LINE 6 Relay G75 [17/40] Setting the cable tone feature

5•4

How To...

Relay G70/G75 Advanced Guide

• If other players in your band or production are using 2.4GHz devices, make sure

their devices are powered On and transmitting when you do the Auto Scan. This

allows the Scan to identify the existing Transmitter devices’ Channels and choose

another, unused Channel for your device.

• Turn the Encoder to AUTO and press the Encoder button. The Receiver will scan

the radio spectrum, determine the best Channel, and return that information for you

to accept or discard.

Setting the Cable Tone Feature

Unlike other wireless systems, Relay never compresses your signal—you always get full

frequency response and wide dynamic range. Players who traditionally use long guitar cables

may nd the Relay system to sound “bright” as a result. The Cable Tone feature allows you

to replicate the unique treble roll o that guitar cables naturally create, in varying lengths from

3’-100’, and save the setting in each Scene.

• While in Edit Mode, select “CableTone” and press the Nav/Select Encoder.

• Choose to toggle the feature O, or select the desired cable length (displayed in feet

and meters) - longer lengths aect the tone more dramatically.

• Press the Nav/Select Encoder to commit your cable length selection.

15'(5m)

CableTone

Channel

Rename? SCENE2

Edit Mode - CableTone parameter selected

Conguring the Receiver Outputs A, B and C

Your Relay Receiver oers three audio Outputs, allowing you to create custom routing options

and save each within a Scene. You may use any one, or any combination of all three of these

Outputs in any Scene.

As an example setup, you may want one Scene for an acoustic guitar, where you would set

the Output C (XLR) to run directly to the PA mixing board. You may want another Scene for

your electric guitar, where you would set Output A (1/4”) to run into your pedalboard/guitar

amp. Further, you could also utilize Output B (1/4”) to feed the same electric guitar signal

simultaneously to another amp. If you own multiple Transmitters, this Output routing can be

even more useful, allowing you to save custom routing Scenes for each Transmitter (please

see “Example Hook Up Diagrams” on page 6•4). Follow these steps to congure the

Output options for a Scene:

• While in Edit Mode, select “Output” and press the Nav/Select Encoder.

• Choose the hardware output (A, B, C, or any combined option) for the Scene. Or,

select MUTE to mute all outputs (it can be useful to have a completely muted Scene

available that you can switch to, should you need to silently unplug cables, such as

when moving a Transmitter from one instrument to another during the gig).