![Yamaha PSR-4000 [89/165] Custom voice edit](/img/pdf.png)
Yamaha PSR-4000 [89/165] Custom voice edit
![Yamaha PSR-4000 [89/165] Custom voice edit](/views2/2009444/page89/bg59.png)
85
Custom Voice Edit
E3:ENVELOPE
■ AMPLITUDE ENVELOPE .....................................................................................................................................................
The AMPLITUDE ENVELOPE LCD [▲/▼]
controls are used to set the amplitude envelope
RATE and LEVEL parameters. Use the RATE or
LEVEL LCD button to select the corresponding
group of parameters.
RATE
These parameters set the rate of output level
variation. Higher values produce faster variation.
A
TTACK: Sets the speed of variation from key-on to
the maximum attack level.
D
ECAY1, DECAY2, DECAY3: Set the speed of varia-
tion between the maximum attack level and the
levels set by the LEVEL D
ECAY1, DECAY2, and
D
ECAY3 parameters, respectively.
R
ELEASE1: Sets the rate of variation from the level at
key-release to level 0 when SUSTAIN is off.
S
USTAIN: Sets the rate of variation from the level at
key-release to level 0 when SUSTAIN is on.
LEVEL
These parameters sets the envelope output level.
Higher values produce higher output.
The A
TTACK level is fixed at maximum and cannot be
changed.
D
ECAY1, DECAY2, DECAY3: Set the levels after
D
ECAY1, DECAY2, and DECAY3 variation.
TIME
LEVELLEVEL
TIME
e.g. Some PIANO voice can be
assigned in this point.
Содержание
- Caution 2
- Special message section 2
- Changing the a split poin 4
- Changing the l split poin 4
- Congratulations 4
- Connections music stand 4
- Contents 4
- Expression effects 4
- Keyboard percussio 4
- Octave chang 4
- One touch setting 4
- Panel controls 4
- Playing the psr 4000 4
- Recalling the registered panel setting 4
- Registering the panel setting 4
- Registration memory 4
- Selecting playing voice 4
- Song playbac 4
- Song playback recording 4
- Song recordin 4
- Taking care of your portatone 4
- The arranger button 4
- The chord assist functio 4
- The demonstration 4
- The display multi function control 4
- The freeze functio 4
- The multi pads 4
- The percussion mod 4
- The phrase chord mod 4
- The psr 4000 display display based controls 4
- The random single demo play mode 4
- Transpose tun 4
- Transposition tuning octave change 4
- Using the accompaniment section 4
- You are the proud owner of an extraordinary electronic keyboard the yamaha psr 4000 portatone combines the most advanced awm tone generation technol ogy with state of the art digital electronics and features to give you stunning sound quality with maximum musical enjoyment the advanced auto accompaniment and one touch setting features in particular are brilliant examples of how yamaha technology can significantly expand your musical horizons a new large size graphic display and easy to use interface also greatly enhance the operability of this advanced instrument in order to make the most of your portatone s features and vast performance potential we urge you to read the manuals thoroughly while trying out the various features described keep the manuals in a safe place for later reference 4
- Custom accompaniment 5
- Custom voice edit 5
- Delete file son 5
- Disk operations 5
- Engaging the easy full edit mod 5
- F1 scale arabic voice par 5
- F2 split point abc mode 5
- F3 controller 5
- F4 style revoice 5
- F6 harmony registration 5
- F7 utility 5
- F8 midi 5
- Fingering char 5
- Format f 5
- General function selection editing procedur 5
- Load from dis 5
- Midi data forma 5
- Midi implementation char 5
- Multi pad 5
- Panel control 121 5
- Percussion kit lis 5
- Receive 120 5
- Rename file son 5
- Reverb chorus dsp effect 5
- Save to dis 5
- Setup parameter 5
- Song cop 5
- Specification 5
- Style lis 5
- The drum kit edit mod 5
- The dsp effects parameter 5
- The easy edit parameter 5
- The full edit parameter 5
- The psr 4000 functions 5
- Transmit 118 5
- Troubleshootin 5
- Voice lis 5
- I cleaning 6
- I data backup 6
- I electrical interference 6
- I handling and transport 6
- I location 6
- I memory backup batteries 6
- I power supply 6
- Taking care of your portatone 6
- Turn power off when making connections 6
- Your portatone will give you years of playing pleasure if you follow the simple rules given below 6
- Floppy disks the disk drive 7
- I clean the read write head regularly 7
- I disk insertion removal 7
- I floppy disk handling storage 7
- I protecting your data 7
- I service and modification 7
- I type of disk 7
