![Kurzweil PC2 [51/170] Other editing functions](/img/pdf.png)
Kurzweil PC2 [51/170] Other editing functions
![Kurzweil PC2 [51/170] Other editing functions](/views2/2008899/page51/bg33.png)
Programming Your PC2
Basic Editing Concepts
4-7
MIDI Recv Menu
If youÕre playing the PC2 from another instrument or a sequencer, youÕll use the MIDI Recv
menu for enabling/disabling channels and assigning programs, as well as for adjusting volume,
pan, and wet/dry settings. Intuitive entry makes it easy to move from channel to channel within
the menu.
1. Press and hold MIDI Recv.
2. Press any of the Sound/Setup Select buttons (1Ð16). This selects the Þrst set of parameters
(On/Off and program assignment) for the corresponding MIDI channel.
Other Editing Functions
Comparing
Any time you make a change while editing an object, you can easily compare it to the original
object, which is extremely useful for determining whether you want to keep the change.
1. Enter an editor, and change the value of a parameter.
2. Press Compare. The PC2 restores the previous value of the parameter. To remind you that
youÕre listening to the unedited value, the Compare button blinks, and the top line of the
display shows
Comp.
3. Press Compare again, and PC2 restores your edited value.
The Compare function focuses on your current change, so you can easily recognize it without
hearing the effects of other changes you may have made. HereÕs an example.
1. In Internal Voices mode, select a program with a crisp attack and a short release. Program
040 Clav Classic works well for this example.
2. Press the Envelope button to enter the Program Editor.
3. Change the value of the Attack parameter to its minimum (crank the Alpha Wheel to the
left a few turns). Now you have to hold a key down for the note to reach its full
amplitude.
4. Press Compare. The display shows the previous value, and you hear the quick attack.
5. Press Compare again. The slow attack returns.
6. Press > twice to display the Release parameter.
7. Change the value to its minimum. Now both the attack and the release are slow.
8. Press Compare. Both the slow attack and the slow release are gone.
9. Press Compare again, and the slow attack and release both return.
Содержание
- Kurzweil pc2 1
- Musician s guide 1
- Part number 910345 rev a 1
- Caution 2
- Important safety installation instructions 2
- Instructions pertaining to the risk of fire electric shock or injury to persons 2
- Radio and television interference 2
- Save these instructions 2
- Young chang distributors 3
- Chapter 1 introduction 5
- Chapter 2 startup 5
- Chapter 3 performance features 5
- Contents 5
- Chapter 4 programming your pc2 6
- Appendix a maintenance and upgrades 8
- Chapter 5 descriptions of parameters 8
- Appendix b reference 9
- Basic pc2 features 11
- Chapter 1 introduction 11
- Introduction 11
- Keyboard and controllers 11
- The sound 11
- Breath controller 12
- Effects 12
- Music rack 12
- Options 12
- Pedals 12
- Polyphony expansion board 12
- Ribbon controller 12
- Sound rom cards 12
- Unpacking your pc2 13
- Chapter 2 startup 15
- Installing the music rack 15
- Startup 15
- Basic connections 16
- Midi out thru 18
- Pedals 18
- Using the pc2 as a midi master 18
- Using the pc2 as a midi slave 18
- Breath 19
- Ribbon 19
- Bank 0 internal 1a 000 stereo grand 20
- Digital output 20
- Display lcd 20
- Playing the demo sequences 20
- Powering up 20
- Software upgrades 20
- Battery voltage is low 2 volts 21
- Low battery 21
- No sound 21
- No text in display 21
- Troubleshooting 21
- No sound from receiving instrument 22
- Chapter 3 performance features 23
- In this chapter 23
- Overview 23
- Performance features 23
- Editors 24
- Effects and eq 24
- Objects 24
- The internal setup 24
- Figure 3 1 the pc2 25
- Physical controllers 25
- The buttons wheels and sliders on the front panel control your pc2 both during performances and when youõre editing figure 3 1 identiþes everything 25
- The front panel 25
- The onboard continuous controllers include pitch wheel modulation wheel four sliders and mono pressure aftertouch there are also four jacks on the rear panel for connecting two continuous controller pedals a breath controller and a ribbon controller these continuous controllers are also fully programmable with an extensive choice of options 25
