedal 16
- How to 17
- How to recall a single block from an existing preset 17
- How to set up my midi board 17
- G force setup 18
- Setups 18
- General 19
- Recall 19
- Recalling a preset 19
- Recalling a single effect 19
- The recall display 19
- Delete 20
- Store a new user preset 20
- The letterbox 20
- Using a memory card 20
- Effects 21
- Editing an effect 22
- Effects 22
- I o setup 23
- I o setup 24
- Ext controllers 25
- I o setup 25
- How the modifiers are connected 26
- I o setup 26
- Setting up an expression pedal 26
- Matrix 27
- Modifier 27
- Envelope follower 28
- Modifier 28
- Modifiers 28
- Adsr 1 2 29
- Lfo 1 2 29
- Modifier 29
- Config 30
- Modifier utility 30
- Utility 30
- Utility 31
- Billboard 32
- Utility 32
- The tuner display 34
- Algorithms 35
- The blocks 35
- Compressor 36
- Filters 36
- The blocks 36
- Parametric equalizer 37
- Resonance 37
- The blocks 37
- Formant filters 38
- The blocks 38
- Wah wah 38
- Pan trem block 39
- Phaser 39
- The blocks 39
- Tremolo 39
- Panner 40
- The blocks 40
- The blocks 41
- The pitch block 41
- Fixed 1 2 voice pitch 42
- The blocks 42
- Voice 2 octave 42
- Detune 43
- Stereo delay 43
- The blocks 43
- The blocks 44
- Dual two tap delay 45
- The blocks 45
- One tap delay 46
- The blocks 46
- Quad tap delay 47
- The blocks 47
- The drive 47
- Classic chorus 48
- The blocks 48
- The chorus flanger block 48
- Advanced chorus 49
- Flanger classic 49
- The blocks 49
- Advanced flanger 50
- The blocks 50
- The blocks 51
- The reverb block 51
- The blocks 52
- Output 53
- Simple reverb 53
- The blocks 53
- How to enter the reset page 54
- The reset page 54
- Technical specifications 55
- Troubleshooting 56
- Midi implementation chart 57
- Self test 58
- Preset list 59
- Preset list 60
- Preset list 61
- Preset list 62
- Preset list 63
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