- Taking care of your portatone 7
- Panel controls 8
- Phones 8
- Panel controls 9
- Check the voltage before you connect the ac cord 10
- Connections music stand 10
- Foot switch 1 and 2 jack 10
- The aux out l l r and r jack 10
- The phones jac 10
- Connections music stand 11
- Foot volume jac 11
- Midi in thru and out connector 11
- The music stand 11
- Exit when done 12
- Press the demo butto 12
- Set an initial volume leve 12
- Start stop playback as required 12
- Switch o 12
- The demonstration 12
- Exit when don 13
- Select a play mod 13
- Select a son 13
- Start stop playback as require 13
- The demonstration 13
- The random single demo play modes 13
- Turn the repeat mode on or of 13
- The display multi function controls 14
- The psr 4000 display display based controls 14
- The lcd contrast contro 15
- The list hold butto 15
- The psr 4000 display display based controls 15
- I before you begin 16
- Playing the psr 4000 16
- Selecting playing voices 16
- Playing the psr 4000 17
- Select the orchestra parts you want to pla 17
- Set initial volume level 17
- If you press the easy setting lcd button before it disappears the easy setting display for that part will appear providing access to the split point parameters as well as the individual octave pan and tune parameters for that part these same param eters can be accessed via the function displays page 98 but the easy setting displays offer an easier more efficient way to set these parameters when selecting parts the easy setting display for a part that is already on can be accessed by pressing the easy setting lcd button while holding the corresponding part button in this case the part button indicator will not go out when the button is released see the following pages for details on each of the orchestra part easy setting parameters 18
- Playing the psr 4000 18
- Select a voice or voice 18
- To select a right 1 or right 2 voice use the right orchestra voice selectors to select a lead voice use the lead voice selectors and to select a left voice use the left orchestra voice selectors when selecting a right 1 or right 2 voice it is also necessary to press the r1 or r2 part select button prior to actually selecting the voice according to whether you want to select a right 1 or right 2 voice this is not necessary if the r1 or r2 indicator for the part you want to select is already lit use the voice group buttons to select the group from which you want to select a voice the corresponding voice display will appear 18
- Keyboard percussion 19
- Play adjust volum 19
- Playing the psr 4000 19
- Changing the l split point 20
- Playing the psr 4000 20
- Return to the previous display when done 20
- Select an orchestra part easy setting displa 20
- Set the split poin 20
- Transpose tune 21
- Transposition tuning octave change 21
- Octave change 22
- Transposition tuning octave change 22
- Select the desired abc mod 23
- Turn abc o 23
- Using the accompaniment section 23
- G fingered 1 fc1 24
- G fingered 2 fc2 24
- G single finger sf 24
- Using the accompaniment section 24
- G auto midi bass 25
- G full keyboard 25
- G manual midi bass 25
- Using the accompaniment section 25
- Select a styl 26
- Set the temp 26
- Using the accompaniment section 26
- Start the accompanimen 27
- Using the accompaniment section 27
- Play on the abc section of the keyboar 28
- Select sections as require 28
- Using the accompaniment section 28
- Stop the accompanimen 29
- Use fill in 29
- Using the accompaniment section 29
- Accompaniment volum 30
- Fade ins and fade out 30
- The auto mute functio 30
- Using the accompaniment section 30
- Changing the a split point 31
- Return to the previous display when don 31
- Select the abc easy setting displa 31
- Set the split poin 31
- Using the accompaniment section 31
- Select the chord assist functio 32
- Select the chord root and typ 32
- Start the accompanimen 32
- The chord assist function 32
- Using the accompaniment section 32
- Exit when don 33
- Hear the chor 33
- Invert the fingering as necessar 33
- Stop the accompanimen 33
- Using the accompaniment section 33
- The arranger buttons 34
- Using the accompaniment section 34
- Engage the one touch setting featur 35
- One touch setting 35
- Adjust the settings if necessar 36
- One touch setting 36
- The tempo set functio 36
- Expression effects 37
- Harmon 37
- Sustai 37
- Touch respons 37
- Dsp effect 38
- Expression effects 38
- Expression effects 39
- Left hol 39
- Modulation whee 39
- Pitch bend whee 39