- The pc2 provides a wide variety of physical controllers for modifying your sound as you play there are two basic types switch and continuous switch controllers generate midi messages with one of two possible values on 127 and off 0 continuous controllers generate midi messages with values from 0 to 127 25
- The pc2õs onboard switch controllers include þve programmable buttons labeled sw1 ð sw5 you can make these buttons momentary they stay on only when you press and hold them or toggle they alternate between on and off each time you press them each of these buttons has a red led that lights up when the button is on these buttons have preset functions in each performance mode but you can reprogram them to do all sorts of things 25
- There are jacks on the rear panel for up to three switch pedals the pc2 comes from the factory with one switch pedal these pedals can also be programmed to be momentary or toggle and can control a wide range of performance features 25
- Common features 26
- Data entry 26
- Master volume slider 26
- System 26
- Effects 27
- Functions 27
- Sound source 27
- Bank 0 internal 1a 000 stereo grand 28
- Mode dependent features 28
- S001 dance c7 a01 1 beat box 28
- The display lcd 28
- 000 kb3 template l 888888888 cv chor1 29
- Cursor buttons 30
- Sound parameters 30
- Sound setup select 30
- Zone parameters 30
- Zone select and assignable controllers 31
- S002 unison line a02 1 big brass 33
- Internal voices mode and kb3 mode 35
- Midi setups mode 35
- Other selection methods 35
- Selecting programs and setups 35
- Activating effects 36
- Changing the eq 36
- Effects 36
- Eq low mid high 0db 0db 0db 36
- Changing effects 37
- Fxa select voices 61 classic chapel 37
- Muting effects 37
- B 22 a 64 b 36 38
- Wet dry mix 38
- Layering and splitting 39
- Using autosplit for quick layers and splits 39
- How autosplit works 40
- Save setup 129 a01 setup 129 40
- Saving quick layers and splits 40
- Autosplit key g 3 41
- Changing the autosplit key without editing 41
- Muting and soloing 41
- Saving the autosplit key 41
- Muting 42
- Soloing 42
- The autosplit feature 42
- Digital audio output 43
- Save setup 133 a05 setup 133 43
- Save to internal voices 43
- Saving the internal setup 43
- Basic editing concepts 45
- Beginning to edit 45
- Chapter 4 programming your pc2 45
- Navigation 45
- Overview 45
- Programming your pc2 45
- Data entry 46
- Naming and storing 46
- Deleting objects 47
- Other save dialog functions 47
- Restoring factory effects 47
- Dumping objects 48
- Intuitive entry 49
- Short cuts for data entry 49
- Short cuts for navigation 50
- Comparing 51
- Other editing functions 51
- Copying and pasting 52
- Dumping the entire memory 53
- More about sysex dumps 53
- Sysex ids 53
- Entering the program editor 54
- Lyr 1 lp filt1 freq f 5 740hz 54
- Program editing basics 54
- The program editor 54
- 5 piano mp left 55
- Keymaps 55
- Muting and soloing layers 55
- The current layer 55
- Beyond the basics 56
- Exiting the program editor 56
- Storing effects 56
- The setup editor 56
- Creating setups 57
- Entering the setup editor 57
- The default setup and the clear setup 57
- Zone 3 0 105 midi channel 03 57
- Save setup 129 a01 default setup 58
- Setting initial volume levels for different zones 58
- Zone 2 0 064 entry volume 127 58
- Assigning entry values 59
- Assigning sliders to control wet dry mix in different zones 59
- Zone 1 slider a ctrl num none 59
- A few important points about entry values 60
- Multiple controller function 61
- Crossfades 62
- Offset vs scale 62
- Switching setups with a pedal 63
- Velocity layering 63
- Velocity switching 63
- Editing the percussion parameters 64
- The kb3 editor 64
- Transposing a setup with a button 64
- Effects change mode 65
- Setting the effects change mode 65
- The effects editor 65
- Entering the effects editor 66
- Fxa select voices 1 nice little booth 66
- Selecting different effects 66
- Editing effects parameters 67
- Kb3 effects 67
- Saving effects 67
- Replace effects 30 digital e piano 68
- Save voice n digital e piano 68
- Common editing tasks 69
- Making effects active at program or setup selection 69
- Other effects editor functions 69
- Turning autosplit on and off 69
- Changing preset drawbar values 70
- Changing the values of preset drawbars 70
- Controlling vibrato and tremolo with lfos 70
- Making drawbars live 70
- Using mono audio output 70
- Editing the internal setup 71
- Using the arpeggiator 71
- Zone 1 auto 0 000 transposition 0 71
