Arturia KeyLab 88 MkII [74/89] Encoder control

Arturia KeyLab 88 MkII [74/89] Encoder control
8.7.2. Encoder Control
Name: Lets you enter a custom name for the encoder, which will be shown on the
display when the knob is used. The name can be a maximum of 12 characters
long.
Option: This lets you change the encoders' response from Absolute to Relative
#1-3 [p.69].
Acceleration: This parameter alters how the rotary encoder responds to the
speed with which you turn it. This can be set as:
None:
The encoders move at a set speed and do not accelerate.
Medium:
The encoders will accelerate when moved faster.
Fast:
The encoders will accelerate quickly when moved faster.
1:1:
The encoders will precisely match the speed that you turn the
rotary knob.
Channel: Select the MIDI channel output for the selected encoder, between 1 to
16. This can also be set to “User”, which will make the encoder output to the MIDI
channel selected for the MIDI Ch button [p.64].
CC Number: The selected encoder can be set to transmit any MIDI CC# between
0-127. Many MIDI CC numbers are named within the drop-down menu to identify
standard uses.
Min Value & Max Value: These parameters let you set the minimum and
maximum range of the selected encoder. Click and drag the knobs or enter a
value in the fields below them to set the range.
: Setting the Min & Max Values of the encoders is a great way of ensuring you only ever move within
the preferred range of a synth parameter, such as its output level, for example.
8.7.2.1. Relative control
The "Relative" control options send only a few values to indicate direction and speed as the
encoder is turned.
To be specific, a “relative” setting sends values 61-63 when turned in a negative direction
and values 65-67 when turned in a positive direction. The turn speed determines which
value is sent. Refer to the documentation of the target instrument to see if it can respond
appropriately to these commands.
When configured this way, movements of the encoder will cause the target parameter
to change by starting at its current setting, rather than being an “absolute” control and
snapping it to some other value as soon as you start to move it.
This can be a great feature when controlling parameters like volume, filter, or effect controls,
since you may not want them to jump noticeably from their current setting when they are
modified.
69 Arturia - User Manual KeyLab MkII - MIDI Control Center

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