- The multi pads 40
- The phrase chord mode 40
- The phrase pads pads 1 4 40
- Recording phrase 41
- The multi pads 41
- Phrase playbac 42
- Recording chord 42
- The chord pads pads 5 8 42
- The multi pads 42
- Chord playbac 43
- The multi pads 43
- G chord match 44
- G repeat 44
- The multi pads 44
- The repeat chord match setting 44
- Assigning different instruments to the percussion pad 45
- The multi pads 45
- The percussion mode 45
- Playing the percussion pad 46
- The multi pads 46
- Registering the panel settings 47
- Registration memory 47
- Enter a nam 48
- Entering a registration name 48
- Exit when don 48
- Registration memory 48
- Select the name functio 48
- Recalling the registered panel settings 49
- Registration memory 49
- Registration memory 50
- The freeze function 50
- The freeze group settings 50
- Song playback 51
- Song playback recording 51
- Pause fast forward revers 52
- Select a play mod 52
- Song playback recording 52
- Start stop playbac 52
- Chain playback 53
- Delete songs as require 53
- Press the make chain lcd butto 53
- Select and insert the required song 53
- Song playback recording 53
- Return to the song select displa 54
- Save the chain list if necessar 54
- Song playback recording 54
- Volume mute solo settings 54
- Song playback recording 55
- Engage the song record mod 56
- Insert a recordable dis 56
- Select a son 56
- Song playback recording 56
- Song recording 56
- Enter a song name if necessar 57
- Select a record mod 57
- Song playback recording 57
- Quick record 58
- Set the track mode 58
- Set up for the recordin 58
- Song playback recording 58
- Song playback recording 59
- Start recordin 59
- Stop recordin 59
- Turn the metronome on if require 59
- Exitin 60
- Playbac 60
- Song playback recording 60
- The track indicator 60
- Track delet 60
- Chord step recording 61
- Select an entry poin 61
- Song playback recording 61
- Specify a chord volume change or other even 61
- Deleting event 62
- Enter the specified event s 62
- Repeat until don 62
- Song playback recording 62
- Quick record mode edit functions 63
- Song delet 63
- Song playback recording 63
- Change the track parts if require 64
- Multitrack record 64
- Set the track mode 64
- Song playback recording 64
- Set up for the recordin 65
- Song playback recording 65
- Start recordin 65
- Stop recordin 65
- Recording effect 66
- Song playback recording 66
- The track indicator 66
- Track delet 66
- Exitin 67
- Playbac 67
- Punch in recording 67
- Select a trac 67
- Song playback recording 67
- Engage the record mod 68
- Locate the punch in poin 68
- Select a start trigger typ 68
- Song playback recording 68
- Turn the metronome on if require 68
- Song playback recording 69
- Start playbac 69
- Start recording at the punch in poin 69
- Stop recordin 69
- Multitrack record mode edit functions 70
- Quantiz 70
- Song playback recording 70
- Track volume control 70
- Song playback recording 71
- Track copy mi 71
- Initial edi 72
- Song delet 72
- Song playback recording 72
- Custom accompaniment 73
- Engage the custom accomp record mod 73
- Select a styl 73
- Select the section you want to recor 73
- Copy the data for the a or b variatio 74
- Custom accompaniment 74
- Enter a style name if necessar 74
- Go to the part record display and set up the track 74
- Change the time signature number of measures if require 75
- Custom accompaniment 75
- Custom accompaniment 76
- Record the selected par 76
- Repeat until all parts have been recorde 76
- Set the part volume level 76
- Custom accompaniment 77
- Effects 77
- Exit when don 77
- Go on to effects edit and stor 77
- Reverb dept 77
- Chorus type dept 78
- Custom accompaniment 78
- Custom accompaniment 79
- Quantiz 79
- Custom accompaniment 80
- Remove even 80
- Clear custom styl 81
- Custom accompaniment 81
- Store clear 81
- Custom voice edit 82
- Engaging the easy full edit mode 82
- Custom voice edit 83
- The easy edit parameters 83
- Custom voice edit 84
- Envelop 84
- Clear custom voic 85
- Custom voice edit 85
- Store clear 85
- Custom voice edit 86
- E1 basic 86
- The full edit parameters 86
- Custom voice edit 87
- E2 controller 87
- Key on delay 87
- Pitch bend whee 87
- Volume 87
- Custom voice edit 88
- Initial touch curv 88
- Modulation whee 88
- Amplitude envelop 89
- Custom voice edit 89
- E3 envelope 89
- Custom voice edit 90
- Chorus dept 91
- Custom voice edit 91
- Delay vi 91
- Dsp effec 91
- E4 effects 91
- Reverb dept 91
- Clear custom voic 92