- Arpeggiator region note processing zone enablers 72
- Using pressure aftertouch as an arpeggiator controller 73
- Using the arpeggiator with a sequencer or external controller 73
- Sending bank select and program change messages 74
- Understanding bank select controllers 74
- Using the pc2 to control external slaves 74
- Sending program changes only 76
- Global method 77
- Preventing program changes on slaves 77
- Setup method 77
- Turn local control off 77
- Working with an external sequencer 77
- Recording to a sequencer while in midi setups mode 78
- Troubleshooting 78
- Chapter 5 descriptions of parameters 81
- Descriptions of parameters 81
- Keymap 81
- Program editor parameters 81
- The timbre menu 81
- Dsp parameters 82
- Initial value init value 82
- Key range low key range hi 82
- Keymap r 82
- Volume amp 82
- Attack 83
- Release 83
- The envelope menu 83
- The lfo menu 83
- Lfo1 rate 84
- Lfo1 shape 84
- Lfo2 glfo rate 84
- Lfo2 glfo shape 84
- Rotor effects high rate 84
- Rotor effects low adjust 84
- Rotor effects low rate 84
- The lfo menu rotor effects parameters 84
- Destination dest 85
- Midi channel 85
- Rotor effects high adjust 85
- Setup editor parameters 85
- The midi xmit menu 85
- Auxiliary bend 1 down auxbnd1 dwn 86
- Auxiliary bend 1 up auxbnd1 up 86
- Auxiliary bend 2 range auxbnd2 rng 86
- Bend range cents bndrng ct 86
- Bend range semitones bndrng st 86
- The program menu 86
- Bank mode 87
- Entry transmit 87
- Program id and name no parameter name shown 87
- Program id display format pnumdisp 88
- Program name display format pnamedisp 88
- Autosplit 89
- Low and hi 89
- Note map 89
- The key range menu 89
- A bit of background 90
- Autosplit key 90
- The transpose menu 90
- The velocity menu 90
- Transposition 90
- Velocity offset vel offset 91
- Velocity scale vel scale 91
- Minimum velocity min and maximum velocity max 93
- Velocity curve vel curve 93
- Entry volume 94
- The controllers menu 94
- Controller curve ctrl curve 95
- Controller offset ctrl offset 95
- Controller scale ctrl scale 95
- Entry value 95
- Midi controller number ctrl num 95
- The controllers menu continuous controller parameters 95
- Exit value 96
- Ribbon section configuration ribbon sect 96
- Spring switch 96
- The controllers menu ribbon controller parameters 96
- Ribbon mode 97
- Spring position spring pos 97
- Switch type swtype 97
- The controllers menu switch controller parameters 97
- Entry state 98
- Exit state 98
- Off controller off ctrl 98
- Off value 98
- On controller on ctrl 98
- On value 98
- Switch button priority 98
- Arpeggiator activation arp active 99
- Arpeggiator region lower limit low and upper limit hi 99
- Latch mode 99
- The arpeggiator menu 99
- Zone enable 99
- Play order 100
- Initial tempo 101
- Duration 102
- Fixed velocity fixed vel 102
- Note shift 102
- Shift limit 102
- Velocity mode vel mode 102
- After transposing to the shift limit the arpeggiator begins shifting notes in the opposite direction until it reaches the original pitch where it reverses again to determine the next note when it reaches the shift limit the arpeggiator calculates the interval between the shift limit and what the next note would be if the shift limit werenõt there it then plays the note that is the calculated interval lower if reversing from upward transposition than the last note before the shift limit the same thing happens in reverse when the arpeggiated notes get back to the original pitch the following table makes this easier to visualize by showing the result of arpeggiating one note c4 in unipolar mode with note shift set to 3 st and various values for shift limit 103
- Causes the arpeggiator to return to its original pitch and repeat the latched cycle of notes transposing each cycle according to the settings for note shift and shift limit if the limit allows the notes to go out of midi range for example if you set shift to 12 set the limit to 80 and play c4 then those òghostó notes donõt sound but they take up rhythmic space the arpeggiator waits for the cycle to play itself out before starting over 103
- Causes the arpeggiator to stop the arpeggiation when it reaches the shift limit 103
- Descriptions of parameters 103
- Determines what the arpeggiator does when it has shifted the currently latched notes up or down to the shift limit there are seven possible values 103
- Limit option limit opt 103
- Setup editor parameters 103
- Starts out the same way as unipolar but during downward note shifting it continues past the original pitch until it hits the shift limit in the opposite direction where it reverses again 103
- Effects editor parameters 104
- Fxa select 104
- Fxb select 104
- Glissando 104
- Effect id and name 105
- Effects change mode fx chg mode 105
- Effects channel fx channel 105
- Fxa b select 105
- Parameters for current effect variable 105
- Stored effects stored fx 106
- Chorus vibrato chor vib 107
- Drawbarmode 107
- Kb3 editor parameters 107
- Organmap 107
- The timbre menu 107
- Wheel volume map wheelvolmap 107
- Drawbars 1 9 drawbar 108
- Drawbarsteps 108
- Keyclick 108
- Keyclick volume keyclickvol 108
- Leakage 108
- Preamp response preampresp 108
- The envelope menu 108
- Adjusts the amplitude of the organ relative to the amplitude of the percussion effect 109
- Controls the attack characteristic of kb3 notes 109
- Controls the release characteristic of notes 109
- For each combination there are three parameters 109
- Hard attack level for percussion only notes without percussion use a normal attack 109
- Instant attack with audible click in addition to any amount of key click speciþed with the keyclick and keyclickvol parameters you might want to set keyclick to 109
- Instant release with audible click 109
- Noteattack 109
- Noterelease 109
- Sets the absolute level of the percussion effect 109
- Sets the decay rate of the percussion effectñthat is how long it takes to fade to silence 109
- Smoothed attack 109
- Smoothed release 109
- The envelope menu percussion parameters 109
- There are four possible combinations of percussion effects the following table lists these combinations and indicates which set of parameters corresponds to each combination 109
- Volume adjust vol adj 109
- When you use this setting 109
- Envelope menu percussion pitch parameters 110
- High harmonic high harm 110
- Local control 110
- Low harmonic low harm 110
- Steal bar 110
- System parameters 110
- The global menu 110
- The lfo menu 110
- Change setups chg setups 111
- Transmit clock 111
- Midi in 112
- Setup change channel setup chg chan 112
- Wrap skip 112
- Bank select controller bank sel ctl 113
- Drum remap 113
- Exit save 113
- Kb3 midi chan 113
- Receive transposition recv trans 113
- Tuning 113
- Allnotesoff 114
- Device id 114
- Digital output channel status digout chanstat 114
- Digital output mode digout mode 114
- Output mode 114
- Xmit buttons 114
- Available ram mem avail 115
- Digital output level digout level 115
- Digital output shaping digout shaping 115
- Digital output width digout width 115
- Dump all objects 115
- Expansion block 1 exp1 115
- Expansion block 2 exp2 115
- Keyboard version ver 115
- Pc2 model 115
- Reset pc2 115
- Channel activation no parameter name shown 116
- Fx a wet dry mix a 116
- Fx b wet dry mix b 116
- Midiscope 116
- Program id and name no parameter name shown 116
- The midi recv menu 116
- Volume vol 116
- Appendix a maintenance and upgrades 117
- Before you begin 117
- Installing the battery 117
- Maintenance and upgrades 117
- Opening your pc2 117
- Replacing the battery 117
- About software upgrades 119
- Boot block 119
- Powering up 119
- Replacing the option panel 119
- Starting the boot block 119
- Installing a new boot block 120
- Installing an operating system or setups 120
- Setting up for a software upgrade 120
- Installing sound rom options 121
- Resetting the pc2 121
- Running the diagnostics 121
- Appendix b reference 123
- Electrical specifications 123
- Electrical specifications 123
- Physical specifications 123
- Physical specifications 123
- Power consumption 123
- Reference 123
- Specifications 123
- Specifications 123
- Voltage and frequency ranges 123
- Audio specifications 124
- Audio specifications 124
- Digital audio output 124
- Environmental specifications 124
- Environmental specifications 124
- Headphone output 124
- Line level left and right analog audio outputs 124
- Reference 124
- Specifications 124
- Parameter group subgroup if any parameter range of values default 125
- Parameter reference 125
- Reference 125
- Parameter group subgroup if any parameter range of values default 126
- Parameter reference 126
- Reference 126
- Parameter group subgroup if any parameter range of values default 127
- Parameter reference 127
- Reference 127
- Parameter group subgroup if any parameter range of values default 128