- Custom voice edit 92
- Store clear 92
- Custom voice edit 93
- The drum kit edit mode 93
- Disk operations 94
- Load from disk 94
- The psr 4000 disk button accesses a range of functions that are used for storage and retrieval of floppy disk data to select a disk operation first press the disk button then press the lcd button corresponding to the operation you want to perform 94
- Disk operations 95
- Disk operations 96
- Save to disk 96
- Disk operations 97
- Rename file song 97
- Disk operations 98
- Delete file song 99
- Disk operations 99
- Disk operations 100
- Format fd 100
- Song copy 100
- Disk operations 101
- General function selection editing procedure 102
- The psr 4000 function button selects 8 groups of functions that access a number of related parameters here s a list of the func tions and the manual page numbers on which they are described in detail 102
- The psr 4000 functions 102
- The exit butto 103
- The psr 4000 functions 103
- F1 scale arabic voice part 104
- Scale arabic 104
- Voice par 104
- F1 scale arabic voice part 105
- G octave 105
- F2 split point abc mode multi pad 106
- Split point abc mod 106
- F2 split point abc mode multi pad 107
- G chord match 107
- G repeat 107
- Multi pa 107
- F3 controller 108
- Foot controlle 108
- F3 controller 109
- When the sustain sostenuto or soft type is selected use the left r1 r2 and lead lcd l m controls to turn footswitch control for the corresponding parts on or off as required 109
- F3 controller 110
- G modulation wheel 110
- G pitch bend wheel 110
- G sustain button 110
- Panel controlle 110
- F3 controller 111
- G initial touch 111
- F4 style revoice 112
- G voice 112
- G volume offset 112
- This function allows you to revoice the currently selected style i e change the volume voice reverb depth and chorus depth settings for each accompaniment part style revoice settings are retained in memory if the memory backup parameter in the f7 utility page is on as long as a good set of backup batteries is installed 112
- F4 style revoice 113
- G chorus depth 113
- G reverb depth 113
- F5 reverb chorus dsp effect 114
- Reverb type dept 114
- F5 reverb chorus dsp effect 115
- G reverb depth 115
- G reverb parameter edit 115
- Chorus dept 116
- Dsp effect type dept 116
- F5 reverb chorus dsp effect 116
- G dsp effect type 116
- F5 reverb chorus dsp effect 117
- G dsp effect depth 117
- G dsp effect parameter edit 117
- F6 harmony registration 118
- Harmon 118
- Registratio 118
- F7 utility 119
- Memory backu 119
- Recall preset dat 119
- F8 midi 120
- System 120
- Clock transpos 121
- F8 midi 121
- G clock 121
- G start stop 121
- G transpose 121
- Message switc 121
- F8 midi 122
- G channel 122
- G exclusive 122
- G part 122
- G transmit monitor 122
- Transmit 122
- F8 midi 123
- G note control change program change pitch bend switch 123
- Lcd l m controls to turn transmission of the corresponding data on or off a check mark appears in the appropriate box when the corresponding switch is turned on 123
- These switches turn transmission of the speci fied data type on or off use the 123
- F8 midi 124
- G channel 124
- G mode 124
- G note control change program change pitch bend switch 124
- G receive monitor 124
- Receive 124
- F8 midi 125
- G note 125
- G octave 125
- G type select sub 125
- Panel control 125
- F8 midi 126
- Symptom possible cause solution 127
- Troubleshooting 127
- Voice list stimmenverzeichnis liste des voix lista de voces 130
- Voice list stimmenverzeichnis liste des voix lista de voces 131
- Voice list stimmenverzeichnis liste des voix lista de voces 132
- Indicates the content is the same as that of standard kit zeigt an daß der inhalt identisch mit dem standardset ist indique que le contenu est le même que celui du kit standard indica que el contenido es el mismo que el del juego estándar 133
- Percussion kit list verzeichnis der schlagzeug und percussion sets liste des kits de percussion lista de juegos de percusión 133
- Style list rhythmusverzeichnis liste des styles lista de estilos 134
- Setup parameters setup parameter paramètres de réglage général parámetros de ajuste 135
- Setup parameters setup parameter paramètres de réglage général parámetros de ajuste 136
- Setup parameters setup parameter paramètres de réglage général parámetros de ajuste 137
- Fingering chart akkordliste tablature gráfica de digitado 138
- Major dur majeur mayor 138
- Major seventh dur akkord mit großer septime majeure septième mayor de séptima 138
- Major seventh sharp eleventh dur akkord mit großer septime und übermäßiger undezime septième majeure onzième dièse mayor de séptima y onceava sostenida 138
- Noten in klammern können ausgelassen werden mit einem sternchenzeichen versehene akkorde können in jeder umkehrung gespielt werden d h der grundton muß nicht die tiefste angeschlagene note sein wenn sie drei nebeneinanderliegende tasten weiße und schwarze tasten anschlagen wird die akkordbegleitung unter drückt so daß lediglich der rhythmus zu hören ist überlegen sie sich bitte vor dem spielen eines stücks welche akkorde gebraucht werden bei akkorden die mit einem g gekennzeichnet sind ist unter umständen eine verlagerung des splitpunkts vorteilhaft um das greifen dieser akkorde zu erleichtern 138
- Notes in parentheses can be omitted chord types marked with an asterisk can be played in any inversion i e the root does not have to be the lowest note in the chord if you play any three adjacent keys including black keys the chord sound will be canceled and only the rhythm instruments will continue playing chord cancel function please determine which chords you are going to use before playing a song in the case of chords marked with a g it may be necessary to shift the split to allow easy fingering 138
- Sixth dur akkord mit hinzugefügter sexte sixte sexta 138
- Added ninth hinzugefügte none neuvième ajoutée novena añadida 139
- Augmented übermäßig augmenté aumentada 139
- Fingering chart akkordliste tablature gráfica de digitado 139
- Las notas entre paréntesis pueden omitirse los tipos de acordes marcados con un asterisco pueden reproducirse en cualquier inversión es decir la nota fundamental no tiene por qué ser la nota más baja del acorde si se tocan simultáneamente tres teclas adyacentes incluyendo teclas negras se cancelará el sonido del acorde y sólo seguirán sonando los instrumentos rítmicos función chrod cancel determine los acordes que se proponga utilizar antes de reproducir una canción en el caso de los acordes marcados con g puede resultar necesario desplazar la división para permitir un digitado más fácil 139
- Les notes entre parenthèses peuvent être omises les accords marqués d un astérisque peuvent être joués dans n importe qu elle inversion il n est pas nécessaire que la note fondamentale de l accord soit la note la plus basse si vous jouez trois touches adjacentes y compris les touches noires le son de la partie accords sera annulé et seuls les in struments rythmiques continueront à jouer fonction chord cancel annulation d accord veuillez déterminer quels accords que vous allez utiliser avant de commencer l exécution d un morceau dans le cas des accords marqués par g il peut s avérer nécessaire de déplacer le point de partage pour faciliter l exécution 139
- Major seventh ninth dur akkord mit großer septime und none neuvième sur septième majeure mayor de séptima y novena 139
- Six ninth dur akkord mit sexte und none neuvième sur sixte majeure sexta y novena 139
- Fingering chart akkordliste tablature gráfica de digitado 140
- Minor moll mineur menor 140
- Minor seventh flatted fifth moll septakkord mit verminderter quinte quinte diminuée sur mineure septième menor de séptima y quinta bemol 140
- Minor seventh moll septakkord mineure septième menor de séptima 140
- Minor sixth moll akkord mit hinzugefügter sexte mineure sixte menor de sexta 140
- Fingering chart akkordliste tablature gráfica de digitado 141
- Minor added ninth moll septakkord mit hinzugefügter none neuvième sur mineure menor de novena añadida 141
- Minor major seventh moll akkord mit großer septime septième majeure sur mineur menor mayor de séptima 141
- Minor seventh eleventh moll septakkord mit unidezime onzième sur septième mineure menor de séptima y onceava 141
- Minor seventh ninth moll septakkord mit none neuvième sur septième mineure menor de séptima y novena 141
- Diminished seventh verminderter septakkord septième diminuée séptima disminuida 142
- Diminished vermindert diminué disminuida 142
- Fingering chart akkordliste tablature gráfica de digitado 142
- Minor major seventh ninth moll akkord mit großer septime und none neuvième sur septième majeure sur mineur menor mayor de séptima y novena 142
- Seventh septakkord septième séptima 142
- Fingering chart akkordliste tablature gráfica de digitado 143
- Seventh flatted fifth dur septakkord mit verminderter quinte quinte diminuée en septième séptima y quinta bemol 143
- Seventh ninth dur septakkord mit none neuvième sur septième séptima y novena 143