- Parameter reference 128
- Reference 128
- Parameter group subgroup if any parameter range of values default 129
- Parameter reference 129
- Reference 129
- Pc2 audio signal routing 130
- Reference 130
- Midi controllers 131
- Reference 131
- Special controllers 131
- The controllers in the following table are not midi controllers the numerals indicate the buttonpad entries that select the corresponding controllers 131
- Kb3 controllers 132
- Kb3 program feature midi controller number 132
- Thereõs a subset of the midi controller numbers dedicated to controlling kb3 features the þrst column in the following table lists the controller numbers that kb3 programs always respond to kb3 programs also respond to the controller numbers in the second column these are the controller numbers that the voceª midi drawbar controller uses to control common tone wheel organ features whatever kind of external midi source youõre using you can use the midi controller numbers in either the second or third column to control the corresponding kb3 feature in the þrst column for example to control drawbar 1 you can send either midi 6 or midi 12 132
- Keymap 909 is used in the program 127 sine which is intended only for diagnostic purposes it s not useful as a program keymap 133
- Pc2 keymaps 133
- Reference 133
- Pc2 effects and effects parameters 134
- Reference 134
- Reverb 134
- Chorus 135
- Id effect param1 param2 param3 param4 135
- Pc2 effects and effects parameters 135
- Reference 135
- Chorus delay 136
- Flange 136
- Pc2 effects and effects parameters 136
- Reference 136
- Ð233 can be combined to create chorus delay reverb multi effects 136
- Chorus delay reverb 137
- Chorus reverb 137
- Flange delay 137
- Flange reverb 137
- Pc2 effects and effects parameters 137
- Reference 137
- Ð283 can be combined to create flange delay reverb and other multi effects 137
- Filters 138
- Flange and other 138
- Flange delay reverb 138
- Id effect param1 param2 param3 param4 138
- Laserverb 138
- Pc2 effects and effects parameters 138
- Reference 138
- Compressor 139
- Distortion 139
- Enhancer 139
- Id effect param1 param2 param3 param4 139
- Pc2 effects and effects parameters 139
- Reference 139
- Simple motion 139
- Spatial 139
- Id effect param1 param2 param3 param4 140
- Pc2 effects and effects parameters 140
- Reference 140
- Rotary speaker 140
- Manufacturer date 3 1 00 young chang version 1 digital synthesizers 141
- Midi implementation chart 141
- Model kurzweil pc2 pc2x 141
- Appendix c pc2 programs and controller assignments 143
- Factory controller assignments 143
- Pc2 programs and controller assignments 143
- Programs and controllers 143
- Pc2 programs and controller assignments 144
- Programs and controllers 144
- Pc2 programs and controller assignments 145
- Programs and controllers 145
- Pc2 programs and controller assignments 146
- Programs and controllers 146
- Pc2 programs and controller assignments 147
- Programs and controllers 147
- Pc2 programs and controller assignments 148
- Programs and controllers 148
- Pc2 programs and controller assignments 149
- Programs and controllers 149
- Pc2 programs and controller assignments 150
- Programs and controllers 150
- Pc2 programs and controller assignments 151
- Programs and controllers 151
- Pc2 programs and controller assignments 152
- Programs and controllers 152
- Pc2 programs and controller assignments 153
- Programs and controllers 153
- Pc2 programs and controller assignments 154
- Programs and controllers 154
- Pc2 programs and controller assignments 155
- Programs and controllers 155
- Pc2 programs and controller assignments 156
- Programs and controllers 156
- Pc2 programs and controller assignments 157
- Programs and controllers 157
- Pc2 programs and controller assignments 158
- Programs and controllers 158
- Pc2 programs and controller assignments 159
- Programs and controllers 159
- Pc2 programs and controller assignments 160
- Programs and controllers 160
- Pc2 programs and controller assignments 161
- Programs and controllers 161
- Kurzweil pc2 musician s guide 163
- Kurzweil pc2 musician s guide 164
- Kurzweil pc2 musician s guide 165
- Kurzweil pc2 musician s guide 166
- Index of parameters 167
- Kurzweil pc2 musician s guide 167
- Kurzweil pc2 musician s guide 168
- Kurzweil pc2 musician s guide 169
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