- Seventh sharp eleventh dur septakkord mit übermäßiger unidezime septième onzième dièse séptima y onceava sostenida 143
- Seventh suspended fourth dur septakkord mit vorgehaltener quarte quarte sur septième sensible séptima y cuarta suspendida 143
- Fingering chart akkordliste tablature gráfica de digitado 144
- Seventh added flatted thir teenth dur septakkord mit hinzugefügter verminderter tredezime treizième diminuée ajoutée sur septième séptima y decimotercera bemol añadida 144
- Seventh added thirteenth dur septakkord mit hinzugefügter tredezime treizième ajoutée sur septième séptima y decimotercera añadida 144
- Seventh flatted ninth dur septakkord mit verminderter none neuvième diminuée en septième séptima y novena bemol 144
- Seventh sharp ninth dur septakkord mit übermäßiger none neuvième dièse sur septième séptima y novena sostenida 144
- Fingering chart akkordliste tablature gráfica de digitado 145
- Major seventh augmented dur akkord mit großer septime und übermäßiger quinte quinte sur septième majeure augmentée mayor de séptima y quinta aumentada 145
- One plus two plus five eines plus zwei plus fünf un deux cinq uno más dos más cinco 145
- Seventh augmented übermäßiger dur septakkord septième augmentée séptima aumentada 145
- Suspended fourth vorgehaltene quarte quarte sur sensible cuarta suspendida 145
- Fingering chart akkordliste tablature gráfica de digitado 146
- Flatted fifth dur akkord mit verminderter quinte quinte diminuée quinta bemol 146
- Major seventh flatted fifth dur akkord mit großer septime und verminderter quinte quinte diminuée sur majeure septième mayor de séptima y quinta bemol 146
- Minor major seventh flatted fifth moll akkord mit großer septime und verminderter quinte quinte diminuée sur septième majeure sur mineur menor mayor de séptima y quinta bemol 146
- Earyref early reflections effects are created using different groupings of early reflections the first cluster of reflections that occurs after the direct sound but before the dense reflections that are known as re verberation begin the gaterev gate reverb and revrsgat reverse gate effects combine reverb with a selectable gate 147
- The dsp effects parameters dsp effekte und parameter effets et paramètres dsp efectos de dsp y parámetros 147
- These are all reverberation reverb for short effects reverb is the warm musical ambience you expe rience when listening to music in a hall or other natural environment 147
- A traditional phaser effect producing a gentle phase shift sound that can be used to add extra animation to your sound 148
- Symphonic is a broad sweeping effect that adds a sense of scale to the sound 148
- The chorus effects combine delay and modulation to effectively thicken and add warmth to the sound flanging is a fairly pronounced effect based primarily on delay time modulation by adjusting the vari ous parameters you should be able to create an extremely broad range of sounds from gentle shimmering to wild sweeps 148
- The dsp effects parameters dsp effekte und parameter effets et paramètres dsp 148
- A fully automatic wah effect that can be set to produce a wide range of sounds 149
- Although tremolo effects these effects also include a pitch modulation depth parameter that can be used to add a touch of vibrato 149
- Efectos de dsp y parámetros 149
- These effects simulate the swirling sound of the rotary speakers often used with electronic organs 149
- This is a sophisticated pan program that allows creation of rotary pan in addition to straightfor ward pan effects 149
- Although similar to the delayl r effect echo features independent feedback level parameters for the left and right channels plus a high damp parameter that simulates the high frequency damping charac teristics of most natural acoustic environments 150
- In the delaylcr effect independent delays are provided for the left and right channels plus a center delay the delayl r variation provides independently programmable delays for the left and right chan nels 150
- The dsp effects parameters dsp effekte und parameter effets et paramètres dsp 150
- Both of these effects are based on a two band equalizer with independent high and low frequency and gain parameters 151
- Efectos de dsp y parámetros 151
- This is a cross delay effect in which the repeats from a sound in one channel are produced in the oppo site channel 151
- Two distortion effects that can drastically alter you sound 151
- Distortion and overdrive effects that can produce distortion ranging from subtle to sizzling 152
- The dsp effects parameters dsp effekte und parameter effets et paramètres dsp efectos de dsp y parámetros 152
- The karaoke effects are simple delay effects that simulate the type of echo used in most karaoke systems 152
- Midi implementation chart 153
- Midi implementation chart implementierungstabelle table d implémentation gráfico de implementación 153
- 1 the right1 right2 lead left harmony multi pad and accompaniment parts can be independently transmitted via the panel controls 154
- 2 the tone generator normally functions as a 16 channel multi timbre tone generator in response to midi input midi messages therefore do not normally affect the panel voices or other panel settings the midi messages listed below however do affect the panel voice style multi pad and song settings 154
- 3 limited to the range 21 108 on keyboard mode channels 154
- 4 bank select msb 154
- 5 these control change messages are not transmitted by the psr 4000 panel operation but may be transmitted by the accompani ment style playing 154
- 6 nrpn transmission reception the following parameters are supported 154
- 7 rpn transmission reception the following parameters are supported 154
- 8 pitch bend modulation expression sustain sostenuto and softpedal are returned to their default values clears current rpn and nrpn number settings resets portamento source note number 154
- Channel 10 is reserved for drum kit voices after a gm on mes sage is received no voice change occurs when only a bank change message is received the latest bank change message is applied when a program change message is received 154
- If msb data is 14h through 1fh it is applied as available data when the channel is set to the drum mode and when drum set up 2 or 3 is selected default set is set up 2 154
- Key on key off control change bank select right1 only modulation main volume right1 only expression sustain program change right1 only pitch bend all notes off 154
- Midi implementation chart implementierungstabelle table d implémentation gráfico de implementación 154
- Midi master tuning midi master volume master trans pose drum setup related exclusive messages system exclusive messages which change the reverb chorus or dsp effect settings 154
- Msb 00h lsb 00h preset gm tone generator msb 00h lsb 70h 7fh non gm preset panel voices msb 6fh lsb 60h 7fh custom voice orchestra voices msb 7fh lsb 00h preset drum kit voices msb 7fh lsb 6fh custom voice drum kit voices 154
- Note the psr 4000 contains 3 drum setups 1 3 drum setup 1 being the preset drum setup its parameters cannot be rewritten 154
- The keyboard mode can be selected via panel control note on off messages received on keyboard mode channels are han dled in the same way as note on off data from the internal key board only the following channel messages are recognized in this mode 154
- Midi data format midi datenformat format des donées midi 156
- Formato de datos midi 157
- Midi parameter change table drum setup 157
- Midi parameter change table multi part 157
- Chorus type 158
- G effect midi map 158
- Midi data format midi datenformat format des donées midi formato de datos midi 158
- Reverb type 158
- Variation type dsp effect 158
- G effect parameter list 159
- Midi data format midi datenformat format des donées midi formato de datos midi 159
- Basic type effects are different from dsp effect types appearing in the lcd display 160
- Midi data format midi datenformat format des donées midi formato de datos midi 160
- Only parameters 1 through 5 can be edited via panel control for effects which can be selected via panel control the 3 band equal izer is an exception to this rule 160
- Accompaniment 161
- Amplifier 161
- Connectors 161
- Demonstrations 161
- Dimensions w x h x d 161
- Display 161
- Expression effect 161
- Functions 161
- Keyboard 161
- Multi pad 161
- One touch setting 161
- Optional accessories 161
- Polyphony 161
- Registration memory 161
- Song play 161
- Song record 161
- Speakers 161
- Specifications technische daten spécifications especificaciones 161
- Supplied accessories 161
- Voices 161
- Weight 161
- Memo notizen notes memorandum 162
- Important safety instructions 163
- Information relating to personal injury electrical shock and fire hazard possibilities has been included in this list 163
- Please keep this manual 163
- Attention 164
- Canada 164
- Caution 164
- Connecting the plug and cord 164
- Fcc information u s a 